- The Post War Dream
- Your Possible Pasts
- One of the Few
- When the Tigers Broke Free
- The Hero's Return
- The Gunner's Dream
- Paranoid Eyes
- Get Your Filthy Hands Off My Desert
- The Fletcher Memorial Home
- Southampton Dock
- The Final Cut
- Not Now John
- Two Suns in the Sunset
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0888751709522
Michael Kamen Guest Artist,Oboe,Piano,Conductor,Harmonium,Synthesizer,Drums (Bass)
Andy Bown Organ,Organ (Hammond)
Richard Miller Speech/Speaker/Speaking Part
Pontarddulais Male Choir Vocals (Background)
Ray Cooper Percussion,Tambourine
James Guthrie Voices,Synthesizer
Raphael Ravenscroft Sax (Tenor)
Roger Waters Bass,Vocals
Nick Mason Drums
Henry Lowther Trumpet
Andy Newmark Drums
Richard Millard Speech/Speaker/Speaking Part
Irene Chanter Vocals (Background)
Doreen Chanter Vocals (Background)
David Gilmour Guitar,Guitar (Acoustic)
National Philharmonic Orchestra Strings,Orchestra
Hugo Zuccarelli Voices
Joel Plante Mastering,Mastering Engineer
Willie Christie Photography
Jules Bowen Engineer,Assistant Engineer
Bernie Grundman Mastering
James Guthrie Producer,Mastering,Mastering Engineer
Roger Waters Composer,Lyricist,Producer,Group Member,Sleeve Design
Polly Samson Composer
Richard Wright Composer
Bob Ezrin Composer
Nick Mason Group Member
Michael Kamen Arranger,Producer
Mike Nocito Engineer,Assistant Engineer
Anthony Moore Composer
David Gilmour Composer,Group Member
Jon Carin Composer


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Overview
The Final Cut extends the autobiography of The Wall, concentrating on Roger Waters' pain when his father died in World War II. Waters spins this off into a treatise on the futility of war, concentrating on the Falkland Islands, setting his blistering condemnations and scathing anger to impossibly subdued music that demands full attention. This is more like a novel than a record, requiring total concentration since shifts in dynamics, orchestration, and instrumentation are used as effect. This means that while this has the texture of classic Pink Floyd, somewhere between the brooding sections of The Wall and the monolithic menace of Animals, there are no songs or hooks to make these radio favorites. The even bent of the arrangements, where the music is used as texture, not music, means that The Final Cut purposely alienates all but the dedicated listener. Several of those listeners maintain that this is among Pink Floyd's finest efforts, and it certainly is an achievement of some kind -- there's not only no other Floyd album quite like it, it has no close comparisons to anybody else's work (apart from Waters' own The Pros and Cons of Hitch Hiking, yet that had a stronger musical core). That doesn't make this easier to embrace, of course, and it's damn near impenetrable in many respects, but with its anger, emphasis on lyrics, and sonic textures, it's clear that it's the album that Waters intended it to be. And it's equally clear that Pink Floyd couldn't have continued in this direction -- Waters had no interest in a group setting anymore, as this record, which is hardly a Floyd album in many respects, illustrates. Distinctive, to be sure, but not easy to love and, depending on your view, not even that easy to admire. [The Final Cut was re-released on CD in 216.] ~ Stephen Thomas Erlewine
Product Details
Release Date: | 01/15/2016 |
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Label: | Legacy |
UPC: | 0888751709522 |
Tracks
Album Credits
Performance Credits
Pink Floyd Primary ArtistMichael Kamen Guest Artist,Oboe,Piano,Conductor,Harmonium,Synthesizer,Drums (Bass)
Andy Bown Organ,Organ (Hammond)
Richard Miller Speech/Speaker/Speaking Part
Pontarddulais Male Choir Vocals (Background)
Ray Cooper Percussion,Tambourine
James Guthrie Voices,Synthesizer
Raphael Ravenscroft Sax (Tenor)
Roger Waters Bass,Vocals
Nick Mason Drums
Henry Lowther Trumpet
Andy Newmark Drums
Richard Millard Speech/Speaker/Speaking Part
Irene Chanter Vocals (Background)
Doreen Chanter Vocals (Background)
David Gilmour Guitar,Guitar (Acoustic)
National Philharmonic Orchestra Strings,Orchestra
Hugo Zuccarelli Voices
Technical Credits
Andy Canelle Assistant Engineer,EngineerJoel Plante Mastering,Mastering Engineer
Willie Christie Photography
Jules Bowen Engineer,Assistant Engineer
Bernie Grundman Mastering
James Guthrie Producer,Mastering,Mastering Engineer
Roger Waters Composer,Lyricist,Producer,Group Member,Sleeve Design
Polly Samson Composer
Richard Wright Composer
Bob Ezrin Composer
Nick Mason Group Member
Michael Kamen Arranger,Producer
Mike Nocito Engineer,Assistant Engineer
Anthony Moore Composer
David Gilmour Composer,Group Member
Jon Carin Composer
From the B&N Reads Blog
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