In his essay lamenting the loss of the Tijuana of his youth, Richard Mora remembers festive nights on Avenida Revolución, where tourists mingled with locals at bars. Now, the tourists are gone, as are the indigenous street vendors who sold handmade crafts along the wide boulevard. Instead, the streets are filled with army checkpoints and soldiers armed with assault rifles. “Multiple truths abound and so I am left to craft my own truth from the media accounts—the hooded soldiers, like the little green plastic soldiers I once kept in a cardboard shoe box, are heroes or villains, victims or victimizers, depending on the hour of the day,” he writes.
With a foreword by renowned novelist Rolando Hinojosa and comprised of personal essays about the impact of drug violence on life and culture along the U.S.-Mexico border, the anthology combines writings by residents of both countries. Mexican authors Liliana Blum, Lolita Bosch, Diego Osorno and María Socorro Tabuenca write riveting, first-hand accounts about the clashes between the drug cartels and citizens’ attempts to resist the criminals. American authors focus on how the corruption and bloodshed have affected the bi-national and bi-cultural existence of families and individuals. Celestino Fernández and Jessie K. Finch write about the violence’s effect on musicians, and María Cristina Cigarroa shares her poignant memories of life in her grandparents’ home—now abandoned—in Nuevo Laredo.
In their introduction, editors Sarah Cortez and Sergio Troncoso write that this anthology was “born of a vision to bear witness to how this violence has shattered life on the border, to remember the past, but also to point to the possibilities of a better future.“ The personal essays in this collection humanize the news stories and are a must-read for anyone interested in how this fragile way of life—between two cultures, languages and countries—has been undermined by the drug trade and the crime that accompanies it, with ramifications far beyond the border region.
|Publisher:||Arte Publico Press|
|Sold by:||Barnes & Noble|
|File size:||298 KB|
About the Author
SARAH CORTEZ‘s debut collection of poetry, How To Undress A Cop (Arte Público Press, 2000), brings the world of street policing to the reader in a way that poet-reviewer Ed Hirsch describes as “nervy, quick-hitting, street-smart, sexual.” Winner of the 1999 PEN Texas Literary award in poetry and other juried designations, Ms. Cortez is much in demand as a creative writing teacher and visiting poet. She was awarded two consecutive one-year appointments as a Visiting Scholar at the University of Houston’s Center for Mexican American Studies. One of her poems was chosen for the nationwide Poetry In Motion program and many others have been anthologized. A fellow at the Virginia Center for the Creative Arts, she is the editor of Urban-Speak: Poetry of the City (University of Houston, Center for Mexican American Studies, 2001), Windows into My World: Latino Youth Write Their Lives (Piñata Books, 2007), Hit List: The Best of Latino Mystery (Arte Público Press, 2009), and Indian Country Noir (Akashic Press, 2010). She is the co-editor of Our Lost Border: Essays on Life amid the Narco-Violence (2013). Her collection for young people, You Don’t Have a Clue: Latino Mystery Stories for Teens, was published by Arte Público Press in April, 2011.