Much Ado About Jessie Kaplan: A Novel

Much Ado About Jessie Kaplan: A Novel

by Paula Marantz Cohen
Much Ado About Jessie Kaplan: A Novel

Much Ado About Jessie Kaplan: A Novel

by Paula Marantz Cohen

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Overview

Paula Marantz Cohen's triumphant first novel, Jane Austen in Boca, was an inspired blend of classic English literature and modern American manners. Her new novel heads north to the seemingly quiet suburban town of Cherry Hill, New Jersey, for a comedy that even Shakespeare couldn't have imagined.

Carla Goodman is worried. Her husband, a gastroenterologist in private practice, is coming home frazzled because medicine isn't what it used to be. Her son's teachers want to put him on Ritalin to stop him from wreaking havoc on the fifth grade. And her cranky twelve-year-old daughter has a bas mitzvah coming up.

But it's Carla's sweet, widowed mother, Jessie Kaplan, who really has her baffled. Jessie has suddenly "remembered" that she was Shakespeare's girlfriend---the Dark Lady of the sonnets---in a previous life. Can even the famed Dr. Leonard Samuels, psychiatrist and author of the self-help book How I Stopped Worrying and Learned to Love My Mother-in-Law, help with problems like these?

Witty, engaging, and wickedly observant, Much Ado About Jessie Kaplan is an unpredictable tale of love, loss, and family rites of passage.


Product Details

ISBN-13: 9781429903004
Publisher: St. Martin's Publishing Group
Publication date: 04/01/2007
Sold by: Macmillan
Format: eBook
Pages: 288
File size: 341 KB

About the Author

Paula Marantz Cohen is Distinguished Professor of English at Drexel University in Philadelphia. She is the author of five nonfiction books, including Silent Film and the Triumph of the American Myth and The Daughter as Reader: Encounters Between Literature and Life, as well as the novel Jane Austen in Boca. She lives in Moorestown, New Jersey, with her husband and two children.


Paula Marantz Cohen is Distinguished Professor of English at Drexel University in Philadelphia. She is the author of the novels, Jane Austen in Boca, Jane Austen in Scarsdale, and Much Ado About Jessie Kaplan, and four scholarly works of nonfiction, including Silent Film and the Triumph of the American Myth and The Daughter as Reader: Encounters Between Literature and Life. She lives in Moorestown, New Jersey, with her husband and two children.

Read an Excerpt


Carla Goodman was worried.

She knew she had much to be thankful for: a nice home, a good marriage, two beautiful children. She even had a close relationship with her mother, whom her husband actually liked.

But lately, there were problems.

First, her husband was coming home from work frazzled and depressed. A gastroenterologist in private practice, he should have been free from worries about making a living. But medicine wasn't what it used to be. "It's one thing to look up butts and get rich," Mark complained wearily. "It's another to do it for nickels and dimes."

Then there was Jeffrey, their ten-year-old, on his way to becoming a fifth-grade delinquent. Each week, Jeffrey's backpack released an avalanche of notes from his teachers. "Dear Mrs. Goodman," one recent note read, "Your son's poking of the girls with pencils is unacceptable. Please apprise him of the dangers of lead poisoning and the fact that several of his victims' parents are lawyers."

If this weren't enough, there was Stephanie, aged twelve, who existed in what seemed to Carla like a perpetual state of PMS. Stephanie's bat mitzvah was only months away, but the unpredictability of her moods-which often revolved around whether she was having a good or a bad hair day-meant planning this event required the tactical insight and diplomacy of a seasoned military strategist.

But these were all everyday problems, part of the expected stresses and strains of life. The business with her mother was another story. Carla found it confusing, disturbing, even (truth be told) scary.

She had noticed the first sign that something was wrong one evening a few months after her mother had moved in with them. The afternoon of that day had been uneventful-which is to say, no more nerve-wracking than usual. She and Stephanie had spent several hours fighting in a stationery store in an upscale strip mall on Route 73 in Cherry Hill, New Jersey....


ri0
Chapter One


This one looks nice."

"I hate it!"

"How about this one?"

"No!"

Carla and Stephanie were leafing through a sample book in the fancy stationery store, trying to pick out an invitation for Stephanie's bat mitzvah.

Things were not going well.

What Carla liked, Stephanie hated, and what Stephanie liked, Carla couldn't help saying, "Are you sure that's what you want?"-a question guaranteed to drive any daughter crazy.

Carla hadn't thought that picking out an invitation would be so complicated. How hard could it be to choose a good paper stock with a colored border and some curly type?

But she had failed to take several things into account.

For one thing, invitations were not as simple as they used to be. Now, not only was there a dizzying array of paper stocks, borders, and typescripts to consider, but ornamental features like gold leaf, ribbons, and stars; whimsical inserts like confetti, whistles, and gold coins; and high-concept design elements like holograms, taped messages, and scratch-and-sniff panels.

Then, there was the additional complication posed by the bat mitzvah girl herself. Stephanie Goodman was at that highly sensitive and volatile age where choices of any kind tended to stress her out. The many trivial, hard-to-differentiate variables involved in picking out a bat mitzvah invitation were just the sort of thing liable to cause a meltdown.

"What's wrong with this one?" Carla held up a sample invitation with a pink border and a matching pink bow. A little packet of pink sparkles was also included as a "fun feature"-guaranteed to spray out when the envelope was opened, get embedded in the recipient's sweater, and remain there through numerous dry cleanings.

"Too girly," pronounced Stephanie.

"And what's wrong with girly?" asked Carla, succumbing to sarcasm: "You're a girl, aren't you?" In point of fact, Stephanie and her friends liked to advertise their gender-what with the 0makeup, the tight-fitting tops, and the heavy dousings of cheap perfume that, in the words of Carla's husband, Mark, made the car (when he drove them to their favored destinations, Friendly's and Starbucks) smell like a French cathouse. Yet for some reason, certain tried-and-true artifacts of girlhood had been thrown by the wayside. The color pink was one of them.

"I like the turquoise," said Stephanie, ignoring her mother's remark (in Stephanie's world, mothers weren't allowed to be sarcastic).

"That's nice." Carla tried to sound noncommittal.

"You don't like it!"

"The turquoise is fine."

"You're lying! You don't like it!"

"What does it matter what I like? It's what you like that counts."

"I don't like the turquoise," said Stephanie with sudden decisiveness. "I like this one." She pointed to an invitation with pinkish trim and a pinkish bow, similar to the one Carla had just picked out.

"Lavender is very popular," said the salesgirl diplomatically.

"Yes," said Stephanie, glad to see her choice-in actuality pink-identified as not pink. "I like the lavender."

"So that settles it," said Carla with relief.

"Lisa's invitation had her voice recorded in it," Stephanie noted, not content to close the case so easily.

"We have speaking invitations," said the salesgirl. "They're really neat."

Carla felt like swatting the girl, whose skin-tight jeans and heavy eyeliner-not to mention the fact that she wasn't a day over twenty-three-obviously gave her an unfair advantage. "No speaking invitations," she said firmly. "Everyone we plan to invite knows how to read."

"I was just asking!" said Stephanie. "I wasn't necessarily saying I had to have them."

"Well, you aren't going to."

"I didn't say I wanted them. I was just asking." Stephanie's voice had grown shrill but she managed to mutter under her breath, "You're so mean! I hate you!"

Carla held herself back from responding. All the books said that the teenagers' goal was to get the parents angry and on the defensive. It was important not to let them win-or at least know they had. Carla pursed her lips and handed the salesgirl her credit card.

"Do you have a ballpark figure of how many you plan to send out?" asked the salesgirl sweetly.

Carla sighed and shook her head. The original plan had been for a modest brunch-the modest brunch being the common starting point for all bar and bat mitzvahs, though none ever seemed to take this form. In the Goodmans' case, the brunch had been nixed by Mark's parents, who had argued that they and their friends weren't about to schlep up from Florida to have the event over on Saturday afternoon. Better to do an evening affair, with a nice spread for the out-of-towners the next morning to stretch things out.

Once an evening affair was settled on, other variables followed in inevitable succession: a sit-down meal, a band as well as a deejay, a prima-donna entertainment coordinator with entertainment facilitators in matching outfits-not to mention high-end favors, prizes, and other specialty items that the bar mitzvah marketers stipulated as de rigueur for evening affairs.

"It takes on a life of its own," said Carla's friend Jill Rosenberg, who was still recuperating from her son Josh's bar mitzvah a year ago. "But you don't want to fight it. If you resist, they make you feel guilty, so it's better to give in and go with the flow."

Carla had taken Jill's advice and watched unprotestingly as the guest list grew and grew. Stephanie's list alone drew from three substantial constituencies: her camp friends, her middle-school friends, and her Hebrew-school friends-each group to be treated as inviolable and not to be mixed under any circumstances.

Mark's list was also substantial. He had to invite all the referring doctors in his hospital (or risk never getting a referral again) and those nurses who had dropped hints as to how they'd love to observe this wonderful Jewish ritual (or risk their developing weird scenarios as to what went on when so many Jews got together in one place).

Carla's mother, Jessie, planned to invite large contingents from both sides of her family. This included the highly sensitive Scarsdale Lubenthals-to omit one was to bring down the ire of the entire clan-and the lively but disreputable Brooklyn Katzes, likely to show up with new spouses, a doubling effect in itself.

Carla's in-laws seemed intent on inviting practically everyone in their condominium community in Southeast Florida, including people they frankly detested.

"Invite them," her mother-in-law said. "They won't come anyway and it'll make them feel bad for not inviting us to their grandchildren's."

"But what if they do come?" Carla protested. She had learned from friends that people were unpredictable that way and you never knew when someone might be in the mood to hop on a plane and go to a bat mitzvah. Just the other day she had heard a horror story about a woman who invited her husband's cousins in Venezuela, and had them all show up on her doorstep the morning of the affair.

"If they come, you add a few more tables," her mother-in-law counseled lightly. Carla's in-laws were always making such casual pronouncements, until they saw the bill and were appalled. Carla thought they might be suffering from a rare form of Alzheimer's in which their memory was affected only with regard to what things cost.

Finally, there was the associative principle attached to the invitations. This was the principle whereby asking X meant having to ask Y and Z, who would be mortally offended if they found that X was invited and they weren't. In short, each invitee immediately spawned two or three more, making compiling the guest list akin to the breeding of rabbits.

"How about a five-hundred-dollar down payment?" said the salesgirl, noting that Carla's eyes had glazed over at the prospect of giving an estimate. "We can make up the difference when you have the exact count."

Carla said this would be fine.

"And if you need to change any of the options, we'd be more than happy to accommodate. It's such an important event; we want the bat mitzvah girl to have everything she wants."

The salesgirl glanced slyly at Stephanie and her mother as she spoke. She was close enough to her own bat mitzvah to know that what the bat mitzvah girl wants wasn't always in line with what the mother of the bat mitzvah girl thinks is appropriate. The prospect of a clash of wills filled the air as she saw Carla and Stephanie dart angry looks at each other. It was nice to think that certain things remained the same, mused the salesgirl. Even as you grew older and the world changed around you, others followed in your footsteps and repeated the age-old patterns. That's what rituals were all about, weren't they?


Copyright 2004 by Paula Marantz Cohen

Reading Group Guide

Paula Marantz Cohen's triumphant first novel, Jane Austen in Boca, was an inspired blend of classic English literature and modern American manners. Her new novel heads north to the seemingly quiet suburban town of Cherry Hill, New Jersey, for a comedy that even Shakespeare couldn't have imagined.

Carla Goodman is worried. Her husband, a gastroenterologist in private practice, is coming home frazzled because medicine isn't what it used to be. Her son's teachers want to put him on Ritalin to stop him from wreaking havoc on the fifth grade. And her cranky twelve-year-old daughter has a bas mitzvah coming up.

But it's Carla's sweet, widowed mother, Jessie Kaplan, who really has her baffled. Jessie has suddenly "remembered" that she was Shakespeare's girlfriend—the Dark Lady of the sonnets—in a previous life. Can even the famed Dr. Leonard Samuels, psychiatrist and author of the self-help book How I Stopped Worrying and Learned to Love My Mother-in-Law, help with problems like these?
Witty, engaging, and wickedly observant, Much Ado About Jessie Kaplan is an unpredictable tale of
love, loss, and family rites of passage.

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