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A visual meditation on warfare and ruins from the legendary French theorist

In the second half of the 1950s, Paul Virilio began photographing abandoned World War II bunkers along France's Atlantic coast. In 1966, he presented his photographs to the public for the first time in the magazine architecture principe, which he coedited. At the time, he was particularly interested in the architectural aspects of these wartime installations. He saw the bunkers as "harbingers of a new architecture," ...