Scarlet Night

Scarlet Night

by Dorothy Salisbury Davis
Scarlet Night

Scarlet Night

by Dorothy Salisbury Davis

eBookDigital Original (Digital Original)

$9.49  $9.99 Save 5% Current price is $9.49, Original price is $9.99. You Save 5%.

Available on Compatible NOOK Devices and the free NOOK Apps.
WANT A NOOK?  Explore Now

Related collections and offers

LEND ME® See Details

Overview

A Manhattan woman visits a Soho gallery and stumbles into a mystery in this novel by an Edgar Award winner who “can build suspense to a sonic peak” (Los Angeles Times).
 It starts innocently enough. Julie Hayes and her husband have just returned to Manhattan from a month in Paris. Julie looks forward to spending quality time with Jeff, whose career as a journalist takes him away from home for months on end. Now if they could just find the perfect work of art to hang over their mantel.
Julie’s quest takes her to a trendy SoHo gallery where she meets an itinerant artist named Ralph Abel. Julie instantly falls in love with one of his paintings, Scarlet Night, and is stunned to discover that itcan be hers—for a mere one hundred dollars. But then the artist disappears and it becomes apparent that somebody else wants the painting . . . and will do whatever it takes to possess it.
Scarlet Night is the second novel in Dorothy Salisbury Davis’s Julie Hayes mystery series, which also includes A Death in the Life, Lullaby of Murder, and The Habit of Fear, as well as the stories “The Puppet” and “Justina” in the collection In the Still of the Night

Product Details

ISBN-13: 9781480460447
Publisher: Open Road Media
Publication date: 02/04/2014
Series: Julie Hayes Series , #2
Sold by: Barnes & Noble
Format: eBook
Pages: 244
File size: 5 MB

About the Author

Dorothy Salisbury Davis is a Grand Master of the Mystery Writers of America, and a recipient of lifetime achievement awards from Bouchercon and Malice Domestic. The author of seventeen crime novels, including the Mrs. Norris Mysteries and the Julie Hayes Mysteries; three historical novels; and numerous short stories; she has served as president of the Mystery Writers of America and is a founder of Sisters in Crime.

Born in Chicago in 1916, she grew up on farms in Wisconsin and Illinois and graduated from college into the Great Depression. She found employment as a magic-show promoter, which took her to small towns all over the country, and subsequently worked on the WPA Writers Project in advertising and industrial relations. During World War II, she directed the benefits program of a major meatpacking company for its more than eighty thousand employees in military service. She was married for forty-seven years to the late Harry Davis, an actor, with whom she traveled abroad extensively. She currently lives in Palisades, New York. 

Read an Excerpt

Scarlet Night

A Julie Hayes Mystery


By Dorothy Salisbury Davis

OPEN ROAD INTEGRATED MEDIA

Copyright © 1980 Dorothy Salisbury Davis
All rights reserved.
ISBN: 978-1-4804-6044-7


CHAPTER 1

WHILE JEFF WENT DOWNSTAIRS again for the rest of the luggage Julie opened doors and windows. She had been gone a month—a month in Paris—but the feeling when she opened the folding doors to the living room was of a room closed up for years. And in a way it had been. With her husband away so much of the time, she rarely entered it, never sat in it when she was alone, and always hurried the cleaning of it. It was a Henry James kind of room, full of Victorian furniture, valuable bric-a-brac, and presences. The objets d'art suggested a collector who was at home abroad. And that was Jeff, a New York newspaper columnist with carte blanche to the world.

Julie opened the inside shutters, letting in the sunlight, and turned then as though drawn by an evil spirit to the one thing she truly hated in the room, the painting of Jeff over the mantel. It was the artistry of his first wife, Felicia, a tricky piece of work which Julie had once compared in her own mind to the crabbed "Judgment" card in her Tarot deck. Wherever you went in the room Jeff's eyes pursued you. Only they weren't Jeff's eyes, they were Felicia's Jeff's eyes.

The man himself came in, sniffed the dry muskiness, and took a long homecoming look around him. The smell, Julie thought, suggested elegant old ladies in taffeta shaking out lace handkerchiefs. What it was, actually, was the moth repellent exhaled by the vacuum cleaner.

"Don't you use this room when I'm not here, Julie?"

"Not much."

"Why not, for heaven's sake?"

"Ghosts," Julie said, not altogether flippant.

Jeff looked at her, an eyebrow raised.

"I'm kidding. No! I'm not ... Jeff, are you passionate about Felicia's portrait of you?"

He looked at it from across the room as though he had forgotten it was there.

Having at long last brought up the subject, she plunged ahead: "It's spooky. It isn't you, really. Those eyes are nasty. You know what it's like? It's as though she wanted to paint a judge and used you for a model."

Jeff grinned. "That's very funny. Her father was a judge."

"Oh, boy."

He flinched. "I wish you'd stop saying that."

"I'll try. I will try."

He came and stood beneath the portrait and looked up at it.

"You're better looking than that," Julie said.

"I'd have to agree with you," he said dryly.

It was his distinguished air that Felicia had tried to catch. He had a strong face with wise dark eyes, and the tough mouth of someone who had to be shown. There were little pouches under his eyes that Felicia had overlooked. Or maybe they weren't there in her day. His hair was starting to gray now—at forty. He was a head taller than Julie, just under six feet, slight, but muscular, and fifteen years older. Which sometimes seemed a lot.

He took the picture from the wall and Julie thought of her psychotherapist and all the time they had spent on the subject of that painting until the doctor had finally said, "Couldn't you simply ask him to remove it?"

The mountain had turned out to be a molehill after all.

Jeff said: "We can take it up to the attic when we take the luggage and hide it there."

"Why don't we pack it up and send it to Felicia?"

He made a face of mock reproof. Felicia had recently remarried. "The question is, what do we do for a replacement?" The outline of where the painting had hung was plainly visible.

Julie almost said, "Move." But she didn't.

"We ought to look at pictures," Jeff said. "That's something we do nicely together."

Which confirmed her suspicion that he had been sorting out the days and nights ahead, his, hers, and theirs, now that he was to make New York his headquarters for a while.

"I wish I'd said something in Paris."

"We'll find something. I shouldn't want a reproduction. I'm sure you wouldn't either."

"Let's take our time," Julie said, which wasn't like her. But whatever came in was going to have to make it among some pretty exalted company—a Rembrandt etching, an early Picasso, a Daumier drawing, two good Impressionists.

"I'm glad you feel that way," Jeff said, on his way to answer the first telephone call since their return.

Julie went to the window and looked down on the street traffic—light on Sunday: a few cars, more taxis. The apartment was the second floor through of one of the last of the nineteenth-century townhouses left on Sixteenth Street. It faced a church and backed against the outer reaches of the garment industry, with a tired catalpa tree slouching in a garden where no flowers grew. But the house itself was well kept up. Jeff had lived there before his first marriage. In his and Julie's four years together it remained his in character. Not because he wanted it that way, but because Julie had not known how to change it. One thing she hadn't wanted to do was make a hash of the place just to prove that Julie as well as Geoffrey Hayes lived there. And now that Felicia's painting was going, she thought, she might not want to change it at all. Furthermore, she decided almost at the same instant, she was through with psychotherapy. Until further notice.


They agreed that night, having coffee in the living room, that something had to be done soon about the bald spot over the mantel.

"What would you say to a good mirror if we can find the right style?" Jeff suggested.

"Not much." She wasn't fond of mirrors. But if Jeff wanted one ... "Maybe," she added, trying to sound hearty.

"What we had better do," Jeff said, quite aware, "when either of us has an hour or two to spare is drop in on some of the better galleries—and if we see something we like, we can go back together and give ourselves time to consider it."

"Fine," Julie said. An hour or two to spare ... that was Julie's whole problem: she had far too much time to spare and Jeff no time at all. The old floundering feeling and the depression that came with it began to descend. Do something, Julie.

She got up instantly and went to her desk in the bedroom. She looked up the phone number for Lieutenant Donleavy, Mid-Manhattan Homicide. He might or might not be on duty, Sunday night. He was there.

"This is Julie Hayes, Lieutenant. I don't know if you remember me ..."

"The little fortune-teller. I'm not ever going to forget you, Mrs. Hayes. What can I do for you?"

Julie was chagrined at the description, the little fortune-teller. She had come close to serious trouble that spring—before she joined Jeff in Paris—by setting up as "Friend Julie, Reader and Advisor" in a shop on West Forty-fourth Street. She said, "I wondered if you could tell me what happened to Rita Morgan."

Rita Morgan was the prostitute she had mistaken for a child and tried to help.

"She's still under psychiatric observation, but I'll give you an educated guess as to what will happen."

"Please."

"Off the record, you understand. I don't think she'll ever come to trial."

Rita Morgan had murdered Julie's friend, Pete Mallory, who also had tried to help her.

"She'd be a great witness for the prosecution," Julie said. "I never knew of anybody so self-destructive."

"It's a pity she didn't do herself in, instead of Mallory," Donleavy said, going short on sympathy. "Do you want to see her?"

"I don't think so, and I don't think she'd want to see me. There's not much point."

"That's being sensible."

"Lieutenant, I've gone out of the fortune-telling business."

"I was teasing you. I don't think you were ever really in it. Were you now?"

"Not for long. It was a lark. You're right. Thank you, Lieutenant."

"Any time, Mrs. Hayes."

It was like a dream and more bizarre than most, Julie thought, sitting a moment after she put down the phone. She remembered very clearly leaving her therapist's office that April morning, angry and hurt because the doctor had said that until Julie was ready to find gainful employment and help herself, the therapy was a waste of Jeff's money. It didn't wash with Doctor Callahan that Jeff liked "his little girl," his "child bride," his wife the dilettante. "Rubbish. He will like a woman better. And so will you, which is more important." She had known even then that Doctor was right, but she had felt abandoned, and when someone handed her a flyer on Fifth Avenue, advertising "Madame Tozares," like a mischievous child, she had decided to go into the business of reading the Tarot cards and advising.

Her rationalizations were numerous, of course. She had expected to meet, and God knows she had met, a lot of troubled people about whom she hoped to write someday. Of all the things she wanted to do, writing was foremost. But she lived in the shadow of a master whose work she had reverenced from the time he'd lectured on campus when she was in college, and the more he encouraged her, the less capable she felt. No, she decided, Forty-fourth Street had meant more to her than mere spite of Doctor Callahan: she had attempted to create an environment for herself among people who would not intimidate her intellectually. She had subsequently learned that the simplest people were by no means simple. And she had learned about herself that she functioned well in emergencies, even while pumping adrenalin. She had taken all her notes to Paris with her and Jeff had said he did not know an investigative reporter who could have done better at collecting material.

She went back to Jeff in the living room and told him what Donleavy had said about Rita Morgan, that she was probably incompetent to stand trial. "It's a sort of ending, isn't it?" she said.

"Or a beginning," Jeff said, looking at her over his reading glasses.

"Yeah."

Jeff took off his glasses and put them in his pocket. "Julie, keep the place on Forty-fourth Street for a while. I don't know how much I'll be at home, but you ought to have a place of your own to work in."

Julie's spirits took an upward leap. She said, "You're great, Jeff, absolutely great."

"Well, it's time there was a Geoffrey the Great," he said in mock seriousness. "There's been a Geoffrey the Handsome, a Geoffrey the Bastard—Archbishop of York, by the way—and a Geoffrey the Cat that I know about, but to my knowledge, I am the first Geoffrey the Great."

Julie's impulse was to throw herself into his lap, something she knew pleased him very much, but that was part of the "little girl" pattern, and the time had come to break it. She went around the back of his chair and hugged him. Straightening up, she faced the empty wall over the mantel. "Before anything, I'd like to find a picture," she said. "I'd like this room to be right, somehow. It's like starting a sentence and never finishing it."

"Then look. Go out and look at pictures. There must be a hundred gallery owners in New York waiting for you."

CHAPTER 2

THE GALLERY DOOR STOOD open and a young man with a broom noticed Julie at about the same time she noticed him. "Come in if you want to."

Julie walked into the Maude Sloan Gallery. She had already seen too many paintings for one day, but the poster out front announcing the opening that afternoon described Ralph Abel's first American show as "Parisian fantasies." It wasn't so bad, only fourteen paintings when she got to counting them, with a lot of wall space and light around them. She strolled from one canvas to the next, not greatly impressed. They all had names, but so far as she could see, there was not much relationship between the name and the picture. Julie the art critic, she mocked herself. Except that once she had studied art ... but then, what had she not studied at one time or other?

She had the feeling that the young man was painfully aware of her. He took plastic glasses from a box and lined them up alongside a punch bowl. Was he the artist? She felt that he was, although his attitude was uncharacteristic of any artist she knew. He put the box away and went back to work with the broom.

"Hey!" Julie came up to a splash of city colors—or so she saw them, a lot of red, blue, purple, and black. Nonobjective. But she could sense the presence of the lurking whores. She swung around to where the young man had stopped in his tracks to stare at her. The color leaped to his face. "Are you Mr. Abel?"

"Yes, I am." But he fled with the broom to the closet at the back.

Julie read the legend beneath the frame: SCARLET NIGHT.

"I'm going to have to close up for an hour, ma'am." He really could not bear to be in the room alone with someone looking at his paintings, not today anyway.

Ma'am, Julie thought, and wondered if there was a Paris, Nebraska, or Iowa or Illinois. "I'll go peaceably. No problem."

"I didn't mean to be impolite," he said, still blushing to the roots of his corn-colored hair. It made his eyes seem very blue. "It's nerves, that's all."

"I kind of like that," Julie said, indicating Scarlet Night.

His smile was beatific. "I'm sorry the wine hasn't come yet." He made a helpless gesture toward the empty bowl.

"Is everything here Paris? I've just got back from there."

"No kidding? I'll tell you the truth, I painted most of them in Naples. I couldn't get with Paris until I got away from there. I guess that doesn't make much sense ... "

"You bet it does. I'd never make it in Paris alone."

"Funny. I thought at first you were a critic."

"No way. I don't even know why I like things."

"Do you think any of the critics will come? Do you live in New York?"

"All my life—except for a month in Paris."

He was on a single track. "And you go to a lot of openings. Right?"

"Not a lot."

"But you look like you do," he persisted. "The way you dress, you know—a certain style, good material. My father was a tailor."

Julie was beginning to feel the whole scene wasn't happening—not in SoHo, New York. "I usually wear sneakers and a raincoat."

"That wouldn't matter. I'd say the same thing. Even the bones in your face."

Julie turned her wide gray eyes upon him. "Look, I'm curious. This is your first exhibit, right?"

He nodded.

"What's the price on Scarlet Night?"

"I'm not allowed to talk prices. That's Mrs. Sloan's department."

"I didn't say I was buying. I'm just curious. I suppose it's rude of me, but I'm a very direct person." With some people; she had overstated the characteristic.

"It's not that, but Maude's been good to me. She said she'd give me a show after seeing a couple of transparencies and stuck to it when I got here with the rest, which I'm pretty sure she didn't like much."

"Oh, man. You need a larger dose of self-confidence than that. Don't you think they're good?"

"Yes, ma'am. I think they're beautiful."

"Then they are. Don't sell them short, for heaven's sake." Julie made a move toward the door.

"Don't go ... I mean please stay for the opening."

"I'll come back at five and join the crowd."

"What if nobody comes?" There was such a sweet, sad look about him. Ah, Wilderness! Julie thought, having played in it in college. Or Our Town. They ought to be sitting on two stools at a make-believe soda fountain.

"Don't you have any family?"

"Not real close. I have a cousin who bought out my father's shop from me when my father died. But he thinks I'm crazy."

"There are worse things—I mean than having a cousin think that. I have cousins with whom I pretend I'm crazy so they'll leave me alone. Not that I have to pretend all that hard. Where's the tailor shop?"

"Keokuk, Iowa."

"I like that."

"What's your name, if you don't mind my asking?"

"Julie Hayes."

"You're married, aren't you?" He pointed to her ring.

"Yes."

"I'll bet your husband is a professor. I'll bet he teaches electronic engineering or computer programming."

"You're way off. Jeff's a newspaperman."

"That's great. And you?"

"Well, let's say I'm a proletarian poet."

"I lived with the proletariat in Italy," he said, serious to the core. "I did a lot of life sketches, if you'd like to see them sometime."

"I would. I really would."

Julie had been edging toward the door. She came suddenly face to face with a sleek-looking woman on the far side of forty. She took one look at Julie and then ignored her. "Give me a hand with the wine, Ralphie. Why in the name of God didn't you turn on the air conditioning?"


(Continues...)

Excerpted from Scarlet Night by Dorothy Salisbury Davis. Copyright © 1980 Dorothy Salisbury Davis. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

From the B&N Reads Blog

Customer Reviews