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This extensive monograph gathers nearly sixty large-scale sculptures and installations made by Urs Fischer over the past twenty-five years.

The nearly four-hundred-page volume groups works under thematic headings such as “holes,” “lines,” and “intersecting objects,” illustrating how the Swiss artist has explored and returned to specific sculptural problems over decades, and how his approaches have changed with technology.

In color photographs and short texts, the book illuminates the enormous...