Briar King (Kingdoms of Thorn and Bone Series #1)

Briar King (Kingdoms of Thorn and Bone Series #1)

4.2 72
by Greg Keyes
     
 

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Two thousand years ago, the Born Queen defeated the Skasloi lords, freeing humans from the bitter yoke of slavery. But now monstrous creatures roam the land—and destinies become inextricably entangled in a drama of power and seduction. The king’s woodsman, a rebellious girl, a young priest, a roguish adventurer, and a young man made suddenly into a knight&… See more details below

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Overview

Two thousand years ago, the Born Queen defeated the Skasloi lords, freeing humans from the bitter yoke of slavery. But now monstrous creatures roam the land—and destinies become inextricably entangled in a drama of power and seduction. The king’s woodsman, a rebellious girl, a young priest, a roguish adventurer, and a young man made suddenly into a knight—all face malevolent forces that shake the foundations of the kingdom, even as the Briar King, legendary harbinger of death, awakens from his slumber. At the heart of this many-layered tale is Anne Dare, youngest daughter of the royal family . . . upon whom the fate of her world may depend.

Editorial Reviews

Publishers Weekly
The author of the bestselling Age of Unreason tetralogy (The Waterborn, etc.) inaugurates the Kingdoms of Throne and Bone quartet with this epic high fantasy. The inhabitants of this splendid and dauntingly complex parallel world, Everon, are mostly descended from folk magically transported from our world. This is not quite the land of Faerie, although the Briar King resembles the old Celtic horned god Cernunnos, while Keyes brings his expertise as a fencing teacher to the swordplay, here called dessrata. The Empire of Crotheny faces war with its arch-rival, the Hanzish, and magical intrigues aimed at preventing the land from having a born queen (as opposed to a king's consort). By book's end, Princess Anne, the daughter of the Crotheny king, is fleeing for her life with Austra, her maid, and Cazio, a young Vitellian nobleman, having earlier experienced the pains of discipline in a convent and the horrors of having her family butchered. With aplomb, the author employs one of the most classic fantasy plots: the heir(ess) with a destiny and a necessarily huge cast of supporters. Keyes mixes cultures, religions, institutions and languages with rare skill. The main theme may emerge with formidable slowness, but patient readers will find the rewards enormously worthwhile. (Jan. 1) Forecast: With a six-city author tour, plus blurbs from Katherine Kurtz, Terry Brooks, Charles de Lint, Elizabeth Haydon and Melanie Rawn, this could well be Keyes's breakout book, garnering the kinds of sales associated with George R.R. Martin. Copyright 2002 Cahners Business Information.
VOYA
The stories of Anne Dare, an impetuous, rebellious teenage princess; Aspar White, a rough but softhearted king's forester; Stephen Darige, a proud young priest and scholar; Neil MeqVren, the chaste and loyal queen's guard; Cazio Pachiomadio da Chiovattio, a cocky, smooth-talking teenaged fencer; and their compatriots and enemies circle around each other and finally interconnect. When the dreaded Briar King, the stuff of nightmare legend, wakes, he brings death and destruction on an unimaginable scale to the fantasy world of Everon. Readers drawn to sagas so sweeping that they only get started in the first five hundred pages will love Keyes's fully realized world, with its varieties of peoples, customs, and languages, so different yet so familiar that they seem as if they must exist. Teens will love the court intrigues, the breathless pace of the fights, the quiet interludes between lovers, and the suspense that builds ominously as clue after clue to the coming evil is uncovered. Most of all, however, readers will love Keyes's characters: Stephen's funny interior monologues and his uncovering of his courage; Aspar's slow realization that he is loved; Anne's leaps into love, into trouble, and into webs of ancient power; Neil's self-flagellation for his perceived imperfections; Cazio's brashness and his surprise when his swordsmanship suddenly matters instead of being a game. Libraries serving fantasy readers will want to buy this first book in the Kingdoms of Thorn and Bone series and watch for the three planned sequels. VOYA Codes: 4Q 4P S A/YA (Better than most, marred only by occasional lapses; Broad general YA appeal; Senior High, defined as grades 10 to 12; Adult and Young Adult).2003, Del Rey, 560p,
— Rebecca Barnhouse
Library Journal
As war threatens the kingdom of Crotheny, a series of dark and strange events presages the coming of a prophesied age of terror and evil. In the forest, the ancient Briar King stirs, while a queen and her daughters seek to preserve their heritage. Drawing on Celtic lore and the legend of the Lost Colony of Roanoke, the author of "The Age of Unreason" series begins a new epic fantasy featuring a unique world and familiar themes. Keyes's talent for world crafting and storytelling makes this series opener a strong addition to fantasy collections. Recommended. Copyright 2003 Cahners Business Information.
School Library Journal
Adult/High School-A high-level, high-fantasy novel from the author of "The Age of Unreason" series (Ballantine). Complex story lines and multifaceted characters are introduced deftly, detailing the multiple intrigues afoot across the world of Everon, whose populace may have descended from figures in our history, particularly the lost colony of Roanoke. (An influential area is called Virgenya, and a revered ancestor from antiquity is Virgenya Dare.) Strange and deadly events plaguing the kingdom of Crotheny seem to be inaugurating a time of terror long predicted in prophecy. As Crotheny faces war with its great enemy Hanzish, a murderous conspiracy involving the prime minister and a band of rogue monks moves to prevent the land from ever having a true-born queen of Dare descent. Human sacrifices are performed, a horrifying monster drives forest dwellers from their homes, and the powerful, mysterious Briar King begins to stir. The closing action finds spunky survivor Princess Anne on the run from assassins and sorcery, accompanied by her loyal servant Austra and by Cazio, a master swordsman who is infatuated with the princess. Meanwhile, a large cast of well-drawn supporting characters is left facing challenges that equal or surpass Anne's. Drawing intriguingly on multiple cultural and religious traditions, Keyes employs his considerable storytelling skills to great effect here, creating an epic cliff-hanger that will leave most readers eager for the next installment.-Starr E. Smith, Fairfax County Public Library, VA Copyright 2003 Reed Business Information.
Kirkus Reviews
In the fantasy kingdom of Crotheny, set in a world that's just too complicated and overpoliticized to describe-though it does appear to exist in some vaguely post-apocalyptic setting, what with much of the land being referred to as "Virgenya"-trouble is brewing at the start of a simply smashing new four-part series from Keyes (the Age of Unreason tetralogy: The Shadows of God, 2001, etc.). Deep in the past, humans freed themselves from a race of enslaving monsters, but in the process they unleashed powerful dark forces that only now look to be returning to the light of day. The weakling ruler of Crotheny hears of threats against his queen and daughter, a royal forest ranger raised by a race of witch-like beings called the Sefry, comes across evidence that the dread Briar King has risen from his slumber; an intellectual discovers horrible secrets in newly translated ancient scrolls; and the king's wild daughter puts herself in more danger than she can imagine. It takes a long time for all of the story's divergent plot threads even to be able to see each other across the vast acres of Keyes's prose, but once they start to bind together, about halfway through, the tale shifts from run-of-the-mill fantasy to a headlong plunge into danger and despair. The dialogue, of course, can tend toward the overblown and ridiculous, and it might have been nice of Keyes to include just a few more characters not of gentle birth. But in a genre so overburdened with repetitive swords-and-sorcery hooey, Keyes takes all the genre's conventions and, while never overstepping their boundaries, breathes new life into them. Action-packed fantasy rife with humor and sensuality: introduces an epic new series sure tohook readers by the wagonful. Author tour
From the Publisher
“A wonderful tale . . . It crackles with suspense and excitement from start to finish.”
—TERRY BROOKS

“STARTS OFF WITH A BANG, spinning a snare of terse imagery and compelling characters that grips tightly and never lets up. . . .
A graceful, artful tale from a master storyteller.”
—ELIZABETH HAYDON
Bestselling author of Prophecy: Child of Earth

“THE CHARACTERS IN THE BRIAR KING ABSOLUTELY BRIM WITH LIFE. . . . Keyes hooked me from the first page and I’ll now be eagerly anticipating sitting down with each future volume of The Kingdoms of Thorn and Bone series.”
—CHARLES DELINT
Award-winning author of Forests of the Heart and The Onion Girl

“A THRILL RIDE TO THE END, WITH PLENTY OF TREACHERY, REVELATION, AND EVEN A FEW BOMBSHELL SURPRISES.”
Monroe News-Star (LA)

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Product Details

ISBN-13:
9780307565631
Publisher:
Random House Publishing Group
Publication date:
12/24/2008
Series:
Kingdoms of Thorn and Bone Series , #1
Sold by:
Random House
Format:
NOOK Book
Pages:
608
Sales rank:
164,538
File size:
3 MB

Related Subjects

Read an Excerpt

Chapter One

The Holter Aspar White smelled murder. Its scent was like a handful of autumn leaves, crisped by the first frost and crushed in the palm.

Dirty Jesp, the Sefry woman who had raised him, told him once that his peculiar sense came from having been born of a dying mother below the gallows where the Raver took his sacrifices. But Jesp made her living as a liar, and the why didn’t matter anyway. All Aspar cared about was that his nose was usually right. Someone was about to kill someone else, or try.

Aspar had just walked into the Sow’s Teat after a week of hard going in the Walham Foothills. His muscles burned with fatigue, his mouth was grittier than sand, and for days he had been dreaming of the cool, dark, honeyed sweetness of stout. He’d had just one sip, one moment of it dancing on his tongue, one kiss of foam on his lips, when the scent came and ruined the taste.

With a sigh, he set the grainy earthenware mug on the pitted oak of his table and looked around the dark, crowded interior of the tavern, one hand straying to the planished bone grip of his dirk, wondering where death was coming from and where it was going.

He saw only the usual crowd—charcoal burners mostly, their faces smudged black by their trade, joking and laughing as they drank away the taste of soot on their tongues. Nearer the door, which had been propped open to let in the evening air, Loh—the miller’s boy, in his clean, lace-trimmed shirt—gestured grandly with his mug, and his friends hooted as he drained the whole thing in one long draught. Four Hornladh merchants in checkered doublets and red hose stood near the hearth, where a spitted boar dripped sizzling into the coals, and around them gathered a clump of youths, faces eager and ruddy in the firelight, begging stories about the wide world beyond their tiny village of Colbaely.

Nothing that even looked like a brawl about to start. Aspar picked up his mug again. Maybe the beer was a little off, today.

But then he saw where murder was coming from. It came in through the open door, along with the first tentative trilling of whippoorwills and a faint, damp promise of rain.

He was just a boy, maybe fifteen. Not from Colbaely, Aspar knew for sure, and probably not even from the Greffy of Holtmarh. The newcomer swept a desperate, hurried gaze around the room, squinting, trying to adjust his eyes to the light, clearly searching for someone.

Then he saw Aspar, alone at his table, and lurched toward him. The young fellow was clad in brain-tanned elkskin breeches and a shirt of homespun that had seen better days. His brown hair was matted, caked with mud, and full of leaves. Aspar saw the apple in his throat bobble convulsively as he pulled a rather large sword from a sheath on his back and quickened his pace.

Aspar took another pull on his beer and sighed. It tasted worse than the last. In the sudden silence, the boy’s buskins swish-swished on the slate-tiled floor.

“You’re the holter,” the boy said in a thick Almannish accent. “The kongsman.”

“I’m the king’s forester,” Aspar agreed. “It’s easily known, for I wear his colors. I’ll be Aspar White. And you’d be? . . .”

“H’am the man is going to slooter you,” the boy said.

Aspar lifted his head just slightly, so he was looking at the lad with one eye. He held the sword clumsily. “Why?” he asked.

“You know why.”

“No. If I knew why, I never would have asked.”

“You know saint-buggering well—tho ya theen manns slootered meen kon—”

“Speak the king’s tongue, boy.”

“Grim take the king!” the boy shouted. “It’s not his forest!”

“Well, you’ll have to take that up with him. He thinks it is, you know, and he’s the king.”

“I mean to. Right after I take it up with you. This goes all the way back to Eslen before h’am done. But it starts here with you, murtherer.”

Aspar sighed. He could hear it in the young man’s voice, see it in the set of his shoulders. No use talking anymore. He stood quickly, stepped inside the sword point, and slammed his beer mug against the side of the boy’s head. The kiln-fired clay cracked and the fellow screamed, dropping his weapon and clutching his split ear. Aspar calmly yanked out his long dirk, grabbed the boy by the collar, hauled him up easily with one large, callused hand, and pushed him down roughly onto the bench across the table from where he had been sitting.

The boy stared defiantly at him through a mask of pain and blood. The hand holding the side of his head was shiny and dark in the dim light.

“You all see!” the boy croaked. “Witness, all! He’ll murther me like he slootered mine fam’ly.”

“Boy, just calm down,” Aspar snapped. He picked up the sword and set it next to him on his bench, with the table between it and the boy. He kept his own dirk out.

“Armann, bring me another beer.”

“Y’just busted one of my mugs!” the hostler shouted, his nearly round face beet-red.

“Bring it or I’ll bust something else.”

Some of the charmen laughed at that, and then most of the rest of them joined in. The chatter started up again.

Aspar watched the boy while he waited for the beer. The lad’s fingers were trembling, and he couldn’t look up. His courage seemed to be leaking out of him with his blood.

That was often the case, Aspar found. Bleed a man a little, and he grew less heroic.

“What happened to your family, boy?”

“As eft you don’t know.”

“You want another cuff? Grim eat you, but I’ll beat you till you come out with it. I don’t take to threats, and I don’t take to being called a killer unless I did the killing. And in the end I don’t care what did ’r didn’t happen to a bunch of squatters—except that if something ill happened in the forest, that’s my job, to know about it, y’see? Because if I don’t care about you, I care about the forest, and about the king’s justice. So spell me it!”

“I just—I—they’re dead!” And suddenly he burst out crying. As tears ran through the blood on his face and trailed down his chin, Aspar realized that even fifteen had been an overestimate. The lad was probably no more than thirteen, just big for his age.

“Sceat on this,” Aspar grumbled.

“Aspar White!” He looked up to see Winna Rufoote, the hostler’s daughter. She was less than half his age, just nineteen, pretty with her oval face, green eyes, and flaxen hair. Strong willed. Trouble looking for lodging. Aspar avoided her when he could.

“Winna—”

“Don’t ‘Winna’ me. You burst this poor boy’s brains all over—and one of our mugs—and now you’re just going to sit here and drink beer while he bleeds on everything?”

“Look—”

“I won’t hear a word of it. Not from you, s’posed to be the king’s man. First you’ll help me get this boy to a room so I can clean him up. Then you’ll put your mark on one o’ them royal notes or else pay good copper for our mug. After that, y’can have another beer, and not before.”

“If this weren’t the only hostel in town—”

“But it is, isn’t it? And if you want to stay welcome here—”

“You know you can’t turn me out.”

“No. Turn out the king’s man? Sure I can’t. But you might start finding your beer tasting like piss, if you understand me.”

“It already tastes like piss,” Aspar grumbled.

She put her hands on her hips and glared at him. He suddenly felt a little weak in the knees. In twenty-five years as a holter, he had faced bears, lions, more outlaws than he could even count. But he had never learned how to handle a pretty woman.

“He did come in here to kill me, the little sceat,” Aspar reminded her sheepishly.

“An’ how is that such a strange thing? I’ve been tempted myself.” She pulled out a rag and handed it to the boy. “What’s your name?” she asked.

“Uscaor,” he mumbled. “Uscaor Fraletson.”

“Your ear’s just a bit cut, Uscaor. It’ll be okay.”

Aspar blew out a long breath and stood back up. “Come on, boy. Let’s get you cleaned up, hey? So you’ll look nice when you come to murther me in my bed.”

But as the boy swayed to his feet, Aspar caught the scent of death again and noticed, for the first time, the boy’s right hand. It was bruised purple and black, and the sight of it sent a tingle up his spine.

“What happened there, boy?” Aspar asked.

“I don’t know,” Uscaor said softly. “I don’t remember.”

“Come on, Uscaor,” Winna said. “Let’s find you a bed.”

Aspar watched him go, frowning. The boy had meant to kill him, all right, though he hadn’t come very close. But that hand—maybe that was the thing his nose was trying to tell him about all along.

Uneasily, he waited for another beer.


“He’s asleep,” Winna told Aspar some time later, after she’d been alone with the boy for a while. “I don’t think he’s eaten or slept for two or three days. And that hand—it’s so swollen and hot. Not like any sort of wound I’ve seen before.”

“Yah,” Aspar said. “Me either. Maybe I ought to cut it off of ’im and take it for the apothecary in Eslen to have a look at.”

“You can’t fool me, Asp,” Winna said. “You’re rougher than an elm at the skin, but in your heart there’s softer stuff.”

“Don’t convince yourself of that, Winn. Did he spell why he wants me dead?”

“Same as he told you. He thinks you killed his family.”

“Why would he think that?”

“Hey, Winna!” someone yelled, from across the room. “Leave off the king’s bear and come wet me!” He banged an empty mug on the table.

“Do as you usually do, Banf—wet yourself. You know where the tap is. I’ll know what to charge you by how much you throw up later.”

That got a burst of jeers at the fellow’s expense as Winna sat down across from Aspar.

“He and his family put up a camp down near Taff Creek,” she continued, “a few leagues from where it meets the Warlock—”

“Right. Squatters, as I reckoned.”

“So they squatted in the royal forest. Lots do that. Does that mean they deserve to die?”

“I didn’t kill them for that. Raver’s teeth! I didn’t kill them at all.”

“Uscaor says he saw the king’s colors on the men who did it.”

“No. I don’t know what he saw, but he never saw that. None of my woodsmen are within thirty leagues of here.”

“You sure?”

“Damned sure.”

“Then who killed them?”

“I wat not. There’s plenty of room in the King’s Forest for all manner of outlaws. But I suppose I’ll be finding out.” He took another drink of his beer. “By the Taff, you say? That’s about two days. I’ll be leaving at first light, so tell Paet to have my horses ready.” He finished the beer in a single long swallow and rose from the table. “See you.”

“Wait. Don’t you want to talk to the boy some more?”

“What for? He doesn’t know what happened. He probably didn’t even see anybody. I’ll bet the part about the king’s colors is a lie.”

“How do you reckon that?”

“Maunt my words, Winn. Squatters live in terror of the king’s justice. They all reckon they’re going to be hanged or beheaded or hunted down, and they think I’m a two-headed uttin. I don’t discourage stories like that. I spread ’em, in fact. Somebody killed this boy’s kin, and he didn’t see who. He reckoned it was me. The rest he made up when he started feeling foolish.”

“But someone killed them,” she said.

“Yah. That much of his story I believe.” He sighed and stood. “Night, Winn.”

“You aren’t going by yourself?”

“All of my men are too far away. I have to go while the trail is still warm.”

“Wait for some of your men. Send word to Dongal.”

“No time. Why so nervous, Winn? I know what I’m doing.”

She nodded. “Just a feeling. That something’s different this time. People coming up out of the forest have been . . . different.”

“I know the forest better than anyone. It’s the same as it’s always been.”

She nodded reluctantly.

“Well, as I said, good night.”

Her hand caught his. “Be careful, you,” she murmured, and gave it a little squeeze.

“Certain,” he said, hoping he turned quickly enough that she couldn’t see him blush.


Aspar rose at first cockcrow, when the light out his window was still mostly starborn. By the time he’d splashed water from a crockery basin in his face and shaved the gray stubble sprouting there, cinched on his elkskin breeches and padded cotton gambeson, the east was primrose.

He considered his boiled-leather cuirass; that was going to be hot today.

He put it on anyway. Better hot than dead.

He strapped on his bone-handled dirk and settled his throwing ax into its loop on the same belt. He took his bow from its oilskin case, checked the wood and extra strings, counted his arrows. Then he recased the bow, slipped on his high boots, and went downstairs.

“First light, eh?” Winna said, as he passed through the common room.

“Getting old,” Aspar grumbled.

“Well, have some breakfast as you’re not too early for it.”

“That reminds me. I need to buy—”

“I’ve packed you a week’s worth of food. Paetur is loading it up for you.”

“Oh. Thanks.”

“Sit.”

She brought him a trencher of black bread with garlic sausage and fried apples. He ate every bit of it. When he was finished, Winna wasn’t in sight, but he could hear her knocking about in the kitchen. For an instant, he remembered having a woman knocking about his own kitchen, in his own house.

A long time ago, and the pain was still there. Winna was young enough to be his daughter. He left quietly, so as not to attract her attention, feeling faintly cowardly. Once outside he made straight for the stables.

Paetur, Winna’s younger brother, was busy with Angel and Ogre. Paet was tall, blond, and gangly. He was—what?—thirteen?

“Morning, sir,” Paet said, when he saw Aspar.

“I’m not a knight, boy.”

“Yah, but you’re the closest we have hereabouts, except old Sir Symen.”

“A knight’s a knight. Sir Symen is one; I’m not.” He nodded at his mounts. “They ready to go?”

“Ogre says yah, Angel says ney. I think you ought to leave Angel with me.” He patted the roan on the neck.

“She said that, did she?” Aspar grunted. “Could be she’s tired from the running you gave her yesterday?”

“I never—”

“Lie to me and I’ll whip you good, and your father will thank me for it.”

Paet reddened and studied his shoes. “Well . . . she needed a stretch.”

“Next time ask, you hear? And for pity’s sake, don’t try to ride Ogre.”

The barred bay chose that moment to snort, as if in agreement. Paet laughed.

“What’s so funny?”

“Tom tried, yesterday. To ride Ogre.”

“When do they bury him?”

“He lost two front teeth, is all.”

“Lucky. The boy’s lucky.”

“Yes, Master White.”

Aspar patted Ogre’s muzzle. “Looks like you packed them well. You want to arrange my quiver and bow?”

“Could I?” The boy’s eyes sparkled eagerly.

“I reckon.” He handed the weapon over.

“Is it true you’ve killed six uttins with this?”

“There’s no such thing as uttins, boy. Nor greffyns, nor alvs, nor basil-nix, nor tax-counters with hearts.”

“That’s what I told my friths. But Rink says his uncle saw an uttin himself—”

“Got drunk and saw his own reflection, more likely.”

“But you did kill the Black Wargh and his bandits, didn’t you? All ten of them.”

“Yah,” Aspar said curtly.

“I’m going to do something like that someday.”

“It’s not all it’s made out to be,” Aspar replied. With that, he mounted up on Ogre and started off. Angel followed obediently. So did Paet.

“Where do you think you’re going?” Aspar demanded.

“Down by the Warlock. A Sefry caravan came in last night. I want to get my fortune told.”

“You’d be better off staying away from them,” Aspar advised.

“Weren’t you raised Sefry, Master White? Didn’t Dirty Jesp raise you?”

“Yah. So I know what I’m talking about.”


The Sefry had chosen a nice spot, a violet-embroidered meadow overlooking the river and embraced on all sides by thick-limbed wateroaks. They were still setting their tents. A big one of faded crimson and gold was fully erected, the clan crest—three eyes and a crescent moon—waving in a diffident zephyr. Hobbled horses grazed in the meadow, where ten men and twice that many children hammered stakes, uncoiled lines, and unrolled canvas. Most were stripped to the waist, for the sun wasn’t yet high enough to sear their milk-white skin. Unlike most folk, the Sefry never darkened from the sun. In full light, they went swaddled head to toe.

“Hallo, there,” one of the men called, a narrow-shouldered fellow with features that suggested thirty years but that Aspar knew were lying by at least fifteen. He had known Afas when they were both children, and Afas was the older. “Do I see Dirt’s Bastard, there?” The Sefry straightened, hammer swinging at his side.

Aspar dismounted. Dirt’s Bastard. Not a nickname he’d ever cared for.

“Hallo, Afas,” he replied, refusing to let his annoyance show. “Nice to see you, too.”

“Come to run us off?”

“What’s the point? I’d just be wishing you on a different town, probably another in or around my jurisdiction. Besides, I’m on my way out.”

“Well, that’s generous.” The Sefry tilted his head. “She said you’d be here. She was almost wrong, ney?”

“Who’s ‘she’?”

“Mother Cilth.”

“Grim! She still alive?”

“They rarely die, these old women.”

Aspar stopped a few paces from Afas. The two men were of a height, but there the resemblance stopped. Aspar had weight to go with his altitude, an oak to Afas’ willow. Close up, Afas’ skin was a map, the blue rivers, streams, rills, and rinns of his veins plainly visible. He had six pale nipples, set like a cat’s on his lithe, wiry torso. His hair was midnight dark, tied back with a gold ribbon.

“Where’d you just come from?” Aspar asked.

“South.”

“Come through the forest?”

Afas’ indigo eyes went wide and guileless. “You know better than that, Holter. We wouldn’t travel in King Randolf’s forest without permission.”

“King Randolf died thirteen years ago. It’s William, now.”

“Nevertheless.”

“Well. I’m going to Taff Creek. A boy came in last night saying his kin were murdered down there. I’d be grateful if you’ve heard anything worth repeating. I wouldn’t ask too close where you heard it.”

“Decent of you. But I wat nothing about that. But I’ll tell you this—if I had been in the forest, I’d be out of there now. I’d be going far away from it.”

“Where are you going?”

“We’ll tinker here for a few days, to earn for supplies. After that? Far away. Tero Gallé, maybe, or Virgenya.”

“Why?”

Afas jerked his head toward the largest tent, the one already set up. “Because she says so. I don’t know more than that, nor do I want to. But you can ask her. In fact, she said you’d want to ask her.”

“Hmm. Well. I suppose I ought to, then.”

“Might be healthiest.”

“Right. Stay out of trouble, hey? I’ve got enough to worry about without having to track you down later.”

“Sure. Anything for you, Dirt.”


Mother Cilth had been old when Aspar was a boy. Now she might have been a ghost looking across the chasm of death. She sat on a pile of cushions, robed in black, coifed in black. Only her face was visible, an ivory mask spidered with sapphire. Her eyes, palest gold, watched his every movement. Jesp’s eyes had been that color. And Qerla’s.

“There you are,” Mother Cilth rasped. “Jesperedh said you would be here.”

Aspar bit back telling her how long Jesp had been dead. It wouldn’t matter. Whether it was all pretense or whether the Sefry had come to believe their own lies, he had never really known. It didn’t matter, because either way their constant talk of speaking with the dead was so much annoying sceat. The dead were dead; they did not speak.

“You wanted to see me?” He made a small attempt to keep the irritation from his voice, but it wasn’t something he was good at.

“I see you already. I want to talk to you.”

“I’m here, Mother. I’m listening.”

“Still rude. Still impatient. I thought my sister taught you better.”

“Maybe her lessons would have taken better if she had had a little help from the rest of you,” Aspar replied, unable to keep the bitterness from his voice. “Take me as you find me or not at all. It wasn’t me wanted to talk to you.”

“Yes, it was.”

That was true, sort of, but he didn’t have to like it. He turned on his heel to leave.

“The Briar King is waking,” Cilth whispered.

Aspar paused, a bright tickle like a centipede crawling on his backbone. He turned very slowly to face the old woman again.

“What?”

“The Briar King. He wakes.”

“That’s sceat,” Aspar said harshly, though a part of him felt as if the earth had opened beneath his feet. “I’ve traveled the King’s Forest all my life. I’ve been in the deepest, black heart of it, and I’ve been places in the Mountains of the Hare that even the deer never saw. There is no Briar King. That’s just more of your Sefry nonsense.”

“You know better. He slept, and was unseen. Now he wakes. It is the first sign. Surely Jesp taught you.”

“She taught me. She also taught me to cheat at dice, and to play the voice of a ghost for her seances.”

The old woman’s face went even harder than it had been. “Then you should know the difference,” she hissed. “You should know the difference between the cold and the hot, between the breeze and the storm.” She leaned even closer. “Look in my eyes. Look there.”

Aspar didn’t want to, but her eyes had already caught him, like a snake about to eat a mouse. The gold and copper of her orbs seemed to expand until they were all he could see, and then . . .

A forest turned into gallows, rotting corpses hung from every branch. The trees themselves gnarled and diseased, covered in black thorns, and instead of foliage they bore carrion birds, ravens and vultures, gorged and fat.

In the depths of the forest the shadows between the trees shifted, as if something large were moving there. Aspar searched, but the movement stayed at the corner of his eyes, always still when he stared full at it.

Then he noticed the nearest corpse. The rope that hung her was nearly rotted through, and mostly it was just bones and blackened flesh hanging there, but the eyes were still alive, alive and pale gold . . .

The same eyes he was looking into now. Mother Cilth’s eyes.

With a harsh gasp, Aspar turned his gaze away. Mother Cilth grated out a laugh.

“You see,” she murmured.

“Sceat,” he managed, though his legs were trembling. “A trick.”

Cilth drew back. “Enough. I thought you were the one foretold. Perhaps I was wrong. Perhaps you learned nothing after all.”

“I can only hope.”

“A shame. Truly. For if you are not the one foretold, he is not yet born. And if he is not yet born, your race—and mine—will be wiped from the earth, as if we had never been. That part of the telling cannot be doubted except by fools. But maybe you are a fool. My sister perished for nothing.” She reached up and drew a veil over her face. “I dream,” she said. “Leave me.”

Aspar obeyed her, fighting an unaccustomed urge to run. Only when the Sefry camp was a league behind him did his breathing calm.

The Briar King.

What sceat, he thought.

But in the corner of his vision, something was still moving.

From the Paperback edition.

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What People are saying about this

Terry Brooks
"A wonderful tale . . . It crackles with suspense and excitement from start to finish."
Charles Delint
"The characters in The Briar King absolutely brim with life. It’s been awhile since I’ve been this taken with a traditional fantasy novel, but Keyes hooked me from the first page."
Elizabeth Haydon
"Starts off with a bang, spinning a snare of terse imagery and compelling characters that grips tightly and never lets up . . . A graceful, artful tale from a master storyteller."

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