From the acclaimed international bestseller Keigo Higashino (The Devotion of Suspect X) comes a sweeping novel in the tradition of Les Miserables and Crime and Punishment. This is the compelling story of a brutal crime and the two teenagers—Ryo, the son of the murdered man, and Yukiho, the daughter of the main suspect—whose lives remain inextricably linked over the twenty-year search for the truth behind the crime.
In Osaka in 1973, the body of a murdered man is found in an abandoned building. Investigating the crime, Detective SasagakI is unable to find the killer. Over the next twenty years, through the lens of a succession of characters, Higashino tells the story of two teens, Ryo and Yukiho, whose lives are most affected by the crime, and the obsessed detective, Sasagaki, who continues to investigate the murder, looking for the elusive truth.
Under the Midnight Sun is a complex, psychological novel about crime and its after-effects by one the most read and most accomplished contemporary mystery author. A twisting, compelling work that will astonish and delight Higashino’s old fans and new readers alike.
|Publisher:||St. Martin's Press|
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About the Author
Born in Osaka and currently living in Tokyo, Keigo Higashino is one of the most widely known and bestselling novelists in Japan. He is the winner of the Edogawa Rampo Prize (for best mystery), the Mystery Writers of Japan, Inc. Prize (for best mystery) among others. His novels are translated widely throughout Asia.
Read an Excerpt
Under the Midnight Sun
By Keigo Higashino, Alexander O. Smith, Joseph Reeder
St. Martin's PressCopyright © 1999 Keigo Higashino
All rights reserved.
Sasagaki left the station and headed west along the tracks. Despite being October it was still dreadfully muggy, yet the ground was dry so when a truck sped by it sent up clouds of dust. He frowned and rubbed his eyes, his feet falling heavy on the pavement. By all rights, he should have been spending the day at home enjoying some leisurely reading — in fact he'd been holding off on a new thriller just for the occasion.
A park came into view on the right, large enough to accommodate two pickup softball games side by side. There was a jungle gym, swings, a slide — all the standard equipment. This, Masumi Park, was the largest in the area by far. On its far side stood a seven-storey building. Nothing unusual about the exterior, but Sasagaki knew that inside it was almost entirely hollowed out. Before joining the metropolitan police he'd been stationed with the local force here in the eastern part of Osaka, and he remembered a thing or two about his old beat. A crowd of onlookers had already gathered in front of the building, which was ringed by several squad cars.
Sasagaki didn't head straight for the building, but took a right on the street before the park. The fifth building from the corner was a tiny shop with a frontage of barely more than two metres. A sign out front proclaimed GRILLED SQUID. The squid in question were grilled on a stand set in the front of the shop, behind which a chunky woman of around fifty sat reading the newspaper. Sasagaki glanced beyond her to see shelves loaded with sweets. The place was a popular after-school hangout, but he didn't see any children today.
"One, please," Sasagaki called out.
The woman hastily folded her newspaper and stood. "I'll have that right up."
Sasagaki smoked Peace brand cigarettes. He stuck one between his lips now, lit it with a match, and glanced at the newspaper where she'd left it on the chair.
MINISTRY OF HEALTH ANNOUNCES SEAFOOD MERCURY RESULTS, read one headline. Beneath it in smaller text: Even large quantities produce levels below recommended limits.
Back in March, a judge had handed down a decision in the Minamata disease trial down in Kumamoto, clearing the way for the resolution of three other large public health trials in one blow: Minamata disease up in Niigata, one on extreme environmental pollution in Yotsukaichi, and Itai-itai disease. All of the cases had been decided in favour of the claimants. Now pollution was on everyone's mind. In a nation that ate so much fish, worry spread fast that mercury and PCBs could be getting into the food supply.
I hope squid's safe, Sasagaki thought.
The specialised griddle for baking the squid consisted of two hinged steel plates which pressed together, cooking the squid and its blanket of flour and egg between them. The aroma made his belly twitch with hunger.
The woman opened the griddle, revealing an oblong, flattened squid to which she applied sauce — just a light brushing — before cutting it in half. She wrapped the pieces in a single sheet of waxy brown paper and held it out.
Sasagaki glanced at the little sign that read SQUID: FORTY YEN and took out a few coins.
"Thanks," the woman grunted cheerily before sitting back down with her newspaper.
Sasagaki was walking away when another woman stopped to say hello to the squid lady. A housewife from the neighbourhood, a backward glance told him. He paused. She was carrying a shopping basket in one hand.
"What do you think it is? Must be something big," the housewife said, pointing towards the abandoned building.
"Never seen so many cop cars around here," the squid lady noted. "Maybe some kid got hurt."
Sasagaki turned around. "Sorry, did you say 'kid'?"
"Oh, they were always playing in there. I said it a thousand times, sooner or later one of 'em's going to get hurt, and it looks like I was right. Unless you heard different?"
Sasagaki ignored the question. "Why would kids be playing in a place like that?"
"Why do kids play anywhere?" The squid lady shrugged. "I always said someone should do something about it. It's not safe."
Sasagaki finished off his squid and started towards the building, just another guy going to join the crowd of onlookers.
He ducked beneath the rope some uniformed officers had stretched across the front of the building. One of the officers glared at him, but backed down when Sasagaki patted his jacket over the pocket where every detective kept his badge.
Sasagaki went into the foyer through a gap in the makeshift doors of plywood and scrap lumber. He'd expected it to be pretty dark inside and he was right; the air was heavy with mould and dust. He stood, blinking, hearing voices nearby.
Eventually his eyes adjusted and Sasagaki realised he was standing in what would have been an elevator bank. Two elevator doors stood off to the right behind a pile of loose construction materials and tangled electrical wires.
Straight ahead of him was a wall with a square, unfinished hole in it for a doorway. The blackness beyond was too dark to penetrate, but Sasagaki guessed he was looking at what would have been a car park.
There was a room to the left, set with another temporary plywood door, the words NO TRESPASSING scrawled on it in chalk. The door opened and two familiar faces emerged, both of them detectives in his unit.
"Hey. Enjoying your day off?" the older detective, a man by the name of Kobayashi, said. He was two years Sasagaki's senior. The younger man, Detective Koga, had joined Homicide less than a year before.
"I had a bad feeling when I woke up this morning," Sasagaki said. "Wish I'd been wrong for a change." He lowered his voice. "How's the old man's mood?"
Kobayashi frowned and shook his head. Koga gave a wry smile.
"That's what I figured," Sasagaki said. "Well, no rest for the wicked. What's he up to in there?"
"Dr. Matsuno just got here."
Kobayashi cleared his throat. "We're going to take a look around outside, OK?"
"Have at it."
Sasagaki watched the two leave. Sent out to do questioning, no doubt. Putting on his gloves, he slowly opened the door. The room was sizeable, a little over twenty square metres. Thanks to the sunlight slanting in through the windows it wasn't as dim in here.
Detectives stood in a huddle in the shadow opposite the windows. There were a few faces he didn't recognise, probably people from the local station. The others he knew all too well. Was tired of seeing them, to be honest. The first to acknowledge him was Captain Nakatsuka. He had a buzz cut and wire-frame glasses with the top half of each lens tinted light purple. The deep wrinkles between his eyebrows never went away, even when he smiled.
No greetings or jibes about being late. Nakatsuka just motioned him over with a jerk of his jaw. A sofa upholstered with black suede had been pushed up against the wall. It was big enough to seat three adults, if they were friendly.
The body was lying on the sofa. Male.
Dr. Hideomi Matsuno of Kinki University was in the process of examining the body. He had been a medical examiner in Osaka for more than twenty years.
Sasagaki craned his neck to take a look at the corpse.
Age, he guessed, was about midforties, maybe fifty. Height, just shy of one seventy metres, and a little plump for that. He was wearing a brown jacket, but no tie. Designer clothes, top-of-the-line and impeccable save for the wine-red bloodstain on his chest that had spread to about ten centimetres in diameter. There were a few other stab wounds, but nothing else bleeding much.
It didn't look as if there had been a struggle. His jacket was in order and his hair, drawn back into a knot behind his head, wasn't dishevelled in the least.
The diminutive Dr. Matsuno stood and turned to the huddle of detectives. "Well, it's a homicide. Stab wounds in five places. Two on the chest, three on the shoulder. The only fatal one was here, on the lower left chest, several centimetres left of the sternum. The weapon passed between the ribs, straight into the heart. A single thrust."
"He died immediately?" Nakatsuka had asked the question.
"Within a minute, tops. Haemorrhaging from a coronary artery put pressure on the heart. Classic case of cardiac tamponade is my guess."
"Any blood splatter on the killer?"
"I doubt there was much."
"And the murder weapon?"
The doctor stuck out his lower lip and shrugged. "Something thin and sharp — a blade. Maybe a little thinner than your average fruit knife. I can tell you right now it wasn't a cleaver or any of your typical survival knives."
"Time of death?" Sasagaki asked.
"You've got rigor mortis over the entire body, lividity has settled nicely, corneas are opaque. I would say anywhere between seventeen hours to an entire day. You'll have to wait for the autopsy to get any closer than that."
Sasagaki looked down at his watch. It was two-forty, meaning the victim had been killed between three in the afternoon and ten at night on the previous day.
"Well, let's get the autopsy going," Nakatsuka said.
"Works for me," Dr. Matsuno agreed.
Koga came in and announced, "The wife's here."
"Took her long enough," Nakatsuka grunted. "Let's get her to ID him now, then. Bring her in." Koga nodded and went back outside.
Sasagaki leaned over to one of the other detectives in the huddle and whispered, "How'd they know who he was?"
"He was carrying his driver's licence and a business card. Runs — ran a local pawnshop."
"Pawnshop? They take anything from him?"
"Don't know. They can't find a wallet, though."
There was a noise by the door and Koga ushered in the widow. The detectives took a few steps back from the body on the sofa.
The woman's checked black and burnt-orange dress made the room seem several shades darker. Her high heels must have been nearly ten centimetres and her long hair was set in a perfect perm, as though she had just stepped out of the beauty salon.
Large eyes, lined with thick eyeshadow, turned towards the sofa along the wall. She brought both hands to her mouth and made a noise like a hiccup. For a few seconds she didn't move at all. Finally, she took a few hesitant steps towards the body. Stopping just in front of the sofa, she looked down at the man's face. Sasagaki could see her chin tremble slightly.
"Is that your husband, ma'am?" Nakatsuka asked.
She didn't answer, just cradled her cheeks in her hands, then gradually slid her hands up to cover her face before her knees buckled and she crumpled on the floor. A bit put on, Sasagaki thought. Then came the sobs, muffled through her long fingers.
* * *
Yosuke Kirihara was the deceased's name, proprietor of the unsurprisingly named Kirihara Pawnshop. The shop, which also served as a home, was about a kilometre away from the building where his body had been found.
They carried the body out immediately after the widow, Yaeko, made the ID. Sasagaki was helping the Department of Criminal Identification guys get the body on the stretcher when something caught his eye. "Think our boy had been out eating?"
"What makes you say that?" Detective Koga raised one eyebrow.
Sasagaki pointed to the victim's belt. "His belt's fastened two holes wider than he usually fastens it."
"Hey, you're right."
Mr. Kirihara had been wearing a brown Valentino belt with clear buckle marks near the fifth hole from the end, which was slightly widened from use. But now the belt had been loosened to the third hole from the end.
Sasagaki had one of the young Criminal Identification officers take a photo of the belt and, once the scene had been cleared, the detectives spread out to start questioning the neighbours, leaving only Criminal Identification, Sasagaki, and Captain Nakatsuka inside.
Nakatsuka stood in the centre of the room, taking another look around. He'd assumed his customary deep-thought posture: left hand on his waist, right hand to his forehead. "Sasagaki," he said. "What do you make of it? What kind of killer we looking at here?"
"Haven't the faintest idea," Sasagaki replied with a shrug. "Except, whoever it was, the victim knew him." The tidiness of the man's clothes and hair, the lack of any signs of a struggle, and the frontal stab wound told him that much.
"So the question is: what were they doing in a place like this?"
Sasagaki went around the room again, scanning the floors and wall. It seemed like it had served as a temporary office while the building was under construction. The black sofa the body had been lying on was probably left over from that. There was also a steel desk, two folding chairs, and a meeting table with folding legs left abandoned against the wall. The exposed metal was rusting, and a thick, floury layer of dust covered everything. Construction had stopped two and a half years ago.
Sasagaki's gaze stopped on the wall above and to the side of the black sofa where a square hole for some kind of duct opened just below the ceiling. Normally the duct would have been covered with a grating, but that had been removed, if it had ever been put on in the first place.
If hadn't been for the duct, they might not have discovered the body until much later. According to the local detectives, the kid who found the body was a third-grader from the neighbourhood elementary school. After Saturday classes ended at noon, the boy and four of his classmates had come to the building — not to play dodgeball or tag, but to explore the building's labyrinthine ventilation ducts. Sasagaki had to agree that crawling on all fours through the narrow, twisting passages would probably seem like a grand adventure to a boy.
Apparently, at some point along the way, one of them had taken a wrong turn. Separated from the other boys, he had crawled blindly through the ducts, panicking, until he eventually reached the abandoned office. At first, the boy had thought the man on the sofa was sleeping. He'd crept out of the air duct as quietly as he could so as not to wake him and the man hadn't moved at all. He'd gingerly stepped closer and that was when he saw the blood.
The boy had run home and told his family at about one in the afternoon. It took another twenty minutes or so until his mother actually believed him. The record showed that her phone call to the station came at 1:33 p.m.
"A pawnbroker, huh?" Nakatsuka said suddenly. "You think the job requires meeting someone in a place like this?"
"If it was someone who didn't want to be seen, or someone he didn't want to be seen with."
"Could be, but why here? If he wanted to meet someone in secret, there are all sorts of places he could've gone. And if he was worried about prying eyes, why not pick a place farther from home?"
"True." Sasagaki rubbed his chin. He could feel stubble against his palm. He had rushed out of the house this morning without time to shave.
"His wife was something, though." Nakatsuka changed the subject. "He was fifty-two and she was ... what? Just over thirty? Practically a girl when they would've met."
"A working girl," Sasagaki muttered quietly.
Nakatsuka shook his head. "She had the makeup for it. Done up to the nines, and this place is hardly a stone's throw from her house. And how 'bout that performance?"
"You saying her tears were as fake as her lashes?"
"Your words, not mine." Nakatsuka smiled, then his face went hard. "They should be done questioning. Sasagaki, you mind seeing her home?"
"Sure thing." Sasagaki gave a light bow of his head and headed for the door.
Most of the onlookers outside had gone, replaced by a gaggle of newspaper reporters. It looked like one of the television stations was there, too.
Sasagaki glanced over the parked police vehicles and spotted Yaeko Kirihara in the back seat of the second car from the front. Kobayashi was sitting next to her and Koga was in the passenger seat. Sasagaki walked over and rapped on the rear-door window. Kobayashi opened the door and stepped out.
"How's it going?"
"We've gone over pretty much everything. Honestly, she's still a little ruffled," Kobayashi said, covering his mouth with his hand.
"Did you have her check his belongings?"
"I did. Wallet's missing. And a lighter."
"She remembered a missing lighter?"
"A Dunhill. They're expensive."
Sasagaki grunted. "When's the last time she saw him?"
"He left the house some time between two and three yesterday. Didn't say where he was going. She got worried when he didn't come back in the morning and was about to call the police when she got the call they'd found him."
"Anything about someone inviting him out?"
"She doesn't know. Says she can't remember if there was a phone call before he left the house, either."
"Anything unusual about him when he left?"
"Nothing out of the ordinary."
Sasagaki scratched his chin. There was nothing here to go on. Nothing at all. "I figure she doesn't have any guesses who it might be?"
Kobayashi frowned and shook his head.
"She know anything about the building?"
"Asked that. She knew it was here but had no idea what kind of place it was. She says this was her first time in it today, and she'd never heard her husband talk about it before."
Excerpted from Under the Midnight Sun by Keigo Higashino, Alexander O. Smith, Joseph Reeder. Copyright © 1999 Keigo Higashino. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
I loved this book !
Midnight Sun is OKAY but nothing special. I really enjoyed Devotion of Suspect X and have been checking out his other books translated into English and now there are newer ones since the author has become popular, but these are older books and not written in the style of nor the prowess of Devotion and its sequel. Midnight Sun is long and tedious, it has interesting passages and characters but I could have done without reading it. An editorial review says it is in the grand style of Les Miserables and Crime and Punishment, only in that this novel takes place over many years and is long.
I will begin by stating that I have been awaiting this translation for nearly five years, and it was worth the wait. Keigo Higashino once again displays his prowess in writing crime fiction in this haunting mystery. Unlike most other novels, Midnight Sun is never told from the perspective of the main two characters, but is instead told through the perspectives of those whose lives they influenced. The end result is a tale in which various pieces of the characters are revealed at a time with the picture only coming together at the close of the story. While the main characters are at times seems a brutal, but also painfully sympathetic, one of the books main achievements is the diverse cast of characters that tell the story and how easy it is to connect and becoming interested in them while never distracting the reader from the main premise. Taking place over the span of about twenty years, the books setting is a character in itself, revealing the highs and lows of the Japanese economy, the rise of the digital age, and how these impacted and even influenced the characters lives and decisions. Higashino delivers what we have to come expect from this master of mystery; a dark and heartbreaking story with a twist that is both subtle and swift that puts all the pieces together. Under the Midnight Sun is a must read for any fan of Higashino and should be a high priority for anyone that enjoys crime fiction and mystery.