The Neglected Shelley

New editions and facsimiles of Percy Bysshe Shelley's works are changing the landscape of Shelley studies by making complete compositions and fragments that have received only limited critical attention readily available to scholars. Building on the work begun in Weinberg and Webb's 2009 volume, The Unfamiliar Shelley, The Neglected Shelley sheds light on the breadth and depth of Shelley's oeuvre, including the poet's earliest work, written when he was not yet twenty and was experimenting with gothic romances, and other striking forms of literary expression, such as two collections of provocative verse. There are discussions of Shelley's collaboration with Mary Shelley in the composition of Frankenstein, and his skill as a translator of Greek poetry and drama, reflecting his urgent concern with Greek culture. His contributions to prose are the focus of essays on his letters, the subversive notes to Queen Mab, and his complex engagement with Jewish culture. Shelley's considerable corpus of fragments is well-represented in contributions on the later narrative fiction, 'Athanase'/'Prince Athanase', and the significant group of unfinished poems, including 'Mazenghi', 'Fiordispina', 'Ginevra' and 'The Boat on the Serchio', that treat Italian topics. Finally, there are explorations of subtle though neglected or underestimated works such as Rosalind and Helen, The Sensitive-Plant, and the verse-drama Hellas. The Neglected Shelley shows that even the poet's apparently slighter works are important in their own right and are richly instructive as expressions of Shelley's developing art of composition and the diverse interests he pursued throughout his career.


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The Neglected Shelley

New editions and facsimiles of Percy Bysshe Shelley's works are changing the landscape of Shelley studies by making complete compositions and fragments that have received only limited critical attention readily available to scholars. Building on the work begun in Weinberg and Webb's 2009 volume, The Unfamiliar Shelley, The Neglected Shelley sheds light on the breadth and depth of Shelley's oeuvre, including the poet's earliest work, written when he was not yet twenty and was experimenting with gothic romances, and other striking forms of literary expression, such as two collections of provocative verse. There are discussions of Shelley's collaboration with Mary Shelley in the composition of Frankenstein, and his skill as a translator of Greek poetry and drama, reflecting his urgent concern with Greek culture. His contributions to prose are the focus of essays on his letters, the subversive notes to Queen Mab, and his complex engagement with Jewish culture. Shelley's considerable corpus of fragments is well-represented in contributions on the later narrative fiction, 'Athanase'/'Prince Athanase', and the significant group of unfinished poems, including 'Mazenghi', 'Fiordispina', 'Ginevra' and 'The Boat on the Serchio', that treat Italian topics. Finally, there are explorations of subtle though neglected or underestimated works such as Rosalind and Helen, The Sensitive-Plant, and the verse-drama Hellas. The Neglected Shelley shows that even the poet's apparently slighter works are important in their own right and are richly instructive as expressions of Shelley's developing art of composition and the diverse interests he pursued throughout his career.


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The Neglected Shelley

The Neglected Shelley

The Neglected Shelley

The Neglected Shelley

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Overview

New editions and facsimiles of Percy Bysshe Shelley's works are changing the landscape of Shelley studies by making complete compositions and fragments that have received only limited critical attention readily available to scholars. Building on the work begun in Weinberg and Webb's 2009 volume, The Unfamiliar Shelley, The Neglected Shelley sheds light on the breadth and depth of Shelley's oeuvre, including the poet's earliest work, written when he was not yet twenty and was experimenting with gothic romances, and other striking forms of literary expression, such as two collections of provocative verse. There are discussions of Shelley's collaboration with Mary Shelley in the composition of Frankenstein, and his skill as a translator of Greek poetry and drama, reflecting his urgent concern with Greek culture. His contributions to prose are the focus of essays on his letters, the subversive notes to Queen Mab, and his complex engagement with Jewish culture. Shelley's considerable corpus of fragments is well-represented in contributions on the later narrative fiction, 'Athanase'/'Prince Athanase', and the significant group of unfinished poems, including 'Mazenghi', 'Fiordispina', 'Ginevra' and 'The Boat on the Serchio', that treat Italian topics. Finally, there are explorations of subtle though neglected or underestimated works such as Rosalind and Helen, The Sensitive-Plant, and the verse-drama Hellas. The Neglected Shelley shows that even the poet's apparently slighter works are important in their own right and are richly instructive as expressions of Shelley's developing art of composition and the diverse interests he pursued throughout his career.



Product Details

ISBN-13: 9781472465665
Publisher: Ashgate Publishing Ltd
Publication date: 12/28/2015
Series: The Nineteenth Century Series
Sold by: Barnes & Noble
Format: eBook
File size: 4 MB

About the Author

Alan M. Weinberg is Emeritus Professor at the University of South Africa, RSA, and Timothy Webb is Senior Research Fellow and Emeritus Professor at the University of Bristol, UK.


Table of Contents

Contents: Introduction, Timothy Webb and Alan M. Weinberg; An uncelebrated facility: the achievement of Shelley’s letters, Timothy Webb; Symmetrical forms and infuriate paroxysms: observing the body in Percy Shelley’s gothic fiction, Diego Saglia; Harps, heroes and yelling vampires: the 1810 poetry collections, David Duff; The notes to Queen Mab and Shelley’s Spinozism, Timothy Morton; ‘His left hand held the lyre’: Shelley’s narrative fiction fragments, Stephen C. Behrendt; Percy Bysshe Shelley’s text(s) in Mary Wollstonecraft Shelley’s Frankenstein, Charles E. Robinson; Shelley’s second kingdom: Rosalind and Helen and ‘Mazenghi’, Jack Donovan; Shelley’s work in progress: ‘Athanase: a fragment’ and the unfinished draft of ‘Prince Athanase’, Alan M. Weinberg; Satyr play in a radical vein: Shelley’s ‘Cyclops’, Maria Schoina; The Sensitive-Plant and the poetry of irresponsibility, Richard Cronin; ‘Infinitely comical’: Italianizing the ‘Hymn to Mercury’, Timothy Webb; 'Wrecks of a dissolving dream': Shelley’s art of ambivalence in Hellas, Michael O’Neill; Shelley, Jews and the land of promise, Nora Crook; Shelley’s Italian verse fragments: exploring the notebook drafts, Alan M Weinberg; Bibliography; Index.


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