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By Lynda Albertson (Contribution by), Leila Amineddoleh (Contribution by), Arthur Tompkins (Editor), Susan J. Cooke (Contribution by), Tess Davis (Contribution by), Amelie Ebbinghaus (Contribution by), Sharon Flescher (Contribution by), Gareth Fletcher (Contribution by), Andrea Lehmann (Contribution by), Simon Mackenzie (Contribution by), Jennifer Mass (Contribution by), Marc Masurovsky (Contribution by), Ariane Moser (Contribution by), James Ratcliffe (Contribution by), Lynn Rother (Contribution by), Iris Schmeisser (Contribution by), Jason Sousa (Contribution by), Marie Stolberg (Contribution by), Louisa Wood Ruby (Contribution by), Donna Yates (Contribution by)

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Overview

Covering key aspects of provenance research for the international art market, this accessible publication, co-published with the International Foundation for Art Research (IFAR), explores a range of themes including challenges and best practice to considerations specific to Nazi looted art and the trade in illicit antiquities.

Provenance research is a crucial component of any art-market transaction. Without a provenance it is often difficult to establish a work's authenticity, its true valu...