Crash

Overview

If what you see is what you get, Jules is in serious trouble. The suspenseful first in a series from the New York Times bestselling author of the Wake trilogy.

Jules lives with her family above their restaurant, which means she smells like pizza most of the time and drives their double-meatball-shaped food truck to school. It’s not a recipe for popularity, but she can handle that.

What she can’t handle is the recurring vision that haunts her. ...

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Crash

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Overview

If what you see is what you get, Jules is in serious trouble. The suspenseful first in a series from the New York Times bestselling author of the Wake trilogy.

Jules lives with her family above their restaurant, which means she smells like pizza most of the time and drives their double-meatball-shaped food truck to school. It’s not a recipe for popularity, but she can handle that.

What she can’t handle is the recurring vision that haunts her. Over and over, Jules sees a careening truck hit a building and explode...and nine body bags in the snow.

The vision is everywhere—on billboards, television screens, windows—and she’s the only one who sees it. And the more she sees it, the more she sees. The vision is giving her clues, and soon Jules knows what she has to do. Because now she can see the face in one of the body bags, and it’s someone she knows. Someone she has been in love with for as long as she can remember.

In this riveting start to a gripping series from New York Times bestselling author Lisa McMann, Jules has to act—and act fast—to keep her vision from becoming reality.

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Editorial Reviews

Publishers Weekly
A key role in running the family restaurant is a lot for any kid to handle; simultaneously protecting a gay brother and a mentally ill father is more than enough complication. High school sophomore Jules Demarco has it even worse: she’s also in love with “the enemy”—Sawyer Angotti, whose family runs a rival restaurant. She keeps her balance until billboards around town begin showing her a crashing truck and body bags. Only Jules sees these harbingers of doom, and soon they’re everywhere, in steadily increasing detail—detail that shows that one of those body bags belongs to Sawyer. McMann’s (Wake) new series has a well- realized, amusing narrator and great realism in the details of restaurant management and family dysfunction. The questionable part is Jules’s visions; there’s no reason why this Romeo and Juliet romance needs precognition to work. So little rationale is given for them that it’s difficult to see how the device will plausibly support more books. However thin the pretext, though, Jules’s voice is quirky and fun—there’s plenty of reason to read on. Ages 14–up. Agent: Michael Bourret, Dystel & Goderich Literary Management. (Jan.)
School Library Journal
Gr 8 Up—Jules Demarco never knows when or where the vision of the explosion will appear. She's seen it on billboards, windows, the TV at home, and anywhere there is a flat surface. The vision is always the same: a truck running into a building and exploding, then nine body bags laid out. She gets a glimpse of one face-Sawyer Angotti-son of a rival pizzeria-owning family and Jules's secret crush. Not sure what to do, she thinks the first thing is to warn Sawyer that his life is in danger. Too bad her family has forbidden her to talk to him. As the vision appears more frequently, Jules is certain she's supposed to figure out the when and where of the explosion and stop it from happening. In the process, her family believes that she's starting down the same slippery slope her father and grandfather have been on. The story is told from Jules's point of view, which gives readers access to her thought processes and the vision itself. It alternates between seriousness and humor as she describes life at school and working in the family's pizzeria. As with her "Wake" series (S & S), McMann has created a strong female character determined to do what she must. An excellent first book in a new series.—Natalie Struecker, Rock Island Public Library, IL
Kirkus Reviews
Seeing is believing…unless you're the only one with the vision. McMann kicks off the first book in her new Visions series with a bang. On nearly every flat surface--billboards, televisions and road signs--Jules Demarco sees an out-of-control snowplow crash into a restaurant, causing an explosion and killing those inside. With a depressed grandfather who committed suicide and a moody, hoarder father, she's certain her Italian family will commit her if they find out about her visions. There's also their probable anger to contend with: The restaurant in Jules' vision is their rival pizza parlor, and one of the dead is Sawyer Angotti, her secret, lifelong crush and son of the adversarial restaurateur. As in the Wake trilogy, a strong female protagonist pairs with quick pacing, realistic dialogue and the right amount of romance to drive this suspenseful story. Using clues from her ever more frequent visions, social outcast Jules tries to figure out the exact time of the crash in an attempt to thwart it, risking her already shaky standing with Sawyer, her parents and her classmates. In the process of saving lives, she also discovers some dark family secrets. The teen's occasional lists of five items, such as "Five reasons why I, Jules Demarco, am shunned," keep the drama on the lighter side. McMann is on her way to becoming the next queen of supernatural thrillers. (Supernatural thriller. 14 & up)
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Product Details

  • ISBN-13: 9781442405912
  • Publisher: Simon Pulse
  • Publication date: 8/6/2013
  • Series: Visions Series , #1
  • Pages: 256
  • Age range: 14 - 17 Years
  • Product dimensions: 5.50 (w) x 8.25 (h) x 0.00 (d)

Meet the Author

Lisa McMann
Lisa McMann

Lisa McMann is also the author of Wake. She lives with her family in the Phoenix area. Read more about Lisa at http://lisamcmann.com or be her friend at http://www.myspace.com/lisamcmann.
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Read an Excerpt

One

My sophomore psych teacher, Mr. Polselli, says knowledge is crucial to understanding the workings of the human brain, but I swear to dog, I don’t want any more knowledge about this.

Every few days I see it. Sometimes it’s just a picture, like on that billboard we pass on the way to school. And other times it’s moving, like on a screen. A careening truck hits a building and explodes. Then nine body bags in the snow.

It’s like a movie trailer with no sound, no credits. And nobody sees it but me.

• • •

Some days after psych class I hang around by the door of Mr. Polselli’s room for a minute, thinking that if I have a mental illness, he’s the one who’ll be able to tell me. But every time I almost mention it, it sounds too weird to say. So, uh, Mr. Polselli, when other people see the “turn off your cell phones” screen in the movie theater, I see an extra five-second movie trailer. Er . . . and did I mention I see stills of it on the billboard by my house? You see Jose Cuervo, I see a truck hitting a building and everything exploding. Is that normal?

The first time was in the theater on the one holiday that our parents don’t make us work—Christmas Day. I poked my younger sister, Rowan. “Did you see that?”

She did this eyebrow thing that basically says she thinks I’m an idiot. “See what?”

“The explosion,” I said softly.

“You’re on drugs.” Rowan turned to our older brother, Trey, and said, “Jules is on drugs.”

Trey leaned over Rowan to look at me. “Don’t do drugs,” he said seriously. “Our family has enough problems.”

I rolled my eyes and sat back in my seat as the real movie trailers started. “No kidding,” I muttered. And I reasoned with myself. The day before I’d almost been robbed while doing a pizza delivery. Maybe I was still traumatized.

I just wanted to forget about it all.

But then on MLK Day this stupid vision thing decided to get personal.

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