With essays by 13 leading scholars, this collection establishes the grounds for a new kind of poetics that considers the poetry book itself the concept and the material fact as an object of interpretation. The authors argue that the decisions poets make about the presentation of their works play a meaningful role in the poetic process and therefore should figure as part of the reading experience.The common practice of approaching poems chronologically, as they are presented in anthologies or in posthumous editions, has been fostered by the long prevailing tendency of the New Criticism to treat each poem as self-contained. This volume urges the reader to reconsider the most fundamental ways that one reads, teaches, and inteprets poetry.Moving from classical to contemporary poetry, these essays develop a literary history and theory for such a poetics, at the same time providing a generous set of models for a related practical criticism. At the heart of this collection are such issues as order, arrangement, and intertextuality. Reading poems in their place helps to return them to their historical contexts because the book itself has had a particular place in its own culture and society.Originally published in 1987. A UNC Press Enduring Edition UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
|Publisher:||The University of North Carolina Press|
|Product dimensions:||6.00(w) x 9.00(h) x (d)|
About the Author
Neil Fraistat is the author of The Poem and the Book: Interpreting Collections of Romantic Poetry.
What People are Saying About This
An excellent, energizing volume, well edited for full coverage of the theory and practice of systematic arrangement of poems within volumes.Carl Woodring
A careful, measured, illuminating study of 'arrangements' of poems in single books, which in themselves tend to constitute 'poems,' Fraistat's work opens doors that we all knew were there but rarely peeked beyond. I recommend it not only to students of the Romantics but to those of other literary eras as well, before and after.Robert F. Gleckner