A veteran of Seattle's rock scene chronicles the darkly comic ups and downs of L.A. foursome Blood Orphans, who've stumbled into Amsterdam to play the last dates of a tour that has gone disastrously wrong. Led by mohawked female manager Joey and male lead singer Darlo, the group had been primed to become the next big thing, but after a rock journalist pegs the band's lyrics as racist, things crumble-a night in jail, a riot, dismal record sales and the band gets dropped as the opener on an Aerosmith tour. Told in retrospective with alternating chapters from Joey's, Darlo's and many other points of view-including eczema-ridden bass player Bobby, drummer and sex addict Shane and nice guy guitar player Adam, who tries to keep the band mates from tearing each other apart-the sometimes predictable Behind the Music retrospective framework is enlivened by characterizations as deep as would seem allowable for such a narcissistic gang and industry, brisk observations about the pitfalls of fame, and often funny banter among the dueling inhabitants of a sinking musical ship. (Jan.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Rock Bottomby Michael Shilling
But something happened on the way to glory, and now, two years later, along with their coke-fueled,
Once, the Blood Orphans had it all: a million-dollar recording contract from Warner Brothers, killer hooks, and cheekbones that could cut glass. Four pretty boys from Los Angeles, they were supposed to be the next big thing, future kings of rock and roll.
But something happened on the way to glory, and now, two years later, along with their coke-fueled, mohawked female manager, they have washed up in Amsterdam for the final show of their doomed and dismal European tour. The singer has become a born-again Buddhist who preaches from the stage, the bass player's raging eczema has turned his hands into a pulpy mess, the drummer is a sex-fiend tormented by the misdeeds of his porn-king father, and the guitar player--the only talented one--is thoroughly cowed by the constant abuse of his bandmates.
As they stumble through their final day together, the Blood Orphans find themselves on a comic tour of frustration, danger, excitement, and just possibly, redemption.
A rock and roll novel at once rocking and rollicking. ROCK BOTTOM knowingly skewers the pretensions of the music business, while never taking them seroiusly, and the result is a simultaneously scabrous yet affectionate portrait of a band and its entourage in the final throes of a tour de farce. Michael Shilling writes with wit, fury and an infectious gusto; it's the kind of high-energy prose that makes a reader want to get up and strut their stuff."Peter Ho Davies, author of THE WELSH GIRL"
Michael Shilling's debut is everything one wants in a novel: tragic and thrilling, farcical and realistic. The prose is exuberant in its range and wildness, but also in its little treasures, its unfoldings and depths. Here is a writer who brings characters to life, circumstances to light, and imbues them with resonance, traveling the whole map of human obsession and longing with breathless energy. This is a sexy, funny novel, but with the kind of profundity we need from our best novelists at this time. Michael Shilling is an important new writer, and this is novel you won't forget having read."Laura Kasischke, author of BEFORE HER EYES and SUSPICIOUS RIVER"
Finally, at last, an ass-kicking, authentic rock & roll novel, one that peels back the veneer and gloss andwith an insider's eyeexposes the lovely, wondrous dirt."David Means, author of ASSORTED FIRE EVENTS"
[Rock Bottom is] enlivened by characterizations as deep as would seem allowable for such a narcissistic gang and industry, brisk observations about the pitfalls of fame, and often funny banter among the dueling inhabitants of a sinking musical ship."Publishers Weekly"
Simultaneously bleak and archly funny... With rich characterizations and surprisingly complex back stories, the author gets under the skin of his ragtag brotherhood... A thoughtful snapshot of a crumbling rock 'n' roll fantasy."Kirkus Reviews
- Little, Brown and Company
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Meet the Author
Michael Shilling is a Lecturer at the University of Michigan, where he received his MFA in Creative Writing. His stories have appeared in The Sun, Fugue, and Other Voices. A recovering rock musician, he played the drums in The Long Winters, as well as numerous other bands in Seattle. Currently, he is working on a novel set in Victorian England.
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This is the story of the Blood Orphans The Blood Orphans are a rock band in serious decline. At one time they had it all and were on the road to rock and roll stardom. Then they had one horrible review and everything went south from there.
The book highlights their very last day on their last tour as they are getting ready to perform at a small venue in Amsterdam. We get introduced to Christian turned Buddhist lead singer Shane who can't stop preaching from the stage, drummer Darlo the son of a porn king millionaire fighting his sex addict demons, Bobby, the bass player who's eczema stricken hands have earned him the nickname Mummy, Adam the quiet , talented lead guitar player, and of course Joey, their coked out manager.
Their last day is both funny and tragic. We see the death of their dreams and what it has meant to each of them. We get a look into their raunchy, pathetic life on the road. This book is as much about the actual band itself as it was a commentary on the transitory and destructive nature fame.
Over all this book was a good read. It was such an interesting look into a dream so many people have had, and what happens when you let fame get the better of you. I loved watching them evolve over the course of the book. On the other hand the book is very graphic and raunchy and the language is coarse. I don't think any of it was outside the realm of what you could expect in a rock "memoir". I enjoyed this book immensely.