Enthralling ... Monroe zeroes in on the aftermath of murder, on the morbid curiosity that draws eager civilians toward the crime scene and catapults them into starring roles. She avoids the formulaic professional tropes of true crime...Monroe has a knack for nosing a new story out of an old one, like a detective casting fresh eyes on a cold case.”
—The New York Times Book Review
“[it] goes deeper than just recounting the details of various crimes, but looks more closely at what, exactly, makes true crime such a fascination for women”
—Politico
“Necessary and brilliant...Monroe treats each individual narrative with nuance, empathy and transparency, allowing both the protagonists and their supporting cast to remain complex. She delves into the social and political ramifications of each narrative, making accessible and visible what so often gets overlooked in these stories because it's too complicated to put into a headline or summary. Monroe's book is a pleasure to read because it is smart, well-researched and well-written...But more than that, Savage Appetites is important because it refuses to sit inside binaries of good vs. evil, victim vs. perpetrator, innocent victim vs. mastermind criminal. It doesn't give us easy answers for why women are the main consumers of true crime narratives, because there aren't any because women as a category are not monolith and because it's complicated and nuanced and different for everyone. The book is important also because I suspect there are more than a few of us who, like Monroe herself, feel conflicted about their desire to consume stories of murder and mayhem and wonder what it reflects about the world around us and ourselves.”
—NPR
“Monroe resists the need to sweep all of her material into a single, tidy narrative. Her prose–consistently lyrical and probing–does a lot of the work towards making it feel cohesive...In allowing for messiness–narrative as well as moral–her book is a corrective to the genre it interrogates.”
—The New Statesman
Savage Appetites is required reading for those who understand that women aren’t just reading true crime to protect ourselves—we’re investigating cold cases, getting close to the families of victims, leveraging power to get men to embrace the validity of our “hobbies,” and much more.
—CrimeReads
"An illuminating exploration rooted in a convincing thesis, and even the most dedicated true crime reader will find something new within it to enjoy."
—Buzzfeed, 29 Amazing Books Coming Out This Summer
"Monroe has written a brilliant book where cultural criticism meets sociological survey in a methodical examination of just what it is about murder that obsesses us."
—Esquire, Best Books of Summer 2019
"Rachel Monroe’s searching essay collection asks all the right questions, and even better, doesn’t attempt to answer them (or at least, not completely). Why do women love true crime, the introduction asks, and posits several likely theories; each following essay takes us into the idiosyncratic existence of a woman and her obsessions, from Francis Glessner’s tiny crime scenes and love of forensic science, to Lorri Davis’ decades-long quest to free a wrongfully convicted man who later became her husband. Unsettling, brilliant, and impossible to put down!"
—Lit Hub, Most Anticipated Books of 2019
"I usually stick to fiction, but one standout nonfiction read was journalist Rachel Monroe’s forthcoming Savage Appetites, which looks at the connection between women and the mania for true crime. My favorite section was about Frances Lee, an upper-class Boston spinster whose foremost obsession was creating dollhouse-proportioned murder scenes that she called her 'nutshells.'"
—Lauren Mechling, Los Angeles Times
“Savage Appetites is a chilling, compelling examination of the darkness in us all. This is obviously a book for true-crime fans, as well as anyone interested in human nature. A powerful, well-researched inquiry into why we find violent crime so fascinating, viewed though the stories of detective, victim, defender and killer.”
—Shelf Awareness
"This is a book sure to please fans of mystery and true crime. An insightful invitation to consider the contexts and causes of a gritty cultural obsession.”
—Kirkus Reviews
“Monroe's writing is superb and each woman's story is fascinating...true crime aficionados will appreciate this spin on the genre.”
—Booklist
"A provocative work best suited to readers with a strong interest in true crime and its historical roots...an original and bold contribution to the genre.”
—Library Journal
"In Savage Appetites, Rachel Monroe brings a rigorous and illuminating gaze to some of our most disturbing fascinations. Ultimately, she summons generosity and nuance for the discussion of hungers we might be tempted to dismiss entirely, asking revealing questions that are ultimately questions about the nature of desire itself: for intimacy, for freedom, for a sense of meaning. I read this book in a single day, but I know I’ll be thinking about it for years to come—especially its keen appreciation for the mystery of what drives us through this world."
—Leslie Jamison, author of The Empathy Exams and The Recovering
"Savage Appetites, Rachel Monroe's study on ‘women, crime and obsession,’ can properly be described as brilliant. It informs, entertains, and leaves readers with new cultural perspectives that are long overdue. I'm now a Rachel Monroe fan and after you read this book, you will be too."
—Jeff Guinn, author of Manson: The Life and Times of Charles Manson and The Road to Jonestown: Jim Jones and Peoples Temple
“This is like high junk reading, both getting the information, snickering at the misinformation, stalking the stalkers and really brooding on the possibility that the dead female body at the top of the film is feeding a female appetite for death and malfeasance and not yawn more jerk off fodder for men. Our corpses, ourselves!”
—Eileen Myles, author of Evolution
"Rachel Monroe has long been one of my favorite writers at the intersection of crime and culture, and her first book, Savage Appetites, is the grand culmination of her reporting. It's a standout, formally inventive, and refreshing examination of the way we consume true crime, and the way it consumes us."
—Sarah Weinman, author of The Real Lolita: The Kidnapping of Sally Horner and the Novel That Scandalized the World
“I don’t know how Rachel Monroe wrote a book so vivid and perceptive, but I couldn’t put it down. Savage Appetites is an original: at once a thoughtful, beautifully written treatise on why women are drawn to crime stories and a gripping read to satisfy any murder obsessive. I’m not exaggerating when I say Monroe has written a new true crime classic, one that both adds to and challenges the genre.”
—Alice Bolin, author of Dead Girls
"Smart and seductive. In the tradition of Janet Malcolm, Rachel Monroe has turned our cultural hunger for crime stories back on itself, both evoking and interrogating the fascinations that grip us. I learned a great deal from this book, but what’s more, I couldn’t put it down."
—Alex Marzano-Lesnevich, author of The Fact of a Body
"A deeply intelligent, intensely gripping work of metacrime. Rachel Monroe is a brilliant new journalist with a sparkly goth heart."
—Claire Vaye Watkins, author of Gold Fame Citrus and Battleborn
“Getting pulled into a true crime story is like coming down with a fever — all at once it envelops you, then leaves you wondering what overtook you. Rachel Monroe dissects the nature of that obsession on both individual and societal levels in lucid and beautiful prose. You’ll find this book as engrossing as any true crime wormhole on the internet.”
—Michelle Dean, author of Sharp: The Women Who Made An Art of Having An Opinion
"A brilliant book, laced with a perspective that's long been missing from the world of true crime. Rachel Monroe holds up a mirror to our fascination with illicit tales—and her own—all while deftly unspooling four unforgettable stories from the other side. Savage Appetites is wholly unique and utterly riveting."
—Evan Ratliff, author of The Mastermind
"No one writes about crime like Rachel Monroe, who brings to her subject a profound emotional acuity, a piercing grasp of fixation and frailty, and a precise sort of beauty that never glamorizes but always illuminates. In Savage Appetites, she shows crime obsession to be an equally idiosyncratic, irresistible subject—full of treachery and full of thrills."
—Jia Tolentino, author of Trick Mirror
"I loved this book. I'm not a true-crime fan, but I am fan of brilliant reporting, nuanced cultural criticism, sparkling-clear writing, disarming wit, and the kind of courageous self-indictment that marks the best personal writing. Savage Appetites is a beautiful hybrid of a book that made me question my relationship to celebrity, media, and my own baser appetites."
—Claire Dederer, author of Love and Trouble and Poser
“Savage Appetites is a marvel of original reportage and cultural criticism, and could not be more timely. Like a first responder to a crime scene, Rachel Monroe methodically investigates every inch of America’s obsession with murder stories, unearthing more than a few discoveries, and showing that what makes us tick now has been there all along.”
—Kate Bolick, author of Spinster: Making a Life of One’s Own
07/15/2019
Monroe’s first book, blending personal narrative with sociological analysis, offers an engrossing look at a counterintuitive yet well-established phenomenon: many women’s fascination with true crime. Monroe (who counts herself among the crime obsessed) focuses on four women whose true crime obsessions have significantly altered the course of their lives. Frances Glessner Lee created the Nutshell Studies of Unexplained Death crime scene dioramas. Alisa Statman became deeply enmeshed in the lore of the Manson murders while living in the house where Sharon Tate was slain. Lori Davis, a landscape architect, fell in love with—and set out to prove the innocence of—a convicted murderer, and Lindsay Souvannarath was a young woman with a dangerous fixation on the Columbine shooters. Writing in incisive, lyrical prose, Monroe takes a deep dive into possible reasons why women are drawn to tales of violence: do they seek murder stories in order to fine-tune their own survival instincts, lest they become the next victims? Or, as Monroe bravely and refreshingly acknowledges, maybe women respond to tales of human darkness because it mirrors their own (“perhaps we liked creepy stories because something creepy was in us”). Readers who have pondered their own interest in true crime stories will welcome Monroe’s incisive approach to the topic. Agent: P.J. Mark, Janklow & Nesbit. (Aug.)
2019-05-26
Profiles of women who have left distinctive marks in crime.
Obsessions with real-world whodunits seem endless, and Monroe capitalizes on this trend with close-up views that seek meaning beneath the mayhem. Looking at detectives, victims, defenders, and killers, writer and firefighter Monroe investigates the influences and insatiable hungers North American women seem to have for true crime, using four women's stories as vehicles for understanding. The author's view of Frances Glessner Lee's handcrafted miniatures contextualizes both her impact on police work and ambition as a woman seeking access and respect greater than what her generation was typically afforded. Lee is positioned at the forefront of the narrative as figurehead, harbinger, and god-mother to subsequent true-crime aficionados and the budding field of forensics. Monroe tackles victimhood through the blurred lens of public spectacle, considering the infamous Charles Manson murders. She examines the defender role via a death row courtship featuring Lorri Davis, who devoted herself to freeing a prosecuted outcast of the "satanic panic" era. Monroe ably dissects the hidden bias within notions of "victim" and "perpetrator," looking at such issues as the implicit racism of the criminal justice system and the so-called "war on drugs." She stumbles somewhat in blending these insights smoothly with the biographical information. Throughout the book, Monroe balances elements of biography, sociology, and memoir, and she also examines participation and spectatorship, writing that murderous interests may derive from divergent impulses like justice-seeking, overcoming trauma or powerlessness, responding to objectification through knowledge-seeking, and other notions. "As I got older," she writes, "my appetite for murder stories seemed to depend on how much turbulence was in my own life. The more…lost or angry I felt, the more I craved crime." This is a book sure to please fans of mystery and true crime.
An insightful invitation to consider the contexts and causes of a gritty cultural obsession.
