The resulting monograph provides a nuanced view into the struggles and joys of growing older as a transgender person and offers a poignant reflection on what it means to live authentically despite seemingly insurmountable odds.
|Product dimensions:||9.44(w) x 11.81(h) x (d)|
About the Author
Jess T. Dugan is an artist whose work explores issues of gender, sexuality, identity, and community. For the past decade, Jess has photographed people within queer and transgender communities, focusing on the complexities of identity, gender, and sexuality. Jess earned a BFA in Photography from the Massachusetts College of Art and Design, a Master of Liberal Arts in Museum Studies from Harvard University, and an MFA in Photography from Columbia College Chicago. Dugan has exhibited at venues including the Smithsonian National Portrait Gallery, the Aperture Foundation, the Museum of Contemporary Photography, the San Diego Museum of Art, the Cornell Fine Arts Museum at Rollins College, the Catherine Edelman Gallery, the Griffin Museum of Photography, and at many colleges and universities throughout the United States. She has work in several museum collections. Dugan’s first monograph Every Breath We Drew was published in 2015 by Daylight Books and coincided with a solo exhibition at the Cornell Fine Arts Museum. In 2015, Dugan founded the Strange Fire Artist Collective to highlight work made by women, people of color, and LGBTQ artists. She is represented by the Catherine Edelman Gallery in Chicago, IL.
Vanessa Fabbre, PhD, LCSW, is an Assistant Professor at the Brown School of Social Work and Affiliate Faculty in Women, Gender, and Sexuality Studies at Washington University in St. Louis. Vanessa’s research explores the conditions under which LGBTQ people age well, and what this means in the context of structural forces such as heteronormativity, heterosexism, and transphobia. Her research has been published in the Journal of Gerontology: Social Sciences, Social Work, The Gerontologist, the Journal of Gerontological Social Work, and the Journal of Urban Health.
Karen Irvine is Chief Curator and Deputy Director of the Museum of Contemporary Photography at Columbia College Chicago. She has organized over fifty exhibitions of contemporary photography at the MoCP and other venues including the Hyde Park Art Center, the Rockford Art Museum, the Lishui International Photography Festival, China, the Daegu Photography Biennale, South Korea, and the New York Photo Festival. Irvine has contributed texts to many publications including FOAM, Art on Paper, and Contemporary magazines and monographs including ), Paula McCartney: Non-flights of Fancy (Princeton Architectural Press), Barbara Probst: Exposures (Steidl), Christian Patterson: Redheaded Peckerwood (MACK).
Read an Excerpt
Dee Dee Ngozi, 55, Atlanta, GA, 2016
My middle name is Ngozi, which means God’s blessing. I was speaking on HIV and my journey with HIV in the church one night and this African minister just jumped up and said “You’re Ngozi!” I said, “Uh, what do that mean?” and he said “It means God’s blessing. You have God’s blessing.” So I adopted that name when I sent my name change in and then I had my last name changed to my husband’s and then we was married. I served collard greens, and ham hock, and baked cakes and he’s just as happy as a lark after the twenty-five years we’ve been together.
This coming into my real, real fullness of knowing why I was different is because I was expressing my spirit to this world. And I didn’t know how God felt about it but I believe in God and I have a deep spiritual background and I talk with the Holy Spirit constantly who’s taken me from the Lower West Side doing sex work to being at the White House.
(Sample statement from the book)