Really the Blues

Really the Blues

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Product Details

ISBN-13: 9781590179468
Publisher: New York Review Books
Publication date: 02/23/2016
Series: NYRB Classics Series
Sold by: Penguin Random House Publisher Services
Format: NOOK Book
Pages: 464
Sales rank: 1,012,971
File size: 1 MB

About the Author

Mezz Mezzrow (1899–1972) was born Milton Mesirow in Chicago to a Jewish family “as respectable as Sunday morning.” As a teenager, however, he was sent to Pontiac Reformatory for stealing a car; there he learned to play the saxophone and decided to devote his life to the blues. Beginning in the 1920s, he had an intermittent career as a sideman in jazz groups, and struck up friendships with many of the greats of the day, including Louis Armstrong and Bix Beiderbecke. Enamored of African American culture, he helped channel it to whiter and wider audiences, backing and producing significant recordings by Frankie Newton, Teddy Wilson, Sidney Bechet, and Tommy Ladnier, among others, and helping to spark the New Orleans revival of the late 1930s. In the 1940s, Mezzrow started his own record label, King Jazz Records. He spent the last years of his life in Paris.

Bernard Wolfe (1915–1985) was born in New Haven and attended Yale University, where he studied psychology. An active member of the labor movement, he moved to Mexico for eight months in 1937 to work as personal secretary and assistant to Leon Trotsky. In subsequent years, Wolfe held disparate jobs—from serving in the Merchant Marines to working as a pornographic novelist to editing Mechanix Illustrated—while writing fiction and science fiction. His best-known work is the 1959 novel The Great Prince Died, a fictional account of Trotsky’s assassination. Among his other books are The Late Risers, In Deep, Limbo, and Logan’s Gone.

Ben Ratliff has been a jazz and pop critic for The New York Times since 1996 and has written four books including The Jazz Ear: Conversations over Music and Coltrane: The Story of a Sound. His latest book is Every Song Ever: Twenty Ways to Listen in an Age of Musical Plenty.

Table of Contents

Introduction vii

Book 1 (1899-1923) A Nothin' But a Child

1 Don't Cry, Ma 3

2 Not Too Far Tangent 20

3 The Band House, The Band House 34

4 Quit Foolin' with That Comb 47

Book 2 (1923-1928) Chicago, Chicago

5 They Found the Body in a Ditch 63

6 Them First Kicks Are a Killer 74

7 Tea Don't Do You That Way 91

8 Got the Heebies, Got the Jeebies 111

9 Forgottenest Man in Town 148

Book 3 (1928-1935) The Big Apple

10 If You Can't Make Money 189

11 Vo-do-de-o and a Minsky Pizzicato 202

12 Tell a Green Man Something 220

13 Once More, Again, and Another Time 249

14 Tough Scuffle, Mezzie 260

15 Crawl' fore You Can Walk 277

Book 4 (1935-?) Basin Street Is The Street

16 God Sure Don't Like Ugly 299

17 Out of the Gallion 317


1 New Orleans and Chicago: the Root and the Branch 357

2 Translation of the Jive Section 373

3 A Note on the Panassié Recordings 381

4 Glossary 392

Afterword 402

Index 421

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Really the Blues (Barnes & Noble Rediscovers Series) 4.5 out of 5 based on 0 ratings. 2 reviews.
NateJordon on LibraryThing 10 months ago
Published in the late 1940s, this book had to be a huge influence on the Beat Generation writers - and yet, that comes as a surprise because who's heard of this man or his book? Presented here is the life of Mezz Mezzrow - "the guy, behind the guy" in the Jazz world. Drug addict, drug pusher, and good friends with - and musical director of - Louis Armstrong, Mezz tells the story behind the scenes of the jazz explosion of the 20s and beyond. Written in Harlem vernacular, you don't need to understand jive to dig his story, you can simply dig the language itself; however, if you're not a jazz aficionado, the many people/musicians Mezz writes about will be completely foreign and seem somewhat insignificant to the plot-line - but how can one equate one's life with a plot-line anyway? All in all, a good document of the counterculture of the 20s.
bluenotes More than 1 year ago
Found in the discount pile of books, I got "Really the Blues" home and read the jacket. I didn't want to put it down; I gobbled it from Chapter 1 past the index all the way through the Afterword written by Bernard Wolf. At first it was hard to catch on but after the first chapter or so I was immersed in Mezz's era. His descriptions of so many famous musicians brought them to life and made them dance and sing in front of me. His description of Bessie Smith brought home to me a depth that I had not read before and the way he spoke of her death was genuine. "They took her and murdered her down South--murdered her in cold blood because, like she said, she wasn't no high yaller, just a beginner brown, and more real woman than those Jim Crow mammyjamming whites would know what to do with." I kept looking up musician names, groups and song titles in You Tube just to listen to the music Mezzrow was writing about.