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POV Without Drift: Choosing, Controlling, and Revising Point of View, Narrative Distance, Voice, and Multi-POV Fiction

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POV Without Drift
Choosing, Controlling, and Revising Point of View, Narrative Distance, Voice, and Multi-POV Fiction
By Layla Moretti
You can have a strong plot, sharp dialogue, and characters worth following, then lose the reader because the story keeps changing who is allowed to know what. One paragraph sits behind your protagonist's eyes. The next quietly reports another character's private thought. A revelation arrives from nowhere. A scene that should hurt feels strangely distant.
That is...