Crying Wolf [NOOK Book]

Overview

For Nat and his new friends, Grace and Izzie Zorn, twin sisters as seductive as they are elusive, it was the perfect plan for some quick cash. A bold scheme with an admirable motive: to save the bright future of a deserving young man. And the victim, too, was deserving--an arrogant billionaire who would hardly notice a financial loss. All the plotters needed was a believable story, desperate and frightening, but false. Nothing bad was supposed to happen. They were only crying wolf. But what if the wolf were real?...
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Crying Wolf

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Overview

For Nat and his new friends, Grace and Izzie Zorn, twin sisters as seductive as they are elusive, it was the perfect plan for some quick cash. A bold scheme with an admirable motive: to save the bright future of a deserving young man. And the victim, too, was deserving--an arrogant billionaire who would hardly notice a financial loss. All the plotters needed was a believable story, desperate and frightening, but false. Nothing bad was supposed to happen. They were only crying wolf. But what if the wolf were real? For someone in the shadows is listening, someone who thinks he deserves an even brighter future. Now a risky but basically innocent game will take a horrifying turn. . . .
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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Edgar nominee Abrahams Lights Out; A Perfect Crime returns with a suspense novel built around kidnapping, extortion and youthful stupidity. Nat is the eager, sports-loving valedictorian of his small-town Colorado high school. With his $2,000 prize in an essay contest, he can just barely afford to enroll at Inverness, an elite New England college. There he meets Grace and Izzie Zorn, twins from a wealthy Manhattan family, who bring Nat home with them for the Christmas holiday and show him tall buildings, fine wines and decadent parties. Meanwhile, a steroid-pumped, speed-freak criminal named Freedy flees his job cleaning swimming pools in L.A. after a botched rape and assault. Heading home to Inverness to live off his perpetually stoned mother, he discovers his next source of income: technological appliances from the college. Freedy begins ripping them off and fencing them to a local hood, using a network of tunnels beneath the school to get in and out. Nearly stumbling into Freedy one night, Nat and the girls discover a hidden room full of old books and booze, which becomes their hideaway. When Nat's mother is fired from her job, Nat fears he'll have to drop out of Inverness, so the girls both have slept with him by now plot to stage their own kidnapping, earmarking the "ransom" for Nat's tuition. Mr. Zorn quickly thwarts their plan, but Freedy, who has been spying on Nat and the girls' secret meetings, hatches his own, far more dangerous, kidnapping scam. Now, when the situation is serious, Nat's vain pleas for help give the novel its name. Abrahams's plot moves too slowly to please readers looking for danger, verve and action, and his characters are too crudely drawn to succeed as examples of dissolute late-adolescent elites. With his foul language and his 'roid and meth-driven delusions of grandeur, Freedy makes for an interesting villain, but his rages can't sustain the book. Nat remains too naive for too long, his girlfriends are two-dimensional and a distracting subplot involving Nat's philosophy professor, Mr. Zorn and Freedy's mother is left unresolved. Mar. Copyright 2000 Cahners Business Information.
Library Journal
In Abrahams's latest, some desperate young men are setting up a deserving victim he's a bullying billionaire--with unforeseen consequences. Copyright 1999 Cahners Business Information.
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Product Details

  • ISBN-13: 9780345442611
  • Publisher: Random House Publishing Group
  • Publication date: 5/5/2000
  • Sold by: Random House
  • Format: eBook
  • Pages: 336
  • Sales rank: 923,704
  • File size: 465 KB

Meet the Author

Peter Abrahams is the author of ten novels, including A Perfect Crime, The Fan, Lights Out, which was nominated for an Edgar Award, and Last of the Dixie Heroes. He lives on Cape Cod with his wife and four children.
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Read an Excerpt

1

One should not avoid one’s tests, although they are perhaps the most dangerous game one could play and are in the end tests which are taken before ourselves and before no other judge. (Beyond Good and Evil, section 41) —Introduction to the syllabus for Philosophy 322, Superman and Man: Nietzsche and Cobain (Professor Uzig) A rolled-up newspaper spun through the air, defining place. What kind of place? The kind of place often described as leafy or even idyllic, where a boy on a bicycle still tossed the paper onto lawns and porches, sometimes over actual picket fences, where the newspaper still brought news.

“Nat,” called a voice inside one of the houses, a simple 1950s roofed box, much like all the others.

“What is it, Mom?”

“Come quick.”

“This couldn’t be happening to a better boy,” said Mrs. Smith, the guidance counselor at Clear Creek High. “Or should I say young man?”

She raised her hand, pink and stubby. Was Mrs. Smith going to pinch his cheek? Nat tried not to flinch; he owed her a lot. At the last second, her hand veered away and settled for an upper-arm squeeze instead.

“What a question!” said Miss Brown, the school principal, regarding Mrs. Smith with annoyance. “Young man, of course, as should be perfectly obvious to anyone.” Mrs. Smith and Miss Brown were identical twin sisters, although easily distinguished: Miss Brown had hair the color of shiny pennies, Mrs. Smith’s was gray; Mrs. Smith shook when she laughed, Miss Brown didn’t shake, seldom laughed.

Hiss and pop: fatty juices dripped on open flames. Miss Brown turned to Nat’s mom, who was laying another row of patties on the grill. “And of all the young men I’ve encountered in my thirty-two years of education, some of them very fine young men indeed, this one is the—well, I won’t say it, comparisons—”

“—being odious,” said Mrs. Smith.

“I’ll finish my own sentences, if it’s all the same to you,” said Miss Brown in a low voice, but not so low that Nat didn’t hear.

Even though the comparison hadn’t been made, to Nat’s relief, and even though he suspected that the adage they’d used might be obscure to his mom, her face, already pink from the heat of midday and the glowing coals, went pinker still. “Thank you,” she said, wiping aside a damp wisp of hair—almost as gray now as Mrs. Smith’s, as Nat could see in the bright sunlight, despite her being so much younger—with the back of her wrist. Then she blinked, that single slow blink she always made when she was feeling shy but believed something was required from her anyway; at least, that was Nat’s interpretation. People didn’t understand how brave she was. “I’m obliged to the both of you,” she said, “for getting him into such a place.”

“Don’t thank us,” said Miss Brown.

“He earned it,” said Mrs. Smith.

“This golden opportunity,” said Miss Brown.

“And everything that’s going to come from it,” said Mrs. Smith. “His own doing, from A to Z.” For proof, she held up the County Register—the Fourth of July special edition, with the red-white-and-blue banner at the top of page one and the winning essay in the DAR’s $2,000 “What I Owe America” contest, open to graduating high-school seniors across the state, printed beneath it in fourteen-point letters. Old Glory, the prize essay, and a picture of the winner: Nat, in his yearbook photo, wearing a blazer borrowed from Mr. Beaman, his mom’s boss, tight across the shoulders. Mrs. Smith brandished the paper against the sky—like a weapon, Nat thought, as though defying an enemy.

But what enemy? There were no enemies here in this tiny backyard on the western edge of their little town, with the land stretching flat into the distance. The distance: where on some days, in some lights—like this day, this Fourth of July, in this light—the summits of the Rockies floated white and baseless in the sky, reminding him of . . . what? Some metaphor that didn’t quite come to mind.

Mr. Beaman himself arrived. Tugging off her apron, Nat’s mom hurried to him, drew him toward Nat. Mr. Beaman was a lawyer, the only one in town other than Mr. Beaman senior. Nat’s mom was his receptionist.

He shook Nat’s hand. “I hear congratulations are in order.”

“Well, I—” said Nat.

“Quite a sum of money,” said Mr. Beaman, giving Nat’s hand a good hard squeeze before letting go.

“A tidy sum,” said Miss Brown.

“Two big ones, Junior,” said Mrs. Smith. “Makes all the difference.”

The difference it made: at Mrs. Smith’s direction, Nat had applied to three colleges—Harvard, because it was number one on the U.S. News and World Report ranking of universities; Inverness, because it was number one on their list of small colleges; and Arapaho State, thirty miles away, in case something went wrong.

The results: admission to Harvard, making Nat the first student ever taken from Clear Creek High, and possibly from the whole county. But Harvard hadn’t offered enough money, not close. Admission to Inverness, also a first, with more money, but still not enough. Arapaho would pay the full shot. That was that: Arapaho. Until this morning. Now, with the $2,000 added to a home equity loan, the savings Nat would accumulate that summer at the mill, and an on-campus job at Inverness, they could swing it. Just. Nat and his mom had each done the figures, figures that covered two sheets of yellow-pad paper still lying on the kitchen table.

Mr. Beaman produced a bottle of pink wine. A ray of sunlight made it glow like a magic potion. A pink day: the wine, Mom’s face, Mrs. Smith’s hands. Pink—the color that separated girls from boys. Inverness was far away. “Glasses, Evie?” said Mr. Beaman.

The long slow blink. “Wineglasses, are you saying?”

“Whatever you’ve got, Evie. Paper cups will do.”

Mr. Beaman unscrewed the bottle, filled five cups. Nat knew almost nothing about wine, but suddenly had a strange thought: I might have to know, from now on. He checked the label, saw pink zinfandel in big letters, also read the serving suggestions—cold, on the rocks, with soda water, with a twist.

“To the big bucks,” said Mr. Beaman. His eyes met Nat’s. Nat couldn’t help recalling that his mother had asked for a raise—from $8.50 to $9.00 an hour—after the Inverness financial aid package had arrived, and been turned down. Mr. Beaman’s eyes slid away.

“To Nat,” said Miss Brown.

“To Nat,” said everyone.

“And four great years at Inverness.”

They drank. The wine was cold and sweet. Nat had tasted wine a few times before, but nothing as good as this. He memorized the name of the winery.

“So,” said Mr. Beaman, “what’s the story with this famous place? Tell you the truth, I’d never heard of it.”

“No?” said Nat’s mom; a little wine slopped over the side of her cup.

“Bosh,” said Mrs. Smith. She dug a copy of U.S. News and World Report from her purse, flipped through, thrust the relevant page under his nose. “See?” she said. “Inverness first, Williams second, Haverford third.”

“Elite,” said Miss Brown.

“Crème de la crème,” said Mrs. Smith. “Imagine the people he’s going to meet.”

“Just odd I hadn’t heard of it, that’s all,” said Mr. Beaman.

Miss Brown and Mrs. Smith both pursed their lips, as though keeping something inside. Miss Brown succeeded, Mrs. Smith did not. “You weren’t a bad student, Junior.”

“Not bad?” he said with irritation. “I graduated ninth in my class.”

“As high as that?” said Mrs. Smith. “Nat was first this year, as I probably needn’t mention.”

“But it’s not just a matter of grades and test scores nowadays,” said Miss Brown. “Nat had his basketball, and his coaching Little League, and the job at the mill.”

“The mill? That counts?”

“It all adds up,” said Miss Brown. “We’re talking about—”

“—the whole package,” said Mrs. Smith. Miss Brown narrowed her eyes at Mrs. Smith but said nothing.

Mr. Beaman drained his cup, studying Nat over its rim. It was very quiet for a moment, one of those small-town moments, with no sound at all but that of a jet plane, almost inaudible. Nat caught his mom studying him too, as though she were trying to figure out some stranger. He grinned at her and she grinned back. Her upper left front tooth was slightly chipped, just like his.

“Why don’t you fetch the brochure to show Mr. Beaman, Nat?” she said.

Nat went into the house, one of the neighbors patting him on the back as he mounted the porch stairs. “Go get ’em.”

The Inverness brochure lay on the kitchen table beside the sheets of calculations. The picture on the front showed well-dressed students and a professor sitting under a red-leafed tree. Nat gazed at it, a beautiful photograph, very clear. The professor had tassels on his loafers and so did two of the boys and one girl. He heard Mrs. Smith through the window screen: “. . . best boy ever came out of this town.” Nat left the brochure on the table, went out of the house by the front door.

He stood at the foul line in the driveway. The foul line itself was invisible, had faded away years ago, but his feet went to the right spot; the same way he could walk around the house in the dark. He picked up the ball, eyed the back of the rim hanging on the backboard over the garage door, shot. Missed. Bounced the ball a couple of times. Shot. Missed. Nat took one hundred free throws a day, every day. Shot. Missed. Even the day his father left. Shot. Missed. He had a good shot if open, and was not bad at getting open. He’d been the shooting guard for Clear Creek High since sophomore year. Shot. Hit. And made second-team all-star in the Tri-County League this year, and honorable mention in the region. Shot. Missed. Good enough to play for Arapaho State—the coach had already called. Probably good enough to play for Inverness as well: it was only Division III. He bounced the ball a few times; not looking at it, not really bouncing it anymore. The ball more or less bounced itself, almost shuttling on its own between his hand and the pavement. Now when Nat looked up, he was aware of an invisible current of air, tube-shaped, flowing up from his hand to the basket. All he had to do was bend his knees and boost the ball up into that current. Shoot. Hit. Shoot. Hit. Shoot. Hit. He was an 81 percent foul shooter in competition, and here in the driveway he had once made a hundred straight. Forgetting the cookout, the brochure, the essay, aware only of the invisible air current and the ball that had to be tossed into it, Nat hit shot after shot. Unconscious was what they called it. He became a cog in a machine consisting of ball, himself, air current, basket. The other parts of the machine did most of the work, leaving his mind free to wander. It wandered back to those baseless mountaintops in the sky, and suddenly he had his metaphor: they were like sails of ships whose hulls had sunk beneath the horizon. Not that Nat had ever seen sailing ships on the horizon—he’d laid eyes on the ocean only once, from a plane, when his mom’s sister, who lived in San Bernardino, was in the hospital—but he remembered a description of that effect from his reading.

Nat made twenty-five free throws in a row before emerging prematurely from unconsciousness, emerging the moment he remembered he wouldn’t be playing at Inverness even if he could make the team: he’d have to work after class. He missed the next six, then hit a few, missed one, hit some more, missed some more. The invisible current of air was gone, or flowing elsewhere. He made sixty-eight out of a hundred, the lowest in years, maybe ever. As he put up the last shot a quotation drifted into his mind: Ambition should be made of sterner stuff. Antony’s speech at Caesar’s funeral, act 3, scene 2. The ball rattled off the rim. Behind him a car door slammed.

He turned to the street, and there was Patti, climbing out of her father’s pickup. Her father beeped and drove away. Nat saw they already had an Arapaho State sticker on the back window; Patti was starting there in the fall. The ball rolled toward her down the driveway. She let it go, which wasn’t like her at all, maybe didn’t even see it; normally she’d have picked it up and tried to dribble around him.

Patti had the paper in her hand. She raised it, but only a little. It flapped back down at her side, as though very heavy. “Nat?”

“Hi.”

“You’re in the paper.”

“Yeah.”

“Cool.”

“Thanks.”

“You always were a good writer.”

“I don’t know about that.”

Nat heard Mrs. Smith laughing in the backyard. Patti’s face paled several shades.

“A good everything.”

“Hey, come on.”

“Sorry,” she said. Pause. “Nat?”

“Yeah?”

“Does . . . does this mean . . . ?”

“It looks like it,” Nat said.

Patti nodded. “Con . . . congra—” She started crying before she got the full word out.

Nat went to her, put his arms around her. “It’ll be all right,” he said.

She shook in his arms. “No, it won’t. You’ll forget all about me.”

“That will never happen.”

Patti cried. Over the top of her head, Nat saw the paperboy, now off duty, bicycling up the street, baseball glove hanging on the handlebar. Nat knew him, the second baseman on his Little League team, the smallest player and the best. The kid grinned, started to wave; then saw what was happening, looked alarmed, and pedaled off quickly, head down.

“You’ll meet all kinds of girls, prettier than me.”

“No.”

“Prettier and smarter.”

Nat shook his head. Patti wet his shirt with tears. “And richer,” she said. “I hate Mrs. Smith.”

Nat held her close. His mind fed him a view from high above: he and Patti in the driveway, the basketball on the grass, the folks in the backyard, the town mostly hidden by its trees, everything tiny. He didn’t know what to say to her.

That night Patti went to bed with him for the first time. They’d come close before but she’d always held out, not quite ready. After—in her bedroom, her dad in Denver at his brother’s—she didn’t cry at all. She said: “What were we waiting on?” Nat almost told her he loved her then. It was probably the right thing to do, but he still wasn’t sure he really did. He ended up holding her tight instead.

There were plenty of tears in the weeks that followed.

*  *  *

One funny thing about that mental bird’s-eye view. At the end of the summer, when Nat flew out of Denver—second time on a plane—he looked out the window and saw his town, just as he’d imagined it on the Fourth of July. The mill, the high-school fields, the main street, even his street, even his house and the tiny backyard: he saw it all. No one in the backyard, of course. His mom, Patti, and Mrs. Smith would barely be out of the airport parking lot. Nat was thinking about what that drive would be like when, far below, a lake went by. There was no lake in his town. He’d been looking at someplace else.
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Customer Reviews

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Sort by: Showing all of 6 Customer Reviews
  • Anonymous

    Posted January 4, 2001

    AN INTRICATE AND TIGHTLY-SPUN SUSPENSE THRILLER!

    Stephen King names Peter Abrahams as his favorite American suspense novelist. You won't find any arguments with that here. 'Crying Wolf' is suspenseful, well-written, and intricately detailed...all the elements to create an excellent work...which Abrahams does masterfully here. Nat is headed for a better life...at least that's the opinion of all who know him in the small town of Clear Creek. A place in which he and his mother struggle to survive their day-to-day existence. But Nat's talent wins him a partial scholarship to the college of his choice. His mother and he scheme to be able to afford the rest of the costly tuition. He settles on the New England school of Inverness, a choice that is the catalyst for all the events that follow. He is befriended by twin sisters, Izzie and Grace Zorn, affluent young women to whom wealth is merely something that they wake up to every day. His past life (and girlfriend) are soon forgotten as Nat settles into his new existence. He grows uncomfortably accustomed to his new friendship and sharing their benevolent ways...until one day, Nat recieves a letter from his mother, telling him that she's been fired from her job and that life as he knows it must come to a close. His mother's house is in danger of being foreclosed on and Nat's tuition must be sacrificed. In fact, he is told that he will have to return home. Rather than lose him to such banal matters as money woes, Izzie and Grace concoct a perilous plan that would afford him the ability to stay, and no one would be the wiser. When Mr. Zorn is presented with the ridiculous plot, he scoffs and writes off their efforts as 'kids games'. The plot takes a nasty twist then when a mentally unbalanced man overhears their plan, and decides that it will work perfectly...for him. The resulting drama is tense and powerful. Laced with Nietzchean philosophy and fully realized characters, 'Crying Wolf' is an incredible moral tale, told with just the right amount of humor and insight to make it intelligent as well. This is one book that comes highly recommended.

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  • Anonymous

    Posted November 29, 2000

    Predictable and disappointing ending.

    It was not as exciting as I thought it would be. Character development was not that in depth, and a bit dry. The story was the typical rich kid, poor kid saga. I felt the ending was dull; and after reading the entire book I was left feeling rather disappointed.

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  • Anonymous

    Posted July 23, 2000

    Enjoyable Read

    There are many nice touches in 'Crying Wolf.' I like the secret subterranean room and the voyeuristic scenes it enabled. I like the way that the suspense mounts unrelentingly from midpoint until the end. I also like the character of Nat. He is full and believable. I really care what happens to this guy. <p> Also, the snippets of the philosophy class assignment and exam questions at the beginning of the chapters make me glad that I never signed up for such a class! <p> There are also several touches in this novel I don't like... and some I hate. Nat's visit with the twins' family seems to go on forever. These scenes are cartoonish and don't jibe with the tone of the rest of the book. <p> And the way that the Zorn twins finish each other's sentences is irritating. It's not cute, and, like a foreign accent or a bad limp, it's a crummy substitute for thoughtful characterization. (Wasn't it enough to have the OTHER set of twins--the Brown sisters--do the same darn sentence-completing in the beginning of the book?) <p> Finally, while the psychopathic Freedy is a believable character, I find him indistinguishable from the psycho in 'The Perfect Crime.' <p> Overall, I highly recommend this one. If you enjoyed 'Perfect Crime' or King's 'Hearts in Atlantis,' you'll like 'Crying Wolf,' too. And I'm still waiting for Abraham's publisher to release all his previous stuff in Rocket eBook form.

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  • Anonymous

    Posted July 20, 2000

    Non-Stop Suspense!

    This is one of the best books I have ever read! Abrahams does a wonderful job of creating the characters and settings and makes you feel as though you know Nat, Izzie, and Grace personally. In most books the climax occurs about two-thirds of the way through and you feel like you know what is going to happen for the rest of the story. Not in 'Crying Wolf', the climax happens within the last few pages, and trust me, it isn't what you think will happen! I definitely recommend this one to anyone who loves suspense!

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  • Anonymous

    Posted April 2, 2000

    An excellent story and an excellent book

    When I first picked up this novel, I found it challenging to read. The first chapter gave no indication what was to become of the story and if there was even a story to be told. However, on the last page of chapter 2, when I find that Freedy's final destination was Inverness, I knew that somehow Nat and Freedy's worlds were to collide, there would be tragic consequences. At that point Abraham's book became a 'pager-turner'. I was instantly hooked on his characters, the mysterious room, the plot to fabricate a kidnapping, the relationship between the twins Izzie and Grace, Freedy's relationship to Inverness, all contained thrilling aspects that I could only imagine would lead to a horrifying end. What was also thrilling about 'Crying Wolf' was that the characters and the situations were all believable. Nothing seemed absurd or obviously contrived. What I thought was the most shocking was the about Freedy contained the eerie perspective of a sick and dangerous man. Seen through his eyes, the obviously delusional thoughts, gave me the ability to understand a character that was as equally terrifying as for the task he was about to commit. The only thing that I disliked about the novel, was the brevity of it's climactic ending. I have read many novels before and am amazed that the endings contain much less passion than the build up of the story. It almost seems that authors are in a hurry to finish their novels. Over all, 'Crying Wolf' was an excellent story and an excellent book. I would definitely recommend it to my local book club.

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  • Posted December 9, 2008

    more from this reviewer

    Suspense-laden thriller

    Nat is the all-American teen who believes in apple pie and the flag. As the number one student in the graduating class of Clear Creek High School and partly due to his community service, Nat gains a scholarship to Inverness, the best smaller college in the country. Nat quickly acclimates to his new college environment, making friends with Izzie and Grace Zorn when he rescues their pet fish. Nat is stunned when he learns that their father is a billionaire with the power to shake empires. <P>The trio stumbles across a secret set of catacombs that run beneath the college. They choose a particular section of the catacombs as their special hideout. However, their academic bliss ends when Nat is forced to return home because his mother lost her job. His two buddies develop a plan to help Nat¿s family with their financial woes so he can remain in school with them. However, their innocent plan spins out of control threatening to destroy all three of them and their loved ones. <P>Peter Abrahams redefines the suspense genre with this chilling tale of impending and unstoppable doom. A master of characterization, Mr. Abrahams creates a slow building, mindbending atmosphere that becomes a primal element unto itself. This adult rendition of ¿The Little boy Who Cried Wolf¿ is a literary novel whose wide appeal will enchant those who read it. <P>Harriet Klausner

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