A dead lawyer enters the office of Wildclown Investigations and hires the detective to find his killer. Wildclown and his dead sidekick Elmo soon find themselves entangled in a battle for control of a secret that offers either hope or doom for humanity. The case takes us to a unique setting that mixes gothic horror with the two-fisted pragmatism of a hard-boiled detective novel.
About the Author
G. WELLS TAYLOR is currently promoting the Variant Effect: MADHOUSE 2 - Gas Light and preparing The Variant Effect: MADHOUSE 3 - Burn for a 2018 spring release. G. Wells Taylor was born in Oakville, Ontario, Canada in 1962, but spent most of his early life north of there in Owen Sound where he went on to study Design Arts at a local college. He later traveled to North Bay, Ontario to complete Canadore College’s Journalism program before receiving a degree in English from Nipissing University. Taylor worked as a freelance writer for small market newspapers and later wrote, designed and edited for several Canadian niche magazines. He joined the digital publishing revolution early with an eBook version of his first novel When Graveyards Yawn that has been available online since 2000. Taylor published and edited the Wildclown Chronicle e-zine from 2001-2003 that showcased his novels, book trailer animations and illustrations, short story writing and book reviews alongside titles from other up-and-coming horror, fantasy and science fiction writers. Still based in Canada, Taylor continues with his publishing plans that include additions to the Wildclown Mysteries and sequels to the popular Variant Effect series.
Read an Excerpt
The dead man looked at the clown and smiled. The clown was draped over a chair and desk across from him in a semi-intoxicated state of contemplative repose, and was too busy studying his reflection in a hand mirror to notice the nervous gesture. The clown's small black eyes studied the image in the mirror with something like the concentrated discipline of an astronomer. They squeezed into tight whirls of flesh and pondered, peering at the silvery surface from cavernous sockets in a right then left canted head as though such contortions could help him fathom what the eyes saw. A hazy border of greasy fingerprints obscured the issue more giving the reflection a dream-like quality. The clown could easily make out the dark spiky hair that grew to his shoulder and the tip of his nose painted black. By lifting his chin he revealed a wide grin scrawled across his white-powdered cheeks, by dropping it he showed scripted eyebrows swooping up and over the tall forehead in exclamation or terror. They wrinkled, gleaming with sweat. Perhaps they posed a question.
An ill-fitting coverall hung on the big man's frame with all the sophistication of an oily tarp thrown over discarded car parts. The apparel was decorated with faded colored spots that vied equally for notice with stains of various sorts. His boots were black and heavy, better suited to combat than office work. They were crossed on the desk, and threatened to upset the telephone where it had been pushed with a pile of papers and overflowing ashtrays.
"What?" The clown drifted from his reverie. His gaze fell evenly on the corpse that sat across from him. "What?"
"We was talking." Said Elmo, always reluctant to prompt his boss. "About the Change."
"Oh." The clown's eyes did an inward turn, pupils flashing for memory. He dropped the mirror in a desk drawer, slammed it. "You remember the earthquakes, Elmo!" He leaned back in his chair with an air of authority, but a thin quaver in his voice denounced it. "Airplanes fell from the sky. There were riots and civil strife! And that millennium bug..."
"True," rasped the dead man, exhibiting a rare display of assertiveness. "But could'a been coincidence, could'a been anythin'." He gingerly nibbled a yellowed fingernail. "Could'a been the ozone, or the greenhouse gases!"
"Rumors of war-nation rising up against nation! And all that cloning...oh that was bad!"
The clown suddenly animate lurched forward, pounding the desk. "It's not coincidence! It's all there in the book, that Bible! John saw it didn't he? And it wasn't any hothouse effect!"
"But the Bible talked about seals and lambs and such. I ain't seen no lambs nor seals." Elmo's hands shook, almost overwhelmed by his own bravado. "I seen hardly any animals at all."
"That's where we let ourselves down. It's not going to happen like a TV show. The world won't end after the closing credits or following a commercial break." The clown swept his legs back onto the desk as he tapped his forehead with index finger. "We're going to have to think about this one, Elmo. Think about it! A lamb might not be a lamb, so to speak. Could be a man or a thing. Could be a lamb."
A stream of derisive air shot from between Fat Elmo's pursed lips. "Still ain't convinced." He hissed. "Nations is always rising up against nations. And a lamb is always a lamb where I come from! And seals, I ain't driving to the coast just to see them." He drew a curtain of silence as he crossed his arms.
The clown silently studied the dead man. His partner's head was round and the black skin on it was drawn tight over the exposed crown. What remained of his hair was fair, almost a strawberry blonde, and long and lanky. Elmo had pressed or ironed the kinks out of it. It could have been the bleach he used that pacified the ancestral convolutions. Large dark eyes sat in a very thin face with a broad broken nose splayed across it. A long skinny moustache trailed over thick lips. As always, his clothing was impeccable. Even with the frayed cuffs his dark wool suit was head and shoulders above of the clown's ensemble. He even had matching silver tiepin and cufflinks. The slack sag of skin against cheekbone hinted at Elmo's need for re-hydration.
Suddenly, the clown's eyes burned with revelation. Leaning forward on his elbows he barked, "For Christ's sake, Elmo. You're dead!"
Fat Elmo shifted nervously in his chair then rolled his eyes at the ceiling as though a suitable rebuttal might be written there.
"Course I am!" His eyes dropped beneath loose lids. "Still don't prove it. Just 'cause I'm dead..."
"The dead rose up from their graves..." The clown started, but Elmo was saved from this difficult position by the annoying rattle of the telephone. Glaring, the clown scooped the receiver up and wedged it between his chin and collarbone. "Yeah." His inky black eyes darted back and forth. He wrinkled his eyebrows then picked at something under a thumbnail.
"This is Wildclown Investigations," the clown whispered, as the dead man across from him strained his leathery ears toward the squeaky chipmunk voice on the phone. Elmo's eyes were otherworldly in the extreme shadow of the office, bordered as they were by sooty black skin. The inconsistent lighting from the street was sending flashing bars of lightning through the blinds-the lamp on the desk flickered as another blackout loomed. Madness nibbled at the edges of the scene.
"Yeah, I'm him. I'm Tommy Wildclown." The clown repeated, drilling a bony finger into his nose. He made a flicking motion, then gestured for a cigarette. With creaky deliberate movements, Elmo produced a pack and tossed one to Tommy, who lit it with a match.
"Yeah," he said as Elmo noisily slurped water from a glass.
Tommy continued like this for some time, chanting his approving mantra. "Yeah."
The dead man passed the time lifting and flexing his thin legs where he sat. He hoisted a foot up to chest level by gripping an argyle-covered ankle and held it there a few seconds before repeating the process with the other leg. The post-mortem aerobics produced creaks, snaps and rubbery thrumming sounds from the dead muscle and connective tissues. Irritated, the clown pressed a petulant finger to his puckered lips. Elmo stopped stretching, cowed, but continued to shift uneasily in his chair. All dead people had Elmo's problem. The joints froze up with extended inactivity.
"All right!" Tommy growled as he crashed the receiver into its cradle. Elmo's eyes snapped wide. "God-damned, son-of-a-bitchin' Christ!" The clown leapt to his feet. "Damned if I'm not going to have to work."
Elmo's face made crackling sounds as he worked up a grin. "Got a case?"
"Yeah," said Tommy pouring two four-finger whiskies. "Seems some lawyer got himself whacked, and he's pissed right off. Shit." He raised his glass and smiled. "He's coming over which means money, Elmo. No more of this sitting around, this senseless fucking arguing."
Elmo declined the drink offered opting instead to fidget noisily in his chair.
Tommy drank. He sauntered to the window, made scissors of his fingers, cut a hole in the blind and peered out at the flickering lights. A big Packard sizzled by on the rain slick street-its retro-fenders glistening like wet blisters. It was a dark afternoon. The sun hadn't broken the cloud in years.
The clown's teeth clinked against his glass. He wiped whisky from the corner of his mouth. Quivers ran from his shoulders to his hands as he downed the rest of the drink at suicidal speed. He glanced back at Elmo creases of fear marking his painted cheeks. The dead man watched him calmly.
I watched the scene from where I floated near the ceiling. Tommy's nervousness had nothing to do with the fact that Elmo was dead or the impending mayhem inherent in any criminal investigation. It was me. I was about to possess him and he didn't like it. Every time he got a case, I stepped into his head and like Pavlov's slobbering dogs, the clown was conditioned to expect it. Not that I was a goblin or a devil. I had no interest in making him vomit, levitating his bed or forcing him to speak in tongues. When I took over I worked. He didn't like it because he couldn't remember anything that happened when I was in charge. That bothered him. And so his reluctance to enjoy the work on the rare occasion that it came. I guess it would bother me too.
I was in no rush to take over just then. It had been a while since our last case and I spent the time between them in my invisible, odorless state. The longer I did that, the more complicated my love-hate relationship with corporeality became. I enjoyed my time in Tommy Wildclown's body, but I had a habit of getting hurt when cases came up and I was no fan of pain. Neither was the clown and he was the one stuck with the bruises at the end of the day. But understanding it didn't make me stop.
What People are Saying About This
Taylor's mix of detective fiction, gothic horror and Biblical lore make this story engaging and fresh. "When Graveyards Yawn" is well paced, with incredibly vivid description and clever narrative. Taylor's storytelling compels the reader to take part in the process. The action is well written, the dialogue realistic, and the detail so precise that every scent, every injury, becomes part of the reader's existence. There's no risk of becoming mired and tired with dark, heavy detail. Taylor keeps the story enjoyable with keen wit and clever, creative metaphors.
Freelance Journalist and Reviewer
Imagine for a moment a world following "The Change" in which the living never age, the dead rise from their graves, procreation is only a memory and the sun never shines. Toss in a first-class mystery and a cynical detective with a propensity for adult beverages by the name of Wildclown and you have a plot mix that makes a witches brew seem passé. Oh, and did I mention that Wildclown, appropriately enough, wears clown garb and makeup, is often possessed by a disembodied entity and has a partner who is dead? Not many writers could pull so many diverse story-elements into one story and have it hold together, but G. Wells Taylor has done it superbly. Not only is Graveyards believable, but Taylor's prose is impeccable. Wildclown, with his flawed personality, is a character you may not like, but you will love his cynically humorous repartee and you'll be rooting for him all the way through this imaginatively clever novel.