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Queer Transfigurations: Boys Love Media in Asia

By James Welker (Editor), Allison Alexy (Editor), Thomas Baudinette (Contribution by), Poowin Bunyavejchewin (Contribution by), Tricia Abigail Santos Fermin (Contribution by), Katrien Jacobs (Contribution by), Han Hau Lai (Contribution by), Dredge Byung'chu Kang-Nguy?n (Contribution by), Hyojin Kim (Contribution by), Jungmin Kwon (Contribution by), Aerin Lai (Contribution by), Xi Lin (Contribution by), Lakshmi Menon (Contribution by), Kazumi Nagaike (Contribution by), Gita Pramudita Prameswari (Contribution by), Asako P. Santo (Contribution by), Kristine Michelle Santos (Contribution by), Kania Arini Sukotjo (Contribution by), Peiti Wang (Contribution by), Yanrui Xu (Contribution by), Ling Yang (Contribution by), Wei Wei (Contribution by)
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By James Welker (Editor), Allison Alexy (Editor), Thomas Baudinette (Contribution by), Poowin Bunyavejchewin (Contribution by), Tricia Abigail Santos Fermin (Contribution by), Katrien Jacobs (Contribution by), Han Hau Lai (Contribution by), Dredge Byung'chu Kang-Nguy?n (Contribution by), Hyojin Kim (Contribution by), Jungmin Kwon (Contribution by), Aerin Lai (Contribution by), Xi Lin (Contribution by), Lakshmi Menon (Contribution by), Kazumi Nagaike (Contribution by), Gita Pramudita Prameswari (Contribution by), Asako P. Santo (Contribution by), Kristine Michelle Santos (Contribution by), Kania Arini Sukotjo (Contribution by), Peiti Wang (Contribution by), Yanrui Xu (Contribution by), Ling Yang (Contribution by), Wei Wei (Contribution by)
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The boys love (BL) genre was created for girls and women by young female manga (comic) artists in early 1970s Japan to challenge oppressive gender and sexual norms. Over the years, BL has seen almost irrepressible growth in popularity and since the 2000s has become a global media phenomenon, weaving its way into anime, prose fiction, live-action dramas, video games, audio dramas, and fan works. BL’s male–male romantic and sexual relationships have found a particularly receptive home in othe...

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