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Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev
By Dassia N. Posner (Editor), Kevin Bartig (Editor), Maria De Simone (Editor), Caryl Emerson (Contribution by), Alberto Beniscelli (Contribution by), Giulietta Bazoli (Contribution by), Domenico Pietropaolo (Contribution by), Ted Emery (Contribution by), Natalya Baldyga (Contribution by), Raissa Raskina (Contribution by), Vadim Shcherbakov (Contribution by), Laurence Senelick (Contribution by), Julia Galanina (Contribution by), Inna Naroditskaya (Contribution by), Natalia Savkina (Contribution by), Simon A. Morrison (Contribution by), John E. Bowlt (Contribution by)
eBook
$49.99
By Dassia N. Posner (Editor), Kevin Bartig (Editor), Maria De Simone (Editor), Caryl Emerson (Contribution by), Alberto Beniscelli (Contribution by), Giulietta Bazoli (Contribution by), Domenico Pietropaolo (Contribution by), Ted Emery (Contribution by), Natalya Baldyga (Contribution by), Raissa Raskina (Contribution by), Vadim Shcherbakov (Contribution by), Laurence Senelick (Contribution by), Julia Galanina (Contribution by), Inna Naroditskaya (Contribution by), Natalia Savkina (Contribution by), Simon A. Morrison (Contribution by), John E. Bowlt (Contribution by)
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In 1921, Sergei Prokofiev's Love for Three Oranges—one of the earliest, most famous examples of modernist opera—premiered in Chicago. Prokofiev's source was a 1913 theatrical divertissement by Vsevolod Meyerhold, who, in turn, took inspiration from Carlo Gozzi's 1761 commedia dell'arte–infused theatrical fairy tale. Only by examining these whimsical, provocative works together can we understand the full significance of their intertwined lineage.
With contributions from 17 distinguished scho...