Tongue Arch & Aperture Tunnel
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At the end of the book are links to 30 minutes of video of Andrea Tofanelli, Keith Fiala and me teaching this idea.
All notes are not created equally:
Many people think that every note on the trumpet responds the same way to an increase in arch, or compression, or breath support, or even facial tension. That isn't what really happens.
Generally when we cross over an open note we have to change something MORE.
Low D to low E to F, I am picking up fingers and making the horn shorter. I don't need...























