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Zen for Record gathers five essays around Ken Friedman's 1966 Fluxus event score instructing the production of "a phonograph record with no sound on it." Originating as a found object, the work has migrated across six decades and multiple incarnations, from an unrealized concept to the LP edition that occasions this volume.

These essays accompany Friedman's account of the Fluxus origins of the work, but they approach the silent record from radically different angles. Craig Dworkin situates Z...