Table of Contents
Chapter 1 Introduction, Gavin Carver, Colin Beardon; Chapter 2 The importance of being interactive, Mark Coniglio; Chapter 3 The digital double, Steve Dixon; Chapter 4 The emergence of hyper-reality in performance, Kjell Yngve Petersen; Chapter 5 The technology of the real, Jackie Smart; Chapter 6 Halving angels: technology’s poem, Jools Gilson-Ellis, Richard Povall; Chapter 7 The Performance Animation Toolbox, Jørgen Callesen, Marika Kajo, Katrine Nilsen; Chapter 8 Theatre of context, Jeff Burke, Jared Stein; Chapter 9 Haunting the movie, Toni Dove; Chapter 10 Play it again, Sam, Michael Nitsche, Maureen Thomas; Chapter 11 Sorcerers’ Apprentice, Jane Harris, Bernard Walsh; Chapter 12 Turning conventional theatre inside out, Christie Carson; Chapter 13 New visions in performance, Gavin Carver, Colin Beardon;
