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Backseat Saints

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Overview

Rose Mae Lolley's mother disappeared when she was eight, leaving Rose with a heap of old novels and a taste for dangerous men. Now, as demure Mrs. Ro Grandee, she's living the very life her mother abandoned. She's all but forgotten the girl she used to be-teenaged spitfire, Alabama heartbreaker, and a crack shot with a pistol-until an airport gypsy warns Rose it's time to find her way back to that brave, tough girl . . . or else. Armed with only her wit, her pawpy's ancient .45, and her dog Fat Gretel, Rose Mae ...

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Overview

Rose Mae Lolley's mother disappeared when she was eight, leaving Rose with a heap of old novels and a taste for dangerous men. Now, as demure Mrs. Ro Grandee, she's living the very life her mother abandoned. She's all but forgotten the girl she used to be-teenaged spitfire, Alabama heartbreaker, and a crack shot with a pistol-until an airport gypsy warns Rose it's time to find her way back to that brave, tough girl . . . or else. Armed with only her wit, her pawpy's ancient .45, and her dog Fat Gretel, Rose Mae hightails it out of Texas, running from a man who will never let her go, on a mission to find the mother who did.

Starring a minor character from Jackson's bestselling gods in Alabama, BACKSEAT SAINTS will dazzle readers with its stunning portrayal of the measures a mother will take to right the wrongs she's created, and how far a daughter will travel to satisfy the demands of forgiveness.

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Editorial Reviews

Gina Webb
A sizzling chunk of Southern Gothic.
The Altanta Journal-Constitution
People Magazine
[Rose Mae's] journey pulses with fierce determination.
Gina Webb - The Altanta Journal-Constitution
"A sizzling chunk of Southern Gothic."
People (a "Great Escapes" pick)
"[Rose Mae's] journey pulses with fierce determination."
Michael Lee West
"Readers everywhere will rejoice to be back in the land of gods in Alabama. BACKSEAT SAINTS is a heart-thrilling, can't-stop-reading book about the unique and unforgettable Rose Mae Lolley. I loved this novel."
Brunonia Barry
"From the moment I began reading, I could not put this book down. Rose Mae is an enduring character with a fierce and unstoppable spirit. This is a beautifully written story about an important subject. Pass the word."
Laura Lippman
"The arrival of a Joshilyn Jackson novel feels like the first perfect day in a favorite season and BACKSEAT SAINTS is no exception."
Michelle Richmond
"BACKSEAT SAINTS is an unputdownable story about love, survival, and shedding the past. Rose Mae Lolly is tough, passionate, funny, and fierce, one hell of a heroine to guide us through one hell of an adventure. Any time Joshilyn Jackson is in the driver's seat, I'm along for the ride."
Lee Smith
"Joshilyn Jackson dives into darker, deeper water in BACKSEAT SAINTS-- with all her readers firmly in tow. As always, a riveting read."
Kathryn Stockett
"Backseat Saints will pull you in and won't let you out until the last page. Raw, tangy and funny, it is an enthralling peek into the secret sorority of mistreated women. Follow the journey of one courageous, witty woman who decides, I'm not going to take this anymore. I love reading about smart, flawed and ultimately wise women, like Rose Mae. "
Carolyn See
The subject of Joshilyn Jackson's powerful new novel is wife-beating. The beatings are rendered so graphically and mercilessly that you can't help being both sickened and mesmerized, and the story line is set up so that either the husband or the wife will have to die if their awful conflict is to end. This isn't a Gothic tale, but an ultra-realistic domestic drama narrated by a Southern housewife who spends her time between beatings making meatloaf and sweet tea…[Jackson] is an expert at manipulating intricacies of plot.
—The Washington Post
Publishers Weekly
Readers willing to stick through a slow beginning will be rewarded in Jackson's eventually riveting fourth novel (after The Girl Who Stopped Swimming). When abused Rose Grandee isn't getting up the nerve to do something about her violent husband, Thom, she reminisces about high school sweetheart Jim Beverly, who once promised to kill Rose's alcoholic father. Rose is also consumed with memories of her mother, who abandoned her when she was a little girl. During what seems like a chance meeting, Rose receives a tarot card reading and is told she'll have to choose between her husband's life and her own, though Rose later realizes, conveniently for the plot, that the card reader is her estranged mother. Egged on by the prophecy, Rose searches out Jim and plans on manipulating him into killing Thom, leading to a tense final section that crescendos with an ending appropriate for a woman with so much fight in her. Though Jackson does a good job conveying Rose's uncertainty and ambivalence, the initial sounding of these themes comes off as redundant and overly long; later, Jackson's writing becomes kinetic, reflecting her heroine's metamorphosis. (June)
Library Journal
On the surface, she's Ro Grandee, dutiful wife of a handsome Texan with ready fists. But underneath her flowery skirts and painful bruises lurks Rose Mae, a fierce Southern spitfire who's already escaped an abusive father. These days Rose seems resigned to taking punches, working in the Grandee family gun shop, and waltzing with the vacuum cleaner until an oddly familiar airport gypsy foretells a fortune that is murder—literally. Rose's husband is going to kill her, unless she manages to kill him first. Rose takes her dog, Gretel, and her Pawpy's old gun and runs for her life, blazing a harrowing trail from Texas to Alabama and on to California and exhuming a heap of family skeletons along the way. VERDICT Jackson has resurrected a character from her best-selling gods in Alabama and crafted a riveting read that simply flies off the page with prose as luscious as sweet tea and spicy as Texas chili. Fans of Southern fare as varied as Sue Monk Kidd, Dorothy Allison, and Michael Lee West are sure to love it. [See Prepub Alert, LJ 2/1/10.]—Jeanne Bogino, New Lebanon Lib., NY
Kirkus Reviews
An oddly cheerful story about two generations of battered wives who eventually fight back. Jackson (The Girl Who Stopped Swimming, 2008, etc.) briefly introduced Rose Mae Lolley in her first novel Gods of Alabama when she came to Chicago looking for a high-school sweetheart ten years after he disappeared. Here Rose Mae takes center stage. Having run away from Alabama as a teen to escape her abusive father, she has ended up in Texas as Ro, married to equally abusive husband Thom Grandee. Given Ro's spunk and charisma, her elderly neighbor finds Ro's reluctance to leave Thom frustrating, but Jackson doesn't shy from showing Ro's attraction to Thom as well as her drift toward complicity in their troubled relationship. One day Ro drives her neighbor to the airport, where a "gypsy" warns her to kill Thom before he kills her. As Ro recognizes, the "gypsy" is actually her mother Claire, who long ago ran away from her own abusive marriage, though it meant leaving behind her child. Now called Mirabelle (dual names are standard in Jackson's work), Claire lives in San Francisco, where she runs a halfway house for battered wives. Prodded by her mother's warning, Ro soon reverts to her old Rose Mae identity and plans her escape from Thom. After her previously mentioned visit to Chicago and a trip back to Alabama to see her now pathetic father, she heads to California. Mother and daughter warily reunite. Rose Mae moves into the bedroom Claire has been keeping at the ready. While the women's interactions prickle with resentment and guilt, mild romantic interest crops up for Rose in the person of Claire's wispy landlord. When news comes that Thom is heading toward San Francisco, readers can assume thatbrutal justice is at hand. Jackson's sprightly prose and charismatic characters offer readers a rollicking good time along with the typical bromides about domestic abuse.
From the Publisher
"Backseat Saints will pull you in and won't let you out until the last page. Raw, tangy and funny, it is an enthralling peek into the secret sorority of mistreated women. Follow the journey of one courageous, witty woman who decides, I'm not going to take this anymore. I love reading about smart, flawed and ultimately wise women, like Rose Mae. " —Kathryn Stockett, #1 New York Times bestselling author of THE HELP

"BACKSEAT SAINTS is an unputdownable story about love, survival, and shedding the past. Rose Mae Lolly is tough, passionate, funny, and fierce, one hell of a heroine to guide us through one hell of an adventure. Any time Joshilyn Jackson is in the driver's seat, I'm along for the ride. —Michelle Richmond, New York Times bestselling author of THE YEAR OF FOG

"The arrival of a Joshilyn Jackson novel feels like the first perfect day in a favorite season and BACKSEAT SAINTS is no exception." —Laura Lippman, author of LIFE SENTENCES

"Readers everywhere will rejoice to be back in the land of gods in Alabama. BACKSEAT SAINTS is a heart-thrilling, can't-stop-reading book about the unique and unforgettable Rose Mae Lolley. I loved this novel." —Michael Lee West, author of MERMAIDS IN THE BASEMENT

"From the moment I began reading, I could not put this book down. Rose Mae is an enduring character with a fierce and unstoppable spirit. This is a beautifully written story about an important subject. Pass the word." —Brunonia Barry, New York Times bestselling author of THE LACE READER and THE MAP OF TRUE PLACES

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Product Details

  • ISBN-13: 9780446582377
  • Publisher: Grand Central Publishing
  • Publication date: 5/4/2011
  • Pages: 352
  • Sales rank: 322,460
  • Product dimensions: 5.20 (w) x 7.90 (h) x 1.00 (d)

Meet the Author

Joshilyn Jackson

Joshilyn Jackson, a native of the Deep South, has worked as an actor and an award-winning teacher, and is now a writer and a mother of two. She is the author of gods in Alabama; Between, Georgia; and The Girl Who Stopped Swimming. Jackson lives with her husband and children outside of Atlanta. Visit her at www.joshilynjackson.com.

Biography

During her trek from a tiny town in Alabama to a university in the big city of Chicago, Arlene Fleet makes a deal with God: If she agrees to never lie, never fornicate again, and never return to that little Alabama town, than God will agree to ensure that a certain corpse is never unearthed. Perhaps this is not the kind of deal to be made by a good southern girl, but Arlene Fleet isn't quite a good southern girl. She is, however, the central character in Joshilyn Jackson's breakthrough debut novel, Gods in Alabama.

Jackson wrote Gods in Alabama after a journey up north of her own. Much like Arlene, she was born in the South, and according to her official biography, "raised by a tribe of wild fundamentalists." Also like Arlene, Jackson eventually moved to Chicago, where she taught English at UIC. However, Arlene is no mere stand-in for the author. Although she is often asked if she based the character upon herself, Jackson is ready to admit that she does not have much in common with the promiscuous girl who may or may not be a murderer. In fact, when Arlene Fleet made her very first appearance in a short story titled "Little Dead Uglies," the narrator makes no bones about loathing her. Nevertheless, Jackson became fascinated with the character. "She wouldn't leave me alone," she explained to readersroom.com. "She's such a TINY part of that story. A few sentences. But every time I would go back to work on that story, she would kinda glitter at me... I KNEW she had a secret, and I knew she was something big, a novel waiting to happen. If only I had known what her secret was."

Jackson explored both the character and that secret in Gods in Alabama, and the results are a playful but dark dose of southern gothic humor. It also became Jackson's first published novel after two previous efforts failed to sell. Gods in Alabama more than makes up for any previous failures, though, as both a commercial and critical success and a No. 1 pick at Booksense.com.

Now Jackson, who is also an accomplished actor and playwright, is offering up her second novel, which once again finds the writer stirring up her southern heritage to create a sort of modern take on the infamous rivalry between the Hatfields and the McCoys. In Between, Georgia, Nonny Frett is caught between to feuding families: the Fretts, the family that provided her with a good southern upbringing after stealing her as a child, and the Crabtrees, the family that lost her and wants revenge. Once again, Jackson has crafted another unique and witty novel. Publishers Weekly has called Between, Georgia a "theatrical and well-paced Southern family drama" with "plenty of Southern sass." Jackson, for one, is quick to ensure those who were delighted by the one-of-a-kind voice that she established in Gods in Alabama that Between, Georgia will not disappoint. "It's a different book, but at the same time, I think it's pretty obvious I wrote it," she told southernlitreview.com. "It's that same odd blend of humor and violence."

Good To Know

Jackson's friends have accused her of being "dead inside" because she isn't particularly fond of music. However, that did not stop her from fronting a band and singing PJ Harvey tunes when she was a graduate student.

Before hitting pay dirt with Gods in Alabama, Jackson pursued a career in acting and even toured for a time with a dinner theater troupe.

As well as being a writer of novels and short stories, Jackson has also made a name for herself on the theater circuit, penning such plays as Another Snow White and Screwing Lazarus.

Some interesting outtakes from our interview with Jackson:

"I get depressed if I don't have a little animal or two clotting up the house. Right now we have gerbils that my kids named Hotshot and Snickers. I like to pretend I got them for the kids, but the truth is, I like the little blighters myself and am the one who plays with them and feeds them and such most often. We also have an enormous one-eyed Maine Coon cat named Schubert. I would fear for the rodents, except Schubert is entirely too massive to lumber to the top of the table where the gerbil house sits. This is a very low number of pets for me. My husband thinks it is PLENTY of pets, but I secretly want to add a dog. And a horse. And some lizards...maybe a little chinchilla."

"I've always wanted to be a writer. My mother has a box full of books I wrote and published via the ‘Crayola and stapler' method."

"I can't remember a time when I couldn't read -- I've been doing it since before I had concrete memory. I learned accidentally before preschool by thieving my older brother's books and watching Sesame Street. I think that was one of the reason's I loved To Kill a Mockingbird so much. I first read it when I was a kid, and I identified strongly with Scout when she taught herself reading by sitting on Atticus's lap and looking at his newspapers.

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First Chapter

Backseat Saints


By Jackson, Joshilyn

Grand Central Publishing

Copyright © 2010 Jackson, Joshilyn
All right reserved.

ISBN: 9780446582346

PART I:

A MARRIAGE MADE OF SWORDS

Amarillo, Texas, 1997

CHAPTER 1

IT WAS AN AIRPORT gypsy who told me that I had to kill my husband. She may have been the first to say the words out loud, but she was only giving voice to a thing I’d been trying not to know for a long, long time. When she said that it was him or me, the words rang out like church bells, shuddering through my bones. For two days, they sat in the pit of my belly, making me sick. I had no reason to trust her, and I’d as soon take life advice from a Chinese take-out fortune cookie as believe in tarot cards, but I’d lived with Thom Grandee long enough to recognize the truth, no matter how it came to me.

So on Thursday morning, I got my Pawpy’s old gun, and I lay for my husband near Wildcat Bluff. Thom liked to run a trail out there. It was too far from the picnic grounds to attract most day-trippers, and he got his miles in early, when he could trust it would be his alone. That day he had me for secret company.

Not two hours ago, I’d gotten up before the sun to make him real biscuits. I’d cut Crisco into flour until it felt soft, like powdered velvet. I’d mixed the dough and rolled it and pressed out circles with the top of a juice glass. I’d fried bacon and then cooked two eggs sunny-side up in the grease. I had loaded his grits with salt and cheese and put thick pats of butter to melt on everything that looked like it could hold butter. There must have been a thousand calories in fat alone floating on that plate.

I’d often made him devil-breakfasts like this after fights, so I hadn’t thought of it as a last meal. It was more of an absurd apology. Like me saying, “Baby, I’m scared I might blow holes in you later, but look, I made you the naughty eggs.” Last night I’d made sex for him, too, in the same way, buttery slick and fat with all the things he liked best.

An hour before the sex, he’d held my head sideways in his big hand, my other cheek pressed into the cool plaster of the wall. I’d been pinned, limbs flailing helpless sideways, while he ran four fast punches down one side of my back. Then he’d let me go and I’d slid down the wall into a heap and he’d said, “Lord, Ro, why do you push me like that?”

I didn’t say a word. He knew the answer. We both knew; I was a good wife most times, but I was made like nesting dolls. I had something bad, some other girl, buried way down in the meat of me. That inside girl was the thing that needed to be hit, that deserved it, and I called it to her. Last night, I’d lay coiled on the floor at Thom’s feet, wondering why a big man like him couldn’t hit through, could never hit me hard enough to reach her.

On Tuesday morning, I’d driven my elderly neighbor, Mrs. Fancy, to the airport. She’d come over the week before with a plate of her hot cheese cornbread and asked me if I would drive her. She was on a fixed income, and I knew four days of airport parking would be a trial for her, so I’d lied and said I’d love to spend a solid hour fighting highway traffic. I owed her more than a ride to the airport, as good as she had been to me.

“We can take my Honda,” Mrs. Fancy had said, smiling her thanks at me with her brown eyes squirrel bright. “You’re saving me the parking, Ro. At least let me save you the gas.”

Since my ancient Buick got about twelve miles a gallon with the wind behind me, I was happy enough to take her in the Civic. That would have been the end of it, if I hadn’t helped Mrs. Fancy tote in all her luggage. The gypsy was standing near the airport’s little coffee shop like she’d been waiting for me. Like she’d known that I was coming.

That gypsy looked at me and knew me. She saw me whole, inside and out, as if my skin was made of glass. She laid her tarot cards for me, and that reading… it was like she took my life and ran it through a Cuisinart. She told me it was Thom or me, and God help me, I believed her. As I drove home after, I was shaking so hard I like to run off the road. I pulled onto the shoulder and sat, trying to remember how to make my lungs work right. My hands gripped the steering wheel so tight, the knuckles had gone bloodless. As I looked at them, a chill, small voice rose up inside of me, not shaking at all. It said, clear and cold, What we got here is an almost anonymous car for three days. That could be right useful.

So instead of taking the Honda back to Mrs. Fancy’s garage, I’d parked it on a busy street a few blocks over. The hours until Mrs. Fancy’s return began ticking backwards in my head, like a countdown. I was set to pick her up come Friday, so this muggy Thursday morning was my last chance. As I’d made Thom’s final, butter-logged breakfast, my eat-in kitchen had looked as fake as a movie set, the sunflowers nodding cheerful on the wallpaper, the mellow old linoleum gleaming under its fresh coat of Mop & Glo. I’d whisked about, wiping down the countertop and washing the cook pans like I was an alive cartoon, hand drawn into a sunshiny kitchen.

“You trying to kill me, woman?” Thom had said when I’d set the plate in front of him. My mouth had gone slack, and he’d grinned up at me. He’d tucked into the bacon, eyes closing as he chewed. “I can feel my arteries hardening, but my tongue don’t much care.” I’d managed to get my lips to close before drool fell out. He’d broken the yolk with one of the biscuits and said, “You’re gonna get me as fat as your damn dog.”

Gretel had thumped her tail on the floor in honor of the word dog, or maybe the word fat. She knew both words meant her. Gretel was mine. She was a khaki-colored mutt, mostly hound dog, but Thom always said at least one of her ancestors must have been a piece of carpet, as much time as she spent sprawled out snoozing on the floor. I’d listened to the real sound of her tail on the linoleum and thought to myself, This is how to kill a man. I keep myself believing I won’t, but I keep going, until I am there and already doing it.

It was a trick I was playing on myself, and it worked even though I knew I was playing it.

Thom left early. Before his run, he had to drop Fat Gretel off to get her shots, then go by his daddy’s main store and put an antique Winchester in the safe. He practically had to drag poor Gretel; she knew a car ride alone with Thom meant the vet. Thirty seconds after the front door shut, I was butt-up under the kitchen sink, digging my Pawpy’s old .45 revolver out from the stack of rags behind my cleaning products. We had another .45 and a .38 at the house, both automatics, but they were registered. Not even Thom knew I had Pawpy’s. A gun this old and unused was off the books even before I stole it out of a shoebox in my daddy’s closet and carted it halfway across America. It’s the kind of gun a certain type of cop would like to have on hand. A “drop weapon,” they call it, because they can lay it down by the body of a bad man and say that he pulled first.

The pin had broken off years ago, and since revolvers don’t have safeties, I took the barrel out to travel it. Until I put the barrel back in and latched it, it was only two lumps of inert metal. I dropped both pieces in a Target bag. Then I ran back to our room to grab a handful of bullets out of the gun safe. While I was there, I changed into baggy, dark jeans and a floppy T-shirt, tucking my long dark hair under a baseball cap. Short as I was, in these clothes I looked like a kid. No neighbor, catching a glimpse of me trit-trotting down the street near school bus time, could possibly think of pretty, feminine Ro Grandee.

I jogged to Mrs. Fancy’s car and got in. I shoved my gun under the passenger seat, then I started up the car and headed out to Wildcat Bluff. On the flat land behind me, Amarillo stuck up like an ugly thumb, and I was glad when the rare hills near the bluff began to hide it. I parked in a pull-in lot that bellied up to the woods, a mile and change past the lot Thom favored.

Counting the time it would take for him to finish his errands, I was a good half hour ahead of him, but I found myself running down the trail like he was fast after me. The Target bag banged against my leg, the loose bullets jangling. I made myself slow to a measured jog and breathe deep, scanning the woods for the right spot every time the trail took a sharp turn. Ready, Teddy, hands rock steady, as Daddy used to say when he was teaching me to shoot. He’d started me on .22s when I was so small that the knock back from a .38 would have pitched me over.

At a hairpin curve near the middle of Thom’s route, my gaze caught on an underdark beneath the waxy leaves of a thicket of ground ivy. I paused. Peering down, I could just make out the lip of a long ditch, running like a crossbar to the point of the trail, about a yard past the first row of trees. Perfect.

I slid myself into the woods, easing between the questing offshoots of a honeysuckle vine. I curved my spine to limbo under branches. I slipped each foot between the high fronds of ground fern to the dirt underneath, precise, like I was stepping into strappy shoes. Once off the trail, I looked back the way I came and saw every leaf unbent, every twig unbroken. Even Davy Crockett wouldn’t think so much as a rabbit had passed. Some days it’s good to be slight.

Some days it’s not; I could feel the bruises running in a chain down my back, left of my spine, four in a vertical row. The purple black bloom in the center of each was the size of Thom Grandee’s fist, and the yellow and pale green mottling was different around each, like the off-sparks from a firework caught in a picture on my skin. They ached me something fierce as I squatted to check the trail’s visibility through the green haze of leaves.

Down in the ditch, I’d have a clear view up the slope. I would see him coming. He’d be at the top of the gentle hill, the rising sun’s light in his face. I’d wait to shoot till I could see the whites of his eyes. Better yet, I’d watch his Roman profile pass, his short forehead leading directly into his long, straight nose, his wide mouth set in a line as he pushed himself. His blond hair would be darkened down by sweat. I knew every line of his face; I loved them all. The beauty of my laying at the hairpin was that I would see him going, too. His familiar face might stay my wifely hand as he passed, but I could bury two bullets in the anonymous back of his head.

As I lowered myself down into the ditch, motion caught my eye. At the other end, perched on a branch, a long-legged burrowing owl was swiveling his head around in a perfect half circle to face me. He’d been sitting still, and his mottled feathers blended with the shadows, so that he’d been invisible until he moved. He was perched on a root, head poked up over the lip. He was unconcerned, sure that he was not what I was hunting. Still, his round eyes, gold and blank, looked mildly affronted by my intrusion.

“Leave if you don’t like it. I have business here,” I told him, but I didn’t sound like myself. The words came out pure Alabama, neglected consonants, long vowels.

If the owl had had shoulders, he would have shrugged. He was a witness, not a judge. I kneeled down in my half of the ditch, and he stayed in his.

I said, “Lord, I am talking to owls. I might well be crazy enough to shoot my husband.” Now I could hear the sharp, small twang Texas had given me. Half a dozen years here, and my voice had grown corners.

The owl fluffed himself. He didn’t like me breaking the quiet morning. I shouldn’t be making noise anyway.

I scrabbled in the Target bag, finding the loose barrel by feel and then picking out six bullets. I palmed five and slotted the last one into an empty chamber. It made a snicking sound, then the whispery rub of metal on metal as it slid home. And there I stuck, one bullet loaded, as if I were undecided.

“Nothin’ left to decide,” I whispered. Pure Alabama again. I didn’t sound like Mrs. Ro Grandee, Thom’s cool-mouthed wife whose tongue would not melt butter. I sounded like Rose Mae Lolley, a girl I’d buried years ago, when I was eight, the year my mother disappeared. She left her rosary and took her flowered shoes, the ones she seldom wore because the toes were stuffed with money.

Thom knew Rose Mae was there, though. He’d known she was in me from the very night we met. Sometimes I wondered if that bad girl hidden in the deeps of me was the thing he really loved.

Seven years ago, at three A.M. on a warm spring morning, he’d come into the diner where Rose Mae Lolley was working. She was wearing the mask—warm smile, light step—of the fake girl she’d grown over herself. Rose Mae had worn that face over hers all the time, every waking minute for almost two years now, since the moment she’d figured she’d taken enough beatings for her long-gone mother and lit out from her daddy’s house. She’d waitressed her way west down the coast, every few months trading one small town with a bad job and a worse boyfriend for another, much the same.

She’d yet to find a town or job or man that made her feel safe enough to take that face off. At work, her sweet exterior upped her tips, and her most recent home was a cheap furnished room with kitchen privileges and no privacy. Her landlady, Kim, claimed to be a lesbian, but Rose guessed she had given up women in favor of Captain Morgan. Kim would barrel into Rose’s room at all hours, demanding to know where the salt had gotten to or asking if Rose had taken any messages. She never knocked or apologized, even the time she burst in on a freshly showered Rose wearing nothing but a sheer white bra.

“You ain’t got drugs in here, do ya?” Kim’d said that time.

“Of course not,” said Rose in her best pep-squad girl voice, picking up her towel. She was trying not to glance at her bed. A pair of red fuzzy dice was lying beside Rose’s uniform. The dice were Kim’s, and Rose had stolen them out of the coat closet. She planned to take them to work and sneak to hang them in the short-order cook’s car. He seemed like he was a single pair of fuzzy dice away from lighting out for Vegas, and since he couldn’t keep his hands off her ass, Rose Mae wanted to give him a nudge.

Kim didn’t notice the dice. She didn’t seem to notice Rose’s state of undress, either, even though Rose Mae Lolley laid bare was worth seeing: long waist, tightly curved hips, creamy skin. Kim turned laboriously and began her drunken shuffle out. Some lesbian, thought Rose, tossing the towel over the dice in case Kim looked back.

“I don’t do drugs,” Rose called after her, still working the perky, and Kim grunted in a way that could have meant satisfied or disappointed.

With no safe space, Rose kept her smiling shell on all the time, but some days it felt as thin as the candy pink cotton of her retro fifties waitress uniform. The uniform had a white Peter Pan collar and a miniature apron. It was cut to fit and the skirt was short, and when Thom Grandee came in on a double date that first evening, his girl didn’t like that uniform one bit.

The sign by the door said, “Seat Yourself,” so Thom did, sliding into one side of a four-top booth. His date followed, and the other couple sat down across. Rose was the only waitress on at this hour. She could tell by looking they were from the A&M Kingsville campus. She’d pegged them as sports boys, taking their dates for eggs after the victory party.

And it had been a victory. Rose Mae could smell it on the boys as she came around the counter bringing the coffeepot and four plastic-coated menus, a mix of pheromones and beer and fresh male sweat. The smell of win.

They were both good-looking boys, but her eye went right to Thom. He was six feet tall with a thick, meaty build that said football to her, and she liked the Roman nose. She also liked the way he eyed her as she swayed toward them. To the other couple she was a vague pink waitress shape, bringing menus. Thom looked.

Thom’s date had a high ponytail that was beginning to unravel into fronds onto her pretty neck. She had a mound of bangs, flat on the back side, teased into a rigid foam of curls that humped over her forehead. This late, her Breck was beginning to fail her, and the bang puff was listing to starboard.

When Thom spent too long looking at Rose’s face before the inevitable stealthy eye slide down her body, Rose could feel the girl bristle up. Rose was only twenty-one, but this girl looked young even to her. A freshman with a glamour shot fake ID. The girl narrowed her eyes, venomous, telling Rose plain that she wasn’t used to chapped-lipped waitrons with no tan stealing her male gazes. She’d no doubt been the prettiest girl in her high school, but Rose was willing to bet that it had been a small school.

“Good morning!” Rose gave them her best three A.M. cheerful, passing out the menus. “Welcome to Duff’s. I’m Ro. I’ll be taking care of you this morning.”

They all had flipped their mugs right-side up, so Rose leaned across to pour coffee, first for the dark-haired boy, then for his date.

“Morning,” Thom said back.

He was the only one who spoke to her. She turned to pour his coffee. And then, because he was looking at her face again, not her tits and not his date, looking at her like she was a person, she found herself saying, “So, what position do you play?”

“Outfield,” he said. “Sometimes third base.”

She shook her head. “I asked what position you played, mister. I didn’t ask what you did in spring to stay in shape.”

He grinned then, giving her an assessing nod, like he was adding smart and sly to the pretty. “Strong-side safety.”

“Oh. Fast boy,” she said, and started filling his date’s cup.

“What the hell are you doing?” his date demanded, bangs atremble.

Rose stopped and tipped the pot upright, smile fading. “I’m sorry?”

“Did I order coffee?” Bangs asked.

Rose said, “I’m sorry. You turned your cup over.”

“Yeah. Because I want hot cocoa.”

“Sure thing,” said Rose. “I’ll get that while y’all look over the menu.”

“What can I get for you today?” the girl said to her friend across the table. “What would you like to drink? Would you care for a beverage? You’d think you’d get those lines on, like, the very first day of waitress school.”

Rose felt the fever of a blush rising in her cheeks, and she knew it was painfully visible on her pale skin. Dropping her eyelids, she focused on her feet so that none of them could see the furious deeps in her eyes. She held her hand very still to keep from pouring scalding coffee over that bang puff. She could practically smell the ashy scent the girl’s hair products would release, could hear her surprised cry as the hot liquid seared her scalp and ran down to blister that smug face. While the girl was screaming and clawing at herself, Rose would say, calmly, “You turn your cup over in a diner, it means you want coffee.” Then she’d call an ambulance.

“I apologize,” Rose said. Her voice was trembling with the effort that it took to stay her hand. She picked up the cup with the small splash of black liquid in the bottom. Made herself pivot. Forced herself to walk away.

Duff’s was quiet. She heard her every footfall on the floor. There were the two obligatory old drunk guys silently nursing coffee at the counter, yellow-skinned because they had maybe half a working liver left between them. They hadn’t asked out loud for their coffee, just flipped their mugs over and waited to be served. A couple in the back had cuddled up on the same side of their booth, whispering to each other. No one was feeding the juke. She could hear Bangs saying something low and giggly. She caught the word Casper.

Her blush was traveling, flushing the backs of her pale, bare legs. The girl’s friend was laughing with her now in a high-pitched trill that sounded to Rose like a mean pig squealing.

Back behind the counter, Rose dumped a packet of Swiss Miss with minimallows into a clean mug. That girl, Bangs, was wearing a sundress, crisp green and new. She had a sheer white sweater thrown around her shoulders. It was a frivolous sweater, the kind a doting mother would buy along with new bedding and a tiny dorm refrigerator. Rose would bet her week’s tips that that same mother kept Bangs’s girlhood room intact, waiting for Christmas and spring break.

And meanwhile here was Rose, prettier and smarter and nicer in public, drifting motherless from town to town. Rose lived alone in her dank room with no lock on the door. Even Kim’s damn cat, Boo, could open Rose’s door. He’d stand on the back of the couch and bang the knob with his scabby paw. He was all over scabs. A flea allergy, Kim said, but she never took him to the vet. He’d creep into Rose’s room when she was sleeping and slide under her blankets to press against her side, desperate and moist. Rose was allergic to cats, but she dry-swallowed Benadryl and let Boo press and press against her, because she was that desperate right back.

She acted like a girl in hiding, but her father was too busy, what with his part-time construction work and his full-time drinking, to ever come looking. No one else came, either. She daydreamed her long-gone mother would burst in, crying, “I’m so sorry! This time I’ll take you with me!” or that her high school boyfriend, Jim Beverly, would reappear to shoo the foul cat away and say, “Here you are! Thank God, I finally found you!” They never came. The room, the cat, the diner, the chafing mask of a happier girl, they were her whole real life, and she was living it.

It should be me in that booth, Rose thought, a college girl like Bangs, smart and busy and worthy, going places with a sharp-looking sports boy watching. For half a minute, bantering about football, the smiling girl with the sass and the bouncy step hadn’t been a skin. Rose had really been her, and it had felt like coming home to someplace new and clean.

Bangs could have spared her that thirty seconds, because Bangs had all night. Hell, Bangs had all year, and more years coming. Rose poured hot water and watched the cocoa foam to life. All Rose had was prettiness, a spoon, and the right to stir the cocoa of bitches until it was smooth. It was too much to swallow, and Rose found she had literally built up a fine and bitter coat of spit inside her mouth.

She couldn’t help it. She had nothing, and her thirty seconds had been ruined. She crouched down, her sweet second skin finally off, disappearing behind the counter. She pursed her mouth into a kiss and bent her head over the mug. The long wad of spit drooled down into the cocoa. Rose stirred it in. She was smiling now, a genuine and ugly thing, so wide that it showed her back teeth.

When she looked up, Thom Grandee was leaning over the counter. She froze, more naked in that moment than she had been the day Kim came barreling into her room. He saw her. He saw the real Rose Mae Lolley, no longer hidden by Ro-the-perky-waitress. His face wasn’t readable.

She stood up, slow, holding the mug, trying to call back her sugary smile.

He said, “I came to get change,” and his smile was plain and open.

She blinked stupidly at the dollar he held out, uncertain. Maybe he had only just poked his big head over the counter when she looked up?

“For the jukebox?” he said.

“It takes dollars,” Rose said, her voice rusty. “It’s one song for a quarter, but if you put in the dollar, you get five.”

“That’s cool,” he said, retracting the money.

The closest drunk said, “Refill?” It seemed he was blessed with the power of speech after all. The red vinyl on his stool creaked as he shifted his butt, backing away from the surprise of his own voice.

Thom said, “Want me to tote her cocoa back to the table for ya?”

He couldn’t hold the plain face he was making anymore. His eyebrow quirked and his bland blue eyes changed. They filled up with enough devil to match her. He had seen.

She felt another blush coming. “I’ll make her a new one.”

She pulled the spoon out, but he was already reaching for the mug.

“I’m Thom Grandee,” he said.

“Ro,” she said. She let him take the mug.

“I saw that,” he said, and for a second she thought he meant the spit. Then he gestured with his free hand to the gold name tag pinned north of her left breast. “Rose Mae,” he read. “Go ahead and get that guy his coffee. No worries. I’ll take this over.”

She went to pour for the drunk, peeking out from under her lashes as Thom Grandee walked back to the table with the cocoa. He handed it to Bangs.

The second drunk was pointing at the doughnuts in the cake stand. Rose got him one and then picked up her pad, prepping to check on the couple in the back booth and then go take Thom Grandee’s order. All the while, she watched him watching Bangs sip spit.

As she came across to their booth, Thom pried the mug from Bangs’s fingers. All four were laughing and talking now. As she came toward them, Thom was saying to Bangs, “Didn’t you go to kindergarten? Didn’t you learn to share?” and as Rose came close he lifted the cup and drank, and his eyes met hers over the rim. He was drinking in her spit, greedy, taking all of it, though the cocoa was still so hot that it must have been scalding him. He opened his throat and drank it down and didn’t for one second look away from Rose.

“Oh, my God! You hog!” Bangs said, laughy-teasy. “Now you have to buy me another.”

“What can I get y’all to eat?” Rose asked cautiously.

They ordered their breakfasts, and at the end Thom Grandee said, “And Caroline wants another cocoa.” He grinned at Rose. “Exactly like the first.”

She recognized him then. He was every boy that had ever belonged to her, from her daddy on down. He’d recognized her, too, when he’d peered over the counter and seen what was under the sweet waitress. He liked the whole package. He would be back. Rose smiled and walked away.

She’d been the prettiest girl in her high school, too. Maybe she didn’t get her diploma, but she’d damn well learned how boys worked. He’d come back to the diner alone, soon, hoping to follow the blush he’d seen on the backs of her legs all the way up, as far as she would let him. Tomorrow, maybe the next day, she would see him coming toward her through the big front window, moving fast in his swingy athlete’s gait. She would have to stay ahead of him and keep him coming toward her, fast and sometimes angry. She’d stay in sight but out of reach. If she kept him on the far side of that window glass long enough, she could keep him always coming toward her.

He was coming toward her now.

I could hear him, his big feet pounding up the trail.

My lips were moving soundlessly, but I recognized the shape of the words. Hail Mary, full of grace. The Lord is with thee. My mouth was getting a jump start on the thousand rosaries I’d have to say to get clean after killing him.

I felt the vibrations of his pounding run, heard his sure and steady gait. I socketed the barrel into the well-oiled cradle of the gun. I felt more than heard it slide home while my lips shaped, Blessed art thou among women and blessed is the fruit of thy womb, Jesus.

I saw the top of his head clear the gentle upslope of the trail. I pulled the hammer back, waiting for the cool metal to shift in my hands and come alive. This gun, put together, was stronger than the sum of the lumps that had bounced around in the bottom of the bag. I’d brought it with me all the way from Alabama, an object stolen directly from my childhood. It belonged to Rose Mae Lolley, not to me. Rose Mae had held this gun a thousand times, and each time, it had felt as if her blood was circulating through it. It had always done her will as surely as her own hands did.

But not today. Pawpy’s revolver was a dead bird cradled in my fingers. No heartbeat.

I could feel the air Thom Grandee pushed ahead of him wafting past me, bringing me his scent. I looked down the barrel and saw that it was shaking. I was Ro Grandee, righteous in my bruises, shaking my hands to save my husband from myself. I tried to steady them, breathing in so deep it felt like I pulled the air past my lungs into my stomach, swallowing the next words. Pray for us sinners, now, and the hour of our deaths.

As the prayer ended, I thought to myself, Put the gun down. These days even Catholics get divorced. But if I left or started up with lawyers, he would kill me. The airport gypsy had told me so, and I’d believed her to the marrows of my ill-mended bones. God help me, I believed her still.

Thom Grandee himself had told me he would end me, many times: Across the table during breakfast. With his big hands wrapped around my throat, flexing to close me at his will, then granting me the barest sip of air. When he moved inside me like a savage and I wept with it, it felt so good. Those times it sounded like the sweetest promise ever made. Don’t you ever leave me, Ro. I’ll see you dead before I’ll let you leave me. I’d long known I couldn’t simply pack a bag and call a lawyer.

But the gypsy had told me he’d also kill me if I stayed. I hadn’t ever allowed myself to think that. When she said it out loud, I heard it ring in the deeps of me, true as gospel. One day, and soon, I’d push him so far he couldn’t come back. He would put all of his big weight behind his fists and break me and be sorry later. Shooting him was only jump-starting some self-defense. Yet my weak hands shook, and my fingers felt rigid, unable to squeeze, and my mouth was shaping out another silent plea to Mary.

He was rising over the slope like the sun. Two more of his huffing steps and I could see his shoulders. Two more brought me a view of his trim waist, and it was then I realized that he sounded wrong. Thom kept fit, so why that huffing breath? Was it my breath? Was I so loud? His footfalls had a shuffling echo.

I had no time to be distracted by his noises. I sighted him down the length of my trembling barrel, and my vision blurred. I might have been crying. It seemed to me that he left a thin red wake, like he was trailing a single, mournful streamer. I let him be blurry, let the gun come into sharp focus. When I was little, before he even let me shoot a pellet gun, Daddy had shown me this very revolver in two pieces, innocuous. He let me look down the hole and put my finger in it.

“Rose Mae, this is the only safety lesson you will ever need,” Daddy said. “But I’m going to tell you ever’ time you shoot. Until you know it in your guts. You see down that hole? You must never, never point that hole at anything, at anything, ever, unless you want to see it utterly destroyed.” He said it with no irony, while he and I together looked down that very hole, its dark eye looking back at me, the barrel cradled in my daddy’s hands.

Now I was sighted on the center of Thom’s chest, where I had so many times pressed my ear to hear the boom of his large, red heart. He was ten feet away. I was stiff, half-blind with tears, and I knew then that I would let him pass, unharmed. I was spineless enough to let him kill me, when it came to that. My eyes closed, the gun pointing at air or the owl or Thom or nothing.

I could see my own death, accept it, see his hands close around my throat too hard, too long. But I could not see Thom. At once my hands were loose and easy and my own, and I could squeeze the trigger. So I did.

It seemed only half a second passed between aiming and my eyes closing, between looking at the backs of my eyelids and my hands easing enough to let me pull. I was squeezing even before I felt the scalding tears that were pushed out of my closing eyes on my cheeks. The suddenly living gun contracted in my hands, once, twice, spitting bullets that I felt leave me before I heard the fierce crack of splitting air. Eyes still closed, tears dripping off my jaw now to spatter down my shirt, I heard a terrible, hupping yelp, surprised and not quite human.

A great calm took me, and the gun became so massive and heavy that my hands dropped. The hole pointed into the earth.

I opened my eyes. For a minute I could not understand what I was seeing. Thom was standing, jaw unhinged, still trailing his thin red streamer. He was whole and unshot, upright on the trail. The noise grew, became a howling, and as Thom yelled, “Hold your fire! Hold your fire!” I saw the streamer was my old red leash, saw the tan, crumpled body behind him, at the very apex of the slope. I had missed him, missed him entirely. I had shot my dog.

The noise was Fat Gretel’s noise, and I had shot my good, good dog. Time stuttered and slowed so abruptly that the next eight seconds was a series of Polaroid pictures. The first one was Gretel, kicking on the ground, and I understood that Thom had brought my dog with him, running. Gretel had been that huffing echo, and now she was the wretched howling, and all at once I was so angry that the tears stopped.

He was supposed to drop her at the vet, but he must have waited there until she had her shots and then brought her along to make her run. He was always wanting me to run the fat off her, even though I said to leave her be. I got Gret from the pound soon after we married, and she’d lived a sinless life with me for five years now. I didn’t often cry, but when I did, she padded around and around me in worried circles, making houndy sorrow-groans in her throat, keeping vigil till I stopped. She had earned the right to spread out happy on the floor and be as fat as she wanted.

We moved forward, all of us, one frame. The owl burst upwards in a panicked ball of feathers, like a flare marking my spot. Gretel howled. Thom, spooked by the owl, yelled, “You fucking moron, hold your fire. We are here!” My mouth gaped open and nothing came out but a thin whine of released air.

He couldn’t possibly have heard my breath, but Thom started toward me. Gretel’s howl broke and wavered, becoming a long, betrayed yodel. This lower sound went on and on, as if she would never inhale again. I squatted in the ditch, inert.

He reached the hairpin in two elongated lopes that ate up the ground between us. He was coming to drag me out and kill me. Now. For one frame, I was helpless skin half-filled with air, floppy and useless. In the next frame, I was Rose Mae again. The separation I’d felt earlier ended, and there was no girl inside a girl. I was Rose and here was Thom, coming toward me like always, this time to kill me. There was my dog, hurt on the ground, needing my help, and Thom stood between us. My hands lifted the gun, rock steady, one eye squinched shut, and I went for the head shot. Twice. I had no time for true aim; my bullets whined past his left ear. They came so close that he must have felt the heat of their whistling trail.

Thom guttered to a halt, and I watched him understand that this was not someone shooting. This was someone shooting at. He wasn’t heading toward a stranger’s dumb mistake. He was heading into bullets, purposeful and aimed. He dove sideways as I tried to get a bead on him, his body an indignant line that disappeared into the trees on the left side of the trail.

Gretel stopped yodeling. I listened hard, terrified she was gone, and then caught the sound of her ragged breathing. I could feel a scream building up inside me, swelling, pushing up into my throat. I turned the gun sideways and banged myself in the head with the flat side, hard enough to daze myself and stop it.

Two bullets past Thom’s ear. Two in my dog. I had two left. I crouched low in the ditch, gun pointing at the lip. I listened for his creeping sounds to come at me from one side or another. Thom was smart. He would choose a route and come as quiet as he could to the spot the owl had marked. When he looked down into the ditch and saw that the face of the shooter was his Ro’s face, maybe there would be a pause in him, a small window where I could finish this. That close, I wouldn’t miss. I would have to shoot him if I wanted to live long enough to save Gretel.

Fat Gretel moaned. I heard her feet scuffling against the dirt. I poked my head up just over the lip, alligator style, and there was Thom. He was back on the trail. Bent over her. My hands were steady. My eyes were clear. I lifted Pawpy’s gun and lined him up, tracking him. My finger tightened. Two bullets left, and I could feel how perfect the shots were, one in the spine as he bent over, one in the head.

Then he scooped up Gretel. My breath caught and my mouth rounded into a surprised O. He was not creeping through the trees, seeking out the shooter. He was not turning tail and sprinting away as fast as his strong legs could carry him. He was risking himself to rescue my dog. The skin on his back shuddered like a horse’s skin, and I knew he felt my sights creeping across him like flies.

He lifted fifty pounds of dog like she was nothing, adrenaline assisting the hours he’d spent lifting weights and running this trail. He started loping away, slow, hampered by my crying dog. He ran serpentine, trying not to be an easy target, but Gretel ruined his balance and his speed, so he was. I could have shot him with no effort. I tracked him, but my finger remained slack against the trigger. His courage and his weighed-down grace knocked me breathless. I watched him risk his hide for a dog he’d never had much use for, saving her because she was mine, because I loved her so. He zigzagged away as fast as he could, all the while feeling the black gaze of the gun on his back.

It was the most romantic thing that I had ever seen.

I’d stopped the Hail Mary a while back, I realized. Now a rhyme was running in my head, from the Grimm’s fairy-tale book my mother used to read me when I was too small to shoot anything but a BB gun. Oh Snowy-white, Oh Rosy-red, Will you beat your lover dead? It was a poem from a prince, trapped in bear form. He slept on Snow White’s hearth, and she and her sister, Rose Red, would beat the snow out of his fur and roll him back and forth between them with their naked feet. He’d say the rhyme to make those rowdy girls be gentle with him.

The bear’s poem looped around and around, catching and matching the weaving bob of Thom’s head as he ran serpentine away down the trail, ungainly but whole.

My finger stayed lax. Only that morning, I’d lifted my face, open like a posy, for him to lean down and kiss. Only that morning, I’d gotten up early to fix his eggs. Then I’d come out here ahead of him to drop the body I had fed, leave it to keep the ants company in these green woods. Thom’s blond head set behind the slope. He was gone. I pulled the gun back into two pieces and dropped them in the bag.

I leaned forward in the ditch and put my face into the earth. I felt roots poking me. I’d starting crying again without noticing. I was crying for Gretel and for my own spineless love. I wept until my bones went liquid, and then I wept them out. I lay against the ditch like a tired piece of rag.

An idle part of me began to wonder where Thom was. I felt like I’d been lying in the dirt and crying for hours, but when I looked at my watch, I saw less than ten minutes had passed. There was a Shell gas not two miles away, and they’d have a pay phone. I wanted to call Thom and ask how Gretel was, where he was taking her, if she was still breathing, but I didn’t know where to reach him. Thom’s skinflint daddy had yet to join the rest of the world and replace Thom’s pager with a mobile phone.

He’d take Gretel to the vet, I thought, and then what? Home? The police station? I sat up straight, pulled up in the sudden understanding that I didn’t have to track him down. He would be tracking me, and soon. Men who got shot at called their wives, the very first minute they could.

I scrambled up out of the ditch, clutching my bag. I could not have Thom wondering where his wife had been. Not today, of all days. When his call came, Ro Grandee had to be at home in a daisy yellow skirt and ballet flats, tenderly hand-washing the sticky yolk off Thom’s breakfast dishes. I took off for the car at a dead run.



Continues...

Excerpted from Backseat Saints by Jackson, Joshilyn Copyright © 2010 by Jackson, Joshilyn. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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See All Sort by: Showing 1 – 20 of 84 Customer Reviews
  • Posted June 8, 2010

    Dare you to put it down.

    The brilliant, relentless Jackson takes us on her most harrowing trip yet. A raw, unflinching account of domestic abuse from the most complex and interesting female character of the decade; this is not the book to put in your purse and nibble away at while you wait at the dentist! Rose Mae Lolley is anything but a wilting victim. This fierce female is the author of her own fragility, and only when her life is in danger does she act to turn the tables on her bullying husband. Jackson reinvents the concept of escape, as her character turns herself inside out again and again in search of an identity that gets her away. And you won't believe how it ends.

    1 out of 1 people found this review helpful.

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  • Posted June 8, 2010

    more from this reviewer

    I Also Recommend:

    Backseat Saints

    My Synopsis:

    Backseat Saints by Joshilyn Jackson

    Rose Mae's life hasn't been easy. Her mother abandoned her at 8 years old to a drunken father who used his fists to teach her about life. All the men in Rose Mae's life have had a penchant for violence, from her first love to her husband, Thom. As Rose Mae ran from Fruition, Alabama, she transformed herself into someone else. When she married Thom, she became Ro Grandee, a young woman who tries desperately to hide the bruises and scars of her violent life.

    When she unexpectedly meets a gypsy in the airport, Ro Grandee learns a hard lesson about her future. The tarot reading she receives lets Ro know that she can't keep Rose Mae Lolly down forever. It's either Rose or Thom! They both cannot survive this relationship. Rose knows what she has to do. But will she be able to do it? With Fat Gretal at her side, Rose Mae goes back to Fruition in search of help, what she finds is an ailing father and more questions than answers about her mother and her reasons for leaving. Will Rose Mae be able to get away from Thom before it's too late? How is the airport gypsy a part of Ro's life? Can a new hair cut and a new name be the answers her heart is looking for?

    My Thoughts:

    This was my first experience with Joshilyn Jackson. I had heard of gods of Alabama before, but had never had the opportunity to read any of her books.

    Jackson has a way of creating unique characters. This book is full of them. Rose Mae/Ro is a character that has had to face a lot of adversity, from her mother's disappearance from her life to her tumultuous relationship with her husband. She is both a strong and weak character. Strong in the fact that she was able to withstand this type of life and weak because she was unable to leave for so long. Rose Mae's character is almost one of a split personality. Rose Mae being the opposite of Ro. One almost enjoying the pain believing she deserves it and the other so desperate for acceptance and love that shes willing to take it.

    Domestic violence is a pretty heavy subject for a novel, but Jackson pulls it off with style. The reader is on the edge of their seat as Rose Mae hides on Wildcat Bluff. They are with her as she flees the Gun shop in the Buick. They watch as she staggers down the stairs and practically into Thom's waiting arms at the end of the novel. The theme of making up for mistakes you've made and finding forgiveness also permeates the book as we see Rose's relationship with her parents. Rose Mae's father and his apology letter, all the way to Rose Mae's mother's great sacrifice for her daughter.

    1 out of 2 people found this review helpful.

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  • Posted May 25, 2010

    more from this reviewer

    I Also Recommend:

    A Powerful Read!

    Ro Grandee is going to kill her husband. If she doesn't, he will surely kill her first. After living with a father that beat her, she has married a man equally, if not more, abusive. All it took was a fateful meeting with a tarot-reading gypsy in the airport, and Ro is finally ready to get herself out of her violent life. She begins to channel her younger, stronger self, Rose Mae, and sets out to get some closure and safety.

    I am such a fan of Jackson's books. They are deep family dramas, rich with southern atmosphere and heavy emotions. Taking the character of Jim Beverly from Gods in Alabama (in my opinion, also a 5 star book!) and writing an entirely new story from another point of view was quite a trip. I enjoy it when authors choose to revisit a town and it's characters, as it feels like there was more to tell- that the story wasn't quite done yet.

    I liked that Jackson slipped into southern dialect where it was relevant. Dialect can sometimes be terribly distracting, but it this case it was used to really flesh out the characters of Rose Mae's father and high school friends, to show the reader what her younger life was like. The writing was very powerful, often taking my breath away with it's stark honesty. It is hard to make something like domestic violence beautiful to read, but Jackson took Rose Mae's emotions and made them into something tangible that the reader can identify with and swallow. It may have been a hard book to stomach at times (especially the scenes with abuse), but I would read it all over again in a heartbeat.

    1 out of 1 people found this review helpful.

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  • Posted February 19, 2014

    more from this reviewer

    Rose Mae Lolley may be my favorite Jackson heroine thus far. Com

    Rose Mae Lolley may be my favorite Jackson heroine thus far. Complex, an overcomer, a girl with a double dose of grit. Jackson proves a novelist can write larger-than-life characters who aren't professional football players or international movie stars and still produce a world-class book. Her characters are people who populate our lives, in this case a woman caught in a cycle of physical abuse. 5+ Stars

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  • Posted February 10, 2014

    more from this reviewer

    What a Ride!

    Another winner by Joshilyn Jackson – full of southern wit and some strong bad-ass women! I listened to the audio version (highly recommend as she is quite the storyteller) and she does it so well! Gripping, full of suspense and quirky characters, and as usual the author knows how to entertain southern style!

    This book covers so much, from abuse (father and husband) the author tells the story from a first person point of view and the main character (Ro) has two different personalities (Roe Grandee) –the lovely submissive housewife, which can be as sweet as honey no matter how much she is a punching bag and (Rose Mae Lolley) - grew up when her mother left her with her father which began abusing her. Later she became (Ivy) to hide from her abuser. As usual, at the hand of abuse – she stays as there are good times thinking he would change until the bad next time comes around once again.

    After many trips to the hospital, she finds a friendship with her next door neighbor (loved her), and when she takes her to the airport, she meets a tarot card reader (who happens to be her mom). She tells her she must kill her husband before he kills her.

    She plans a few different ways to make this happen (trying to shoot him herself), develop a new identity and leave town, and trying to track down an old boyfriend to do it for her.

    Full of emotionally damaged characters: Rose, her mother, her father, her husband, all who are dealing with the consequences of a life of bad choices. A page- turner from the first page to the last, full of humor, sass, and southern mischief!

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  • Anonymous

    Posted August 7, 2013

    Poiuig Wwqqqwzseww

    S

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  • Posted June 9, 2013

    Once I got to the middle it was hard to put down.

    Once I got to the middle it was hard to put down.

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  • Anonymous

    Posted May 23, 2013

    Sacary!

    The guy who wrote this book is ugly! The gril looked more like a rancore!

    0 out of 3 people found this review helpful.

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  • Anonymous

    Posted January 14, 2013

    This is an excellent exploration of how screwed up womens psche can be from mom to daughter.

    Another great one by Ms. Jackson.

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  • Anonymous

    Posted June 7, 2012

    Excellent!!

    Great story teller. Couldn't put it down!

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  • Anonymous

    Posted August 13, 2012

    Homerun!

    Each book gets better and better. My fav isbthe first one i picked up,w which was The Girl Who Stopped Swimming. All of her books are amazing. Never disappointed.

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  • Anonymous

    Posted February 27, 2012

    Loved it!

    Another great read from Joshilyn Jackson!

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 1, 2012

    Never disappoints

    As a DV survivor, I found this book extremely honest. Once again she has written a book that will keep you turning pages well after bedtime. Certainly one of the best in the field.

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  • Anonymous

    Posted January 20, 2012

    Awesome book, awesome author.

    Awesome book, awesome author

    0 out of 1 people found this review helpful.

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  • Posted July 9, 2011

    more from this reviewer

    What is it about Southern writers?

    I love the way they love the language. Joshilyn Jackson creates ripping good stories with characters that are complex. People you care about warts and all. These are people who want to be better, but are stuck in their humanity. I love these books...they're like dessert.

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  • Posted July 2, 2011

    more from this reviewer

    highly recommended

    this is a great book, I think people can identify with it in more ways than one, the mask that ro puts on everyday

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  • Posted May 22, 2011

    Joshilyn Jackson does it again!

    Another wonderful read from Joshilyn Jackson. Ro Grandee is living a life that she's very familiar with, since she's living the life of her mother. Why, though, is she still with her abusive husband -- unlike her mother who left when she was only eight? And when did the feisty Rose Mae Lolley, her previous self, start hiding beneath bruises and long-sleeved shirts without fighting back, simply content to remain Ro Grandee? Ro isn't sure how it happened, but she realizes that she needs to find Rose Mae somewhere within herself again and become something greater than she's ever been: herself. In the fight to find herself, she will learn more about her past that will launch her into her future. Will that lead to a strong, self-reliant woman, or one who just goes back to what she's always known? A perfect read for anyone who isn't sure if she can find her own strength without relying on others to provide it -- or for anyone who isn't even sure she needs to.

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  • Posted March 6, 2011

    Kritters Ramblings

    Wow, what a book! I definitely took a few days to fully digest this book. Full of very serious issues - parental abuse, spousal abuse and more.

    A story about a young woman in a horrible relationship who finds herself on a quest to find herself, her past and her future. I couldn't believe the adventures she had been through, she was one tough chick. I am still processing the book and am excited to say I have talked my book club into putting it on the list for the next year, so I will be rereading it in May.
    I loved how her life parralleled her mom's life and the ending which I cannot spoil just took me for a spin. A powerful story about how a child's upbringing affects them for the REST of their lives. And also how we as children usually repeat our parents mistakes.

    I would recommend this book to all of my female friends, especially those who have both strong and interesting relationships with their mothers. Definitely a must read, especially when you are ready for a thick one!

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  • Posted January 9, 2011

    Meh...

    I was a little disappointed with this book. I had very high expectations because this is the follow up to one of my favorite books, gods in Alabama. There were times when I was fully invested in the plot, and others where I simply thiught the storyline was forced and farfetched. Overall, it was a quick, fun at times read, but I still say skip it.

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  • Posted December 30, 2010

    Compelling

    This book had me from the very beginning. It was a fascinating story and the heroine was someone that I really rooted for. I couldn't put it down!

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