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Working in the Wings: New Perspectives on Theatre History and Labor
By Elizabeth A. Osborne (Editor), Christine Woodworth (Editor), Chrystyna Dail (Contribution by), Sara Freeman (Contribution by), Rosemarie K. Bank (Contribution by), Jonathan L Chambers (Contribution by), Dorothy Chansky (Contribution by), Tracey Elaine Chessum (Contribution by), Jerry Dickey (Contribution by), Elizabeth Reitz Mullenix (Contribution by), Melissa Rynn Porterfield (Contribution by), Tom Robson (Contribution by), AnnMarie T. Saunders (Contribution by), Max Shulman (Contribution by)
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By Elizabeth A. Osborne (Editor), Christine Woodworth (Editor), Chrystyna Dail (Contribution by), Sara Freeman (Contribution by), Rosemarie K. Bank (Contribution by), Jonathan L Chambers (Contribution by), Dorothy Chansky (Contribution by), Tracey Elaine Chessum (Contribution by), Jerry Dickey (Contribution by), Elizabeth Reitz Mullenix (Contribution by), Melissa Rynn Porterfield (Contribution by), Tom Robson (Contribution by), AnnMarie T. Saunders (Contribution by), Max Shulman (Contribution by)
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Theatre has long been an art form of subterfuge and concealment. Working in the Wings: New Perspectives on Theatre History and Labor, edited by Elizabeth A. Osborne and Christine Woodworth, brings attention to what goes on behind the scenes, challenging, and revising our understanding of work, theatre, and history.
Essays consider a range of historic moments and geographic locations—from African Americans’ performance of the cakewalk in Florida’s resort hotels during the Gilded Age to the...