★ 05/18/2020
The dense but brilliant third volume of Dickinson’s The Masquerade series (after 2018’s The Monster Baru Cormorant) sees Baru Cormorant, haunted by memories of the woman she loved and lost, pushed even further into her self-destructive, all-consuming quest to save her family. In Baru’s effort to destroy the Imperial Republic of Falcrest from within, she has risen to the position of cryptarch, part of the invisible cabal that controls the Throne from the shadows. But as Baru pretends to serve her master, Cairdine Farrier, in his attempts to conquer the empire of Oriati Mbo, she privately plots against him. Baru has discovered the secrets of the Cancrioth—a cult of cancer worshippers secretly ruling Oriati Mbo—and the plague they’ve weaponized to wipe out their enemies. Caught between two implacable empires and facing betrayal at every turn, Baru must sacrifice everything and everyone she loves in order to bring down Falcrest. Dickinson weaves a byzantine tapestry of political intrigue, economic manipulation, and underhanded diplomacy. The narrative oscillates between past and present and alternates between numerous perspectives to create a harrowing picture of social conflict on a monumental scale. This staggering installment pushes the series to new heights and expands the fascinating fantasy world. Agent: Jennifer Jackson, Donald Maass Literary Agency. (Aug.)
Praise for The Monster Baru Cormorant:
"With its twisty intrigues, visceral action, and characters who struggle to escape their own calculations, The Monster Baru Cormorant is a fantastic read that never lets up." —Yoon Ha Lee, author of Ninefox Gambit
Praise for The Traitor Baru Cormorant:
"Brutal, relentless and with the heartbreaking beauty of the best tragedies." —Aliette de Bodard, Nebula Award-winning author of “The Waiting Stars”
"A beautiful, perfectly formed crystal of a novel." —John Chu, Hugo Award-winning author of "The Water That Falls on You from Nowhere"
"An intelligent and accomplished first novel reminiscent of Le Guin in its reflections on imperialism, colonialism, and the attractions and corruptions of power." —Una McCormack, New York Times bestselling author of The Crimson Shadow
"Smart. Brutal. Gut-wrenching...Get ready to have your heart ripped out through your throat. Highly recommended." —Kameron Hurley, Hugo-winning author of The Geek Feminist Revolution
"Dickinson has written a poet's Dune, a brutal tale of empire, rebellion, fealty, and high finance that moves like a rocket and burns twice as hot. The Traitor Baru Cormorant is a mic drop for epic fantasy." —Max Gladstone, author of the Hugo-nominated Craft Sequence
"Amazing and inventive." —Tobias Buckell, New York Times bestselling author of the Xenowealth series
2020-04-13
Third part of a doorstopper epic fantasy in which a woman seeks revenge against an evil and insatiable empire.
In the first book, The Traitor Baru Cormorant (2015), we learned the reasons why Baru Cormorant seeks to destroy the Imperial Republic of Falcrest and something of the depth and nuance of her plan. Book 2, The Monster Baru Cormorant (2018), exposed new vistas, churned bravely, and accumulated flab. Book 3 succumbs to bloat while setting up a sequel. Once, Baru was a protégé of the cryptarch Cairdine Farrier, one of the secret powers running the empire. Now a cryptarch herself, she realizes that he's been subtly controlling her from Day 1. Under his orders, she's sought out the Cancrioth, a people ruled by immortal tumors in human form, in order to use them as a weapon. The Cancrioth are concealing the Kettling, a hemorrhagic plague that could kill hundreds of millions. Baru undoubtedly could unleash the plague and destroy Falcrest, but millions of innocents would die too. Another way to achieve her goal would require more devious tactics but run the risk of Falcrest’s becoming the world's supreme power. To implement either strategy, Baru must first survive murderous threats from allies and enemies alike. As before, the storytelling is intense, deftly handled, ingenious, and often absorbing. Dickinson is, however, a writer blessed with an exceptionally fertile imagination who can't resist packing in everything—to the point where needless overcomplication all but sinks a narrative heavy with plot threads, timelines, gore, torture, conspiracies, violence, intrigue, and war. Less would have been far more digestible. The book does work impressively well as an allegory about modern politics, economics, and global power projection (mark the eerie though entirely coincidental thread about the Kettling). Yet the final confrontation, building through three enormously long, dense, involved books, doesn't actually come off—as drama or as catharsis.
Those attuned to the author's singular methods will rejoice. Otherwise, this is demanding and ultimately overwhelming.
