The Ceramic Art
The Ceramic Art: A Compendium of The History and Manufacture of Pottery and Porcelain
Author Preface:
In writing the present volume, the author’s object has been to answer as tersely and lucidly as possible the more important questions in connection with the history and manufacture of pottery and porcelain, and to bring the results of recent research to bear upon some of the unsolved problems of the “science of ceramics.” The literature of the subject is formidable in dimensions. Authors have divided the field into sections, and have in many cases presented learned and exhaustive special treatises. Notwithstanding the solid learning and critical acumen reflected in their pages, their form and voluminous character, however, detracted from their value as books for familiar and speedy reference, and left the acquirement of a general knowledge of the ceramic art a matter for wide research and prolonged study on the part of every reader and collector. The attempt has here been made to condense the leading points of the subject, to arrange them after a simple and easily intelligible method, and thus to present in one volume a comprehensive history. No hesitation has been shown in drawing upon foreign authors. Many of the later developments of the art have also been touched upon, and the results of the more recent efforts of artists and manufacturers have been illustrated and described. In treating of America, the author has endeavored to convey some idea of its wealth in materials and of the present condition and tendencies of the industry, and to do justice to those who have laid the foundation of its claim to recognition in the world of art.
The author has incurred obligations in many quarters for information and assistance. Mr. Samuel P. Avery, the Hon. Yoshida Kiyonari, Japanese Minister at Washington, General Di Cesnola, and the many private collectors whose cabinets are represented in the following pages, gave valuable aid both in obtaining illustrations and in other respects. Mr. Charles Edward Haviland, Mr. Theodore Haviland, and M. Bracquemond contributed many valuable hints upon technology and the manufacture and composition of different wares. The dealers of New York, Boston, Washington, Albany, and other cities took an active interest both in directing the author to collections and in furnishing specimens for illustration. Among American manufacturers, Mr. Thomas C. Smith, of Greenpoint; Mr. James Carr, of New York; Mr. Hugh C. Robertson, of Chelsea, Massachusetts; and Mr. J. Hart Brewer, of Trenton, are especially deserving of thanks for helping the author to a true insight into the past history, present condition, and prospects of the art in the United States.
In regard to the engravings, while it was, of course, found necessary in many cases to cull from the rich accumulations of ceramic treasures in Europe, in order to secure the proper illustration of the work, the preference has invariably been given to the collections of America. Such a course recommended itself for obvious reasons. It was thought that it would, in the first place, gratify those desirous of knowing where, in this country, the best representatives of the art of certain countries are to be found; and that, in the second place, it would direct artists where to study the best styles of decoration. One result of the author’s investigations in this matter has been the conviction that the American collector is cosmopolitan in his tastes, and that the American cabinet—in many instances the American tea-table—represents the amity of nations. The arts of all countries are found arrayed side by side in a profusion of which it would have been hard, a few years ago, to find a trace.
In choosing the pieces to be engraved, a threefold aim has been kept in view: the elucidation of the text, the representation of the greatest number of different wares by characteristic examples, and the introduction of as many beautiful works of art as possible consistent.
1015262433
Author Preface:
In writing the present volume, the author’s object has been to answer as tersely and lucidly as possible the more important questions in connection with the history and manufacture of pottery and porcelain, and to bring the results of recent research to bear upon some of the unsolved problems of the “science of ceramics.” The literature of the subject is formidable in dimensions. Authors have divided the field into sections, and have in many cases presented learned and exhaustive special treatises. Notwithstanding the solid learning and critical acumen reflected in their pages, their form and voluminous character, however, detracted from their value as books for familiar and speedy reference, and left the acquirement of a general knowledge of the ceramic art a matter for wide research and prolonged study on the part of every reader and collector. The attempt has here been made to condense the leading points of the subject, to arrange them after a simple and easily intelligible method, and thus to present in one volume a comprehensive history. No hesitation has been shown in drawing upon foreign authors. Many of the later developments of the art have also been touched upon, and the results of the more recent efforts of artists and manufacturers have been illustrated and described. In treating of America, the author has endeavored to convey some idea of its wealth in materials and of the present condition and tendencies of the industry, and to do justice to those who have laid the foundation of its claim to recognition in the world of art.
The author has incurred obligations in many quarters for information and assistance. Mr. Samuel P. Avery, the Hon. Yoshida Kiyonari, Japanese Minister at Washington, General Di Cesnola, and the many private collectors whose cabinets are represented in the following pages, gave valuable aid both in obtaining illustrations and in other respects. Mr. Charles Edward Haviland, Mr. Theodore Haviland, and M. Bracquemond contributed many valuable hints upon technology and the manufacture and composition of different wares. The dealers of New York, Boston, Washington, Albany, and other cities took an active interest both in directing the author to collections and in furnishing specimens for illustration. Among American manufacturers, Mr. Thomas C. Smith, of Greenpoint; Mr. James Carr, of New York; Mr. Hugh C. Robertson, of Chelsea, Massachusetts; and Mr. J. Hart Brewer, of Trenton, are especially deserving of thanks for helping the author to a true insight into the past history, present condition, and prospects of the art in the United States.
In regard to the engravings, while it was, of course, found necessary in many cases to cull from the rich accumulations of ceramic treasures in Europe, in order to secure the proper illustration of the work, the preference has invariably been given to the collections of America. Such a course recommended itself for obvious reasons. It was thought that it would, in the first place, gratify those desirous of knowing where, in this country, the best representatives of the art of certain countries are to be found; and that, in the second place, it would direct artists where to study the best styles of decoration. One result of the author’s investigations in this matter has been the conviction that the American collector is cosmopolitan in his tastes, and that the American cabinet—in many instances the American tea-table—represents the amity of nations. The arts of all countries are found arrayed side by side in a profusion of which it would have been hard, a few years ago, to find a trace.
In choosing the pieces to be engraved, a threefold aim has been kept in view: the elucidation of the text, the representation of the greatest number of different wares by characteristic examples, and the introduction of as many beautiful works of art as possible consistent.
The Ceramic Art
The Ceramic Art: A Compendium of The History and Manufacture of Pottery and Porcelain
Author Preface:
In writing the present volume, the author’s object has been to answer as tersely and lucidly as possible the more important questions in connection with the history and manufacture of pottery and porcelain, and to bring the results of recent research to bear upon some of the unsolved problems of the “science of ceramics.” The literature of the subject is formidable in dimensions. Authors have divided the field into sections, and have in many cases presented learned and exhaustive special treatises. Notwithstanding the solid learning and critical acumen reflected in their pages, their form and voluminous character, however, detracted from their value as books for familiar and speedy reference, and left the acquirement of a general knowledge of the ceramic art a matter for wide research and prolonged study on the part of every reader and collector. The attempt has here been made to condense the leading points of the subject, to arrange them after a simple and easily intelligible method, and thus to present in one volume a comprehensive history. No hesitation has been shown in drawing upon foreign authors. Many of the later developments of the art have also been touched upon, and the results of the more recent efforts of artists and manufacturers have been illustrated and described. In treating of America, the author has endeavored to convey some idea of its wealth in materials and of the present condition and tendencies of the industry, and to do justice to those who have laid the foundation of its claim to recognition in the world of art.
The author has incurred obligations in many quarters for information and assistance. Mr. Samuel P. Avery, the Hon. Yoshida Kiyonari, Japanese Minister at Washington, General Di Cesnola, and the many private collectors whose cabinets are represented in the following pages, gave valuable aid both in obtaining illustrations and in other respects. Mr. Charles Edward Haviland, Mr. Theodore Haviland, and M. Bracquemond contributed many valuable hints upon technology and the manufacture and composition of different wares. The dealers of New York, Boston, Washington, Albany, and other cities took an active interest both in directing the author to collections and in furnishing specimens for illustration. Among American manufacturers, Mr. Thomas C. Smith, of Greenpoint; Mr. James Carr, of New York; Mr. Hugh C. Robertson, of Chelsea, Massachusetts; and Mr. J. Hart Brewer, of Trenton, are especially deserving of thanks for helping the author to a true insight into the past history, present condition, and prospects of the art in the United States.
In regard to the engravings, while it was, of course, found necessary in many cases to cull from the rich accumulations of ceramic treasures in Europe, in order to secure the proper illustration of the work, the preference has invariably been given to the collections of America. Such a course recommended itself for obvious reasons. It was thought that it would, in the first place, gratify those desirous of knowing where, in this country, the best representatives of the art of certain countries are to be found; and that, in the second place, it would direct artists where to study the best styles of decoration. One result of the author’s investigations in this matter has been the conviction that the American collector is cosmopolitan in his tastes, and that the American cabinet—in many instances the American tea-table—represents the amity of nations. The arts of all countries are found arrayed side by side in a profusion of which it would have been hard, a few years ago, to find a trace.
In choosing the pieces to be engraved, a threefold aim has been kept in view: the elucidation of the text, the representation of the greatest number of different wares by characteristic examples, and the introduction of as many beautiful works of art as possible consistent.
Author Preface:
In writing the present volume, the author’s object has been to answer as tersely and lucidly as possible the more important questions in connection with the history and manufacture of pottery and porcelain, and to bring the results of recent research to bear upon some of the unsolved problems of the “science of ceramics.” The literature of the subject is formidable in dimensions. Authors have divided the field into sections, and have in many cases presented learned and exhaustive special treatises. Notwithstanding the solid learning and critical acumen reflected in their pages, their form and voluminous character, however, detracted from their value as books for familiar and speedy reference, and left the acquirement of a general knowledge of the ceramic art a matter for wide research and prolonged study on the part of every reader and collector. The attempt has here been made to condense the leading points of the subject, to arrange them after a simple and easily intelligible method, and thus to present in one volume a comprehensive history. No hesitation has been shown in drawing upon foreign authors. Many of the later developments of the art have also been touched upon, and the results of the more recent efforts of artists and manufacturers have been illustrated and described. In treating of America, the author has endeavored to convey some idea of its wealth in materials and of the present condition and tendencies of the industry, and to do justice to those who have laid the foundation of its claim to recognition in the world of art.
The author has incurred obligations in many quarters for information and assistance. Mr. Samuel P. Avery, the Hon. Yoshida Kiyonari, Japanese Minister at Washington, General Di Cesnola, and the many private collectors whose cabinets are represented in the following pages, gave valuable aid both in obtaining illustrations and in other respects. Mr. Charles Edward Haviland, Mr. Theodore Haviland, and M. Bracquemond contributed many valuable hints upon technology and the manufacture and composition of different wares. The dealers of New York, Boston, Washington, Albany, and other cities took an active interest both in directing the author to collections and in furnishing specimens for illustration. Among American manufacturers, Mr. Thomas C. Smith, of Greenpoint; Mr. James Carr, of New York; Mr. Hugh C. Robertson, of Chelsea, Massachusetts; and Mr. J. Hart Brewer, of Trenton, are especially deserving of thanks for helping the author to a true insight into the past history, present condition, and prospects of the art in the United States.
In regard to the engravings, while it was, of course, found necessary in many cases to cull from the rich accumulations of ceramic treasures in Europe, in order to secure the proper illustration of the work, the preference has invariably been given to the collections of America. Such a course recommended itself for obvious reasons. It was thought that it would, in the first place, gratify those desirous of knowing where, in this country, the best representatives of the art of certain countries are to be found; and that, in the second place, it would direct artists where to study the best styles of decoration. One result of the author’s investigations in this matter has been the conviction that the American collector is cosmopolitan in his tastes, and that the American cabinet—in many instances the American tea-table—represents the amity of nations. The arts of all countries are found arrayed side by side in a profusion of which it would have been hard, a few years ago, to find a trace.
In choosing the pieces to be engraved, a threefold aim has been kept in view: the elucidation of the text, the representation of the greatest number of different wares by characteristic examples, and the introduction of as many beautiful works of art as possible consistent.
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The Ceramic Art
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Product Details
| BN ID: | 2940148598510 |
|---|---|
| Publisher: | Lost Leaf Publications |
| Publication date: | 07/16/2013 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| File size: | 17 MB |
| Note: | This product may take a few minutes to download. |
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