Losing
Wolf, aside from the final reprise of
"Lucy," but otherwise making no changes in the line-up,
the Seeds followed up
Tender Prey with the equally brilliant but generally calmer
Good Son. At the time of its release there were more than a few comments that
Cave had somehow softened or sold out, given how he was more intent on exploring his dark, cabaret pop stylings than his thrashy, explosive side. This not only ignored the constant examples of such quieter material all the way back to
From Her to Eternity, but
Cave's own constant threads of lyrical darkness, whether in terms of romance or something all the more distressing. This said, the softly crooning group vocals and sweet strings on the opening
"Foi Na Cruz" certainly would catch some off guard. The title track itself captured the overall mood of the album, a retelling of the Bible's prodigal son story from the other son, the one who stayed at home and did what he was meant to do. The elegant, reflective
"Lucy" and the staccato then sweeping
"Lament" are two further high points, but the flat-out winners come dead center.
"The Weeping Song," a magnificent duet between
Cave and
Bargeld, starts out sounding a bit like
Gene Pitney's
"Something's Gotta Hold of My Heart," which
the Seeds covered on
Pricks, before shading into its own powerful, blasted drama.
"The Ship Song," meanwhile, equals if not overtakes the
Scott Walker ballads
Cave so clearly is inspired by, a soaring, tearjerking declaration of intense love that's simply amazing. ~ Ned Raggett
