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Corresponding with Carlos: A Biography of Carlos Kleiber

Overview

Carlos Kleiber (1930-2004) was the greatest conductor of his generation. His reputation is legendary, and yet astonishingly, in his five decades on the podium, he conducted only 89 concerts, some 600 opera performances, and produced 12 recordings. How did someone who worked so little compared to his peers achieve so much?

Between his relatively small output and well-known aversion to publicity, many came to regard Kleiber as reclusive and remote, bordering on unapproachable. But...

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Corresponding with Carlos: A Biography of Carlos Kleiber

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Overview

Carlos Kleiber (1930-2004) was the greatest conductor of his generation. His reputation is legendary, and yet astonishingly, in his five decades on the podium, he conducted only 89 concerts, some 600 opera performances, and produced 12 recordings. How did someone who worked so little compared to his peers achieve so much?

Between his relatively small output and well-known aversion to publicity, many came to regard Kleiber as reclusive and remote, bordering on unapproachable. But in 1989 a conducting student at Stanford University wrote him a letter, and an unusual thing occurred: the world-renowned conductor replied. And so began a 15-year correspondence, study, and friendship by mail.

Drawing heavily on this decade-and-a-half exchange, Corresponding with Carlos is the first English-language biography of Kleiber ever written. Charles Barber offers unique insights into how Kleiber worked based on their long and detailed correspondence. This biography by one friend of another considers, among other matters, Kleiber's singular aesthetic, his playful and often erudite sense of humor, his reputation for perfectionism, his much-studied baton technique, and the famous concert and opera performances he conducted.

Comic and compelling, Corresponding with Carlos explores the great conductor's musical lineage and the contemporary contexts in which he worked. It repudiates myths that inevitably crop up around genius and reflects on Kleiber's contribution to modern musical performance. This biography is ideal for musicians, scholars, and anyone with a special love of the great classical music tradition.

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Editorial Reviews

The Wall Street Journal
Once the book turns from biographical sketch to lively correspondence, we get the thrill of reading—hearing—the voice of Carlos Kleiber, and all is light.
The Guardian
There's much, much more to Kleiber than the myth-making. At least there is now, thanks to Charles Barber's astonishing new book, Corresponding with Carlos: A Biography of Carlos Kleiber. Charles had a unique relationship with Kleiber. As a conducting student at Stanford University, with dazzling boldness and naivety, he wrote to Kleiber out of the blue and said he wanted to study with him. The key was Barber's use of humour and irony to attempt to elicit a response from Kleiber – it worked. Barber never formally became a student of Kleiber's (nobody ever did), but from 1989 until the maestro's death, he corresponded with the supposedly unknowable Carlos, and as well as vivid account of Kleiber's life, Barber's book publishes pretty well the complete letters he received. And they're a revelation. Kleiber proves as virtuosically funny and self-deprecating as he was incandescent on the podium....Barber's book does more than any other I know to simultaneously reveal the truth behind the Kleiber myths and to illuminate the deeper mystery of how his recordings and films continue to have such a talismanic power. This is a brilliant summary of Kleiber's way of making music.
BBC Music Magazine
This is mainly a book so fascinating that for once the ‘impossible to put down’ cliché is appropriate. Charles Barber was, in 1989, a young music teacher and conductor who sent a short letter to Kleiber, and to his amazement received a reply a few days later. He wanted to be Kleiber’s student, but there could be no question of that. Instead, they became frequent correspondents, and all of Kleiber’s letters concerning music are published here, with enough of Barber’s to make the exchanges intelligible….What makes Kleiber’s correspondence with Barber especially interesting is that Barber regularly sent Kleiber video cassettes of the great conductors, eliciting a deluge of comments on their style, greatness (or weaknesses), and their music. Kleiber’s criticism alternates with his commentary on his own slender repertoire and his growing distaste for conducting….The first 180 pages are devoted to a biographical sketch, with many quotations from letters: illuminating, but I doubt whether many readers will be able to resist the temptation to leap ahead to the epistolary section.
SymphonyNOW
Charles Barber’s Corresponding with Carlos: A Biography of Carlos Kleiber represents an admiring younger conductor’s efforts, begun during his graduate-student days, to draw out a brilliant but eccentric and reclusive maestro through multiple layers of correspondence.
San Francisco Classical Voice
Barber is artistic director of City Opera Vancouver, with a longstanding, busy career in California music life, including contributions to Classical Voice. Corresponding With Carlos: A Biography of Carlos Kleiber offers unique insights into how Kleiber worked. This biography considers his singular aesthetic, his playful and often erudite sense of humor, his reputation for perfectionism, his much-studied baton technique, and the famous concert and opera performances he conducted. It explores the great conductor’s musical lineage and the contemporary contexts in which he worked.
ConcertoNet: The Classical Music Network
Charles Barber's book on Carlos Kleiber is fascinating, remarquable and unexpected....Rich in details....it contains unique jewels as one can appreciate Kleiber's encyclopedic knowledge....While Charles Barber’s book is comprehensive, it is easy to read and the author fascination and respect is palpable at every page....This is probably the musical book of the year.
Evgeny Kissin
‘An artist par excellence’, and ‘creativity par exellence’ - those are the definitions that come to mind when one thinks of Carlos Kleiber. Each time he conducted, it seemed that the music was being created anew that very moment in all its greatness, beauty and freshness. How wonderful that now we have a book about this genius. Bravo and many heartfelt thanks to Dr. Charles Barber for his work!
Valéry Ryvkin
Having heard most of the world's best conductors in the last 35 years, I can safely say thatnone brought so much passion, energy and exquisite musicality and beauty to their work as did Carlos Kleiber. La Bohéme and Der Rosenkavalier under his baton at the Met will remain among my most treasured memories.In this fascinating work Charles Barber offers a rareglimpse into the enigma that was Carlos Kleiber.
Teatro Colón Magazine
As a musician and old Kleiber fan, one cannot resist the temptation to whole-heartedly recommend this book.
Evgeny Kissin
‘An artist par excellence’, and ‘creativity par exellence’ - those are the definitions that come to mind when one thinks of Carlos Kleiber. Each time he conducted, it seemed that the music was being created anew that very moment in all its greatness, beauty and freshness. How wonderful that now we have a book about this genius. Bravo and many heartfelt thanks to Dr. Charles Barber for his work!
Valéry Ryvkin
Having heard most of the world's best conductors in the last 35 years, I can safely say that none brought so much passion, energy and exquisite musicality and beauty to their work as did Carlos Kleiber. La Bohéme and Der Rosenkavalier under his baton at the Met will remain among my most treasured memories. In this fascinating work Charles Barber offers a rare glimpse into the enigma that was Carlos Kleiber.
Teatro Colón Magazine
As a musician and old Kleiber fan, one cannot resist the temptation to whole-heartedly recommend this book.
The Guardian
There's much, much more to Kleiber than the myth-making. At least there is now, thanks to Charles Barber's astonishing new book, Corresponding with Carlos: A Biography of Carlos Kleiber. Charles had a unique relationship with Kleiber. As a conducting student at Stanford University, with dazzling boldness and naivety, he wrote to Kleiber out of the blue and said he wanted to study with him. The key was Barber's use of humour and irony to attempt to elicit a response from Kleiber – it worked. Barber never formally became a student of Kleiber's (nobody ever did), but from 1989 until the maestro's death, he corresponded with the supposedly unknowable Carlos, and as well as vivid account of Kleiber's life, Barber's book publishes pretty well the complete letters he received. And they're a revelation. Kleiber proves as virtuosically funny and self-deprecating as he was incandescent on the podium....Barber's book does more than any other I know to simultaneously reveal the truth behind the Kleiber myths and to illuminate the deeper mystery of how his recordings and films continue to have such a talismanic power. This is a brilliant summary of Kleiber's way of making music.
San Francisco Classical Voice
Barber is artistic director of City Opera Vancouver, with a longstanding, busy career in California music life, including contributions to Classical Voice. Corresponding With Carlos: A Biography of Carlos Kleiber offers unique insights into how Kleiber worked. This biography considers his singular aesthetic, his playful and often erudite sense of humor, his reputation for perfectionism, his much-studied baton technique, and the famous concert and opera performances he conducted. It explores the great conductor’s musical lineage and the contemporary contexts in which he worked.
Wall Street Journal
Once the book turns from biographical sketch to lively correspondence, we get the thrill of reading—hearing—the voice of Carlos Kleiber, and all is light.
SymphonyNOW
Charles Barber’s Corresponding with Carlos: A Biography of Carlos Kleiber represents an admiring younger conductor’s efforts, begun during his graduate-student days, to draw out a brilliant but eccentric and reclusive maestro through multiple layers of correspondence.
The Wall Street Journal
Once the book turns from biographical sketch to lively correspondence, we get the thrill of reading—hearing—the voice of Carlos Kleiber, and all is light.
ConcertoNet: The Classical Music Network
Charles Barber's book on Carlos Kleiber is fascinating, remarquable and unexpected....Rich in details....it contains unique jewels as one can appreciate Kleiber's encyclopedic knowledge....While Charles Barber’s book is comprehensive, it is easy to read and the author fascination and respect is palpable at every page....This is probably the musical book of the year.
BBC Music Magazine
This is mainly a book so fascinating that for once the ‘impossible to put down’ cliché is appropriate. Charles Barber was, in 1989, a young music teacher and conductor who sent a short letter to Kleiber, and to his amazement received a reply a few days later. He wanted to be Kleiber’s student, but there could be no question of that. Instead, they became frequent correspondents, and all of Kleiber’s letters concerning music are published here, with enough of Barber’s to make the exchanges intelligible….What makes Kleiber’s correspondence with Barber especially interesting is that Barber regularly sent Kleiber video cassettes of the great conductors, eliciting a deluge of comments on their style, greatness (or weaknesses), and their music. Kleiber’s criticism alternates with his commentary on his own slender repertoire and his growing distaste for conducting….The first 180 pages are devoted to a biographical sketch, with many quotations from letters: illuminating, but I doubt whether many readers will be able to resist the temptation to leap ahead to the epistolary section.
Bbc Music Magazine
This is mainly a book so fascinating that for once the "impossible to put down" cliché is appropriate.
ConcertoNet: The Classical Music Network
Charles Barber's book on Carlos Kleiber is fascinating, remarquable and unexpected....Rich in details....it contains unique jewels as one can appreciate Kleiber's encyclopedic knowledge....While Charles Barber’s book is comprehensive, it is easy to read and the author fascination and respect is palpable at every page....This is probably the musical book of the year.
Teatro Colon Magazine
As a musician and old Kleiber fan, one cannot resist the temptation to whole-heartedly recommend this book.
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Product Details

  • ISBN-13: 9781442231177
  • Publisher: Rowman & Littlefield Publishers, Inc.
  • Publication date: 1/16/2014
  • Pages: 404
  • Sales rank: 819,572
  • Product dimensions: 6.00 (w) x 9.00 (h) x 1.20 (d)

Meet the Author

Charles Barber is artistic director of City Opera Vancouver. He is the author of Lost in the Stars: The Forgotten Musical Life of Alexander Siloti (Scarecrow, 2002). More information can be seen on his website www.correspondingwithcarlos.com
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Table of Contents

Acknowledgments vii

Permissions ix

Preface xi

Introduction xiii

1 Family 1

Parallax 6

Origins 8

The First Kleiber Debut 10

Wozzeck 11

South America 12

KLB Kleiber 12

Against the Swastika 15

Safe in the South 16

After the War 20

2 Career 27

Fables 38

How It Began 40

The First Walkout 47

Moving Ahead 58

Moving Abroad 70

At Bayreuth 72

Donkeys in Japan 74

Fledermaus 76

Two Emperors, No Kingdom 80

Paying a Price 83

Night and Perfect Love 85

Hand across the Sea 96

A Very Bad Year 109

Surviving Fame 112

The Seventh 113

Apogee 122

Carlos the Critic 129

Carlos the Teacher 134

The Long Goodbye 139

3 Correspondence, 1989-2003 181

It Begins 183

Epilogue 281

Appendix A Discography 297

Appendix B Filmography 309

Carlos Kleiber 309

Erich Kleiber 313

Appendix C Films Sent to Carlos Kleiber 315

Appendix D Kleiber Worklists Tom Hirosawa 341

Repertoire Given in Performance 341

Performances 343

Opera Houses 344

Symphony Orchestras 344

Bibliography 347

Index 353

About the Author 365

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