Alexander Rodchenko

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Alexander Rodchenko was the most important and versatile member of the Constructivist movement, the progressive artists who created a new art after the Russian Revolution of 1917. This comprehensive book, rich in illustrations and relying extensively on new research from Russia, accompanied the first major retrospective exhibition in the United States of Rodchenko's work at The Museum of Modern Art, New York, in 1998. In 1921 Rodchenko left behind his innovative work in abstract painting and sculpture, committing...
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(A Museum of Modern Art Book). This expansive monograph - rich in illustrations & relying on new research in Russia - accompanied the first major retrospective of Rodchenko's ... work in the United States, at MOMA/NYC June98. It encompasses painting and sculpture, works in photo collage, photography, and design of all kinds - books, posters, magazines, advertising and furniture. 346 illus., 230 in full color. 336p. Read more Show Less

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More About This Book

Overview

Alexander Rodchenko was the most important and versatile member of the Constructivist movement, the progressive artists who created a new art after the Russian Revolution of 1917. This comprehensive book, rich in illustrations and relying extensively on new research from Russia, accompanied the first major retrospective exhibition in the United States of Rodchenko's work at The Museum of Modern Art, New York, in 1998. In 1921 Rodchenko left behind his innovative work in abstract painting and sculpture, committing himself to applied art in the service of revolutionary ideals. Included in this first full and coherent overview are not only Rodchenko's painting and sculpture but also his diverse experiments and lasting achievements in photocollage, photography, and design of all kinds, from books, posters, magazines, and advertising, to furniture.

Covers the entire range of work by an artist of the Russian revolution.

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Editorial Reviews

Library Journal
Best known of the Russian avant-garde artists of the interwar period, Rodchenko has gained ever more attention over the last two decades. The final canonization came in the form of this year's major Museum of Modern Art retrospective. Organized by Dabrowski, senior curator in the department of drawings, this is the first American exhibit to survey his entire career and look at his work in painting, drawing, design, and collage as well as photography. This catalog reproduces all the show's selections, which are valuable for their breadth and high quality more than depth in most areas. Of the five main essays, Leah Dickerman (art history, Stanford Univ.) contributes an especially fine analysis of the importance of political propoganda to the artist. Oddly, as with the show, one comes away wodering if Dabrowski's arguments for Rodchenko's importance aren't a bit too strenuously argued. Nonetheless, this is undoubtedly the most comprehensive and up-to-date look at an important artist--it works well with Alexander Lavrentiev's more focused Rodchenko: Photography, 1924-1954 (LJ 11/1/96)--and as such it belongs in serious art collections in larger public and academic libraries.--Eric Bryant, "Library Journal"
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Product Details

  • ISBN-13: 9780870700637
  • Publisher: The Museum of Modern Art
  • Publication date: 1/28/2002
  • Pages: 336
  • Product dimensions: 9.70 (w) x 11.70 (h) x 1.10 (d)

Table of Contents

Foreword 6
Acknowledgments 7
Introduction 10
Aleksandr Rodchenko: Innovation and Experiment 18
On Priorities and Patents 50
The Propagandizing of Things 62
Rodchenko and Photography's Revolution 100
Days in the Life ... 138
Plates 1915-1939 144
Chronology 300
Catalogue of the Exhibition 313
Bibliography 327
Glossary 332
Index 333
Lenders to the Exhibition 335
Trustees of The Museum of Modern Art 336
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