Networks of sound, style and subversion: The punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80

by Nick Crossley

Overview

This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of ‘critical mass’, ‘social networks’ and ‘music worlds’, and using sophisticated techniques of ‘social network analysis’, it teases out the events and mechanisms involved in punk’s ‘micro-mobilisation’, its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of ‘music worlds’.

Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.

Product Details

ISBN-13:	9780719088650
Publisher:	Manchester University Press
Publication date:	02/01/2015
Series:	Music and Society
Pages:	288
Product dimensions:	6.00(w) x 9.00(h) x 1.10(d)

About the Author

Nick Crossley is Professor of Sociology at the University of Manchester

Table of Contents

1 Introduction
2 Music worlds
3 Explaining punk: a review of existing accounts
4 Theorising micro-mobilisation: critical mass, collective effervescence, social networks and social space
5 Micro-mobilisation and the network structure of the London punk world
6 The evolution of the London network
7 Punk goes national: broadcast networks, media and moral panic
8 From Punk to post-punk: a tale of three cities
9 Joining the dots: post-punk worlds as networks
10 The small world of British post-punk
11 Conclusion
Index

Editorial Reviews

"This book should appeal ultimately not just to scholars of punk or post-punk, but also to anyone interested in the process through which musical styles emerge." - Brian F. Wright, Fairmont State University, Quarterly Journal of the Music Library Association, June 2016

"This is the most recent contribution to punk scholarship and in many ways one of the most sophisticated, both in terms of empirical research and data analysis." - WILKINSON, D., WORLEY, M. and STREET, J. (2016) "I Wanna See Some History": Recent Writing on British Punk', Contemporary European History, pp. 1-15

From the Publisher