Sungsook Setton learned ink painting techniques from Chinese and Korean masters in her native South Korea; now she brings them to you in The Spirit of the Brush. Chinese ink painting is one of the oldest continually practiced art forms in the world. First appearing in China in the fifth century, it soon traveled to Korea, and then to Japan. As old and deeply rooted in East Asian aesthetics and meditation as it is, ink painting is credited with influencing the development of modern Western art. Its minimalist approach to painting continues to have enormous appeal. Author, artist, and teacher, Sungsook Setton is now bringing her years of experience to you with The Spirit of the Brush. You will learn traditional disciplines for holding and using the brush, as well as how to turn these techniques into inner meditation which will help your own world; city views, music, and the essence of contemporary life.
|Product dimensions:||8.50(w) x 10.90(h) x 0.60(d)|
About the Author
Sungsook Setton is a Korean-American artist and calligrapher. In addition to her training in brush painting and calligraphy under Chinese and Korean masters, she has also studied Western art in Germany, the United Kingdom, and the United States, obtaining her BA in studio art at Stony Brook University in New York and an MFA in interdisciplinary art at Goddard College in Vermont. Setton's work has been widely exhibited in Canada, the UK, Taiwan, Korea, and the United States. She has received two dozen awards for her work, including twice winning Best of Show at the National Juried Exhibition by the Sumi-e Society of America. In 2010, she represented the U.S. at the Third International Biennial of Modern Ink Painting in Taipei. She serves on the faculty of Westchester Community College, the China Institute, and the Art League of Long Island.
Most Helpful Customer Reviews
I have always loved the stark beauty of Chinese brush painting. The abstract simplicity of the medium is so graceful and alive, as it not only portrays the beauties around us, but reveals the artist’s hand at work in what, until now, seemed like an entirely daunting medium. But now, with this very helpful, easy to read, and explanatory work, I feel comfortable creating these lovely (and quick!) paintings myself. It borrows from my watercolor training, which I think would be helpful to others too, if you have even a little experience using them. Highly recommended.