David Hockney

Overview


For a contemporary artist of serious aesthetic purpose, David Hockney enjoys immense, perhaps unequaled public visibility: the shock of dyed blond hair, the owlish glasses, and the shy, schoolboy grin are known as much through the popular press as through the journals of the art world. His engaging personality, his quirky but always enlightening ideas about art, and his inexhaustible inventiveness both of imagery and of techniques ranging from oil painting to photography to faxes are captured by Peter Clothier ...
See more details below
Paperback
$19.49
BN.com price
(Save 22%)$25.00 List Price

Pick Up In Store

Reserve and pick up in 60 minutes at your local store

Other sellers (Paperback)
  • All (14) from $2.91   
  • New (4) from $14.55   
  • Used (10) from $2.91   
Sending request ...

Overview


For a contemporary artist of serious aesthetic purpose, David Hockney enjoys immense, perhaps unequaled public visibility: the shock of dyed blond hair, the owlish glasses, and the shy, schoolboy grin are known as much through the popular press as through the journals of the art world. His engaging personality, his quirky but always enlightening ideas about art, and his inexhaustible inventiveness both of imagery and of techniques ranging from oil painting to photography to faxes are captured by Peter Clothier with clear-eyed intelligence and grace in this concise but comprehensive overview.
From his theatrical early canvases to his more recent photographic collages and operatic set designs, Hockney has tackled the challenge of space on a grand scale. At the same time, much of his work has been devoted to the things most dear to him-friends, family, home, and studio. An intellectual of wide-ranging erudition and a world traveler who makes his home in Hollywood, he still cherishes his roots in Bradford, the northern British town where he was born in 1937.
Invention, the driving force behind Hockney's art, is in good part play: "If art isn't playful," he once commented, "it's nothing." This illuminating, color-rich volume conveys with vivid clarity Hockney's serious delight in making art that gives pleasure to both its creator and its audience.
About the Modern Masters series:
With informative, enjoyable texts and over 100 illustrations--approximately 48 in full color--this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

Hockney's engaging personality, his quirky but always enlightening ideas about art, and his inexhaustible inventiveness are captured with clear-eyed intelligence and grace in the newest volume in Abbeville's renowned Modern Master Series. Illustrations.

Read More Show Less

Product Details

  • ISBN-13: 9780789200365
  • Publisher: Abbeville Press, Incorporated
  • Publication date: 3/1/1995
  • Series: Modern Masters Series Series , #17
  • Pages: 128
  • Product dimensions: 8.54 (w) x 10.98 (h) x 0.61 (d)

Read an Excerpt

Introduction

For a contemporary artist of serious aesthetic purpose, David Hockney enjoys immense, perhaps unequaled public visibility: the shock of dyed blond hair, the owlish glasses, and the shy schoolboy grin are known as much through the popular press as through the journals of the art world. His renown results in part from his early emergence as the enfant terrible of contemporary British painting, photographed by Lord Snowdon for the Sunday Times in the flamboyant gold lame jacket in which he opted to receive his medal for "work of outstanding distinction" as he graduated from the Royal College of Art in 1962. This was the time, too, when London was the swinging capital of the new jet set, and the high-spirited antics of youngsters like the Beatles and the Rolling Stones had rocketed their country to the vanguard of international popular culture. It was an ideal context for Hockney's disarming openness, for the cheerful disrespect for convention that characterized his life and work, and for the zest with which he embraced his growing fame.

Yet behind the eccentric individualist who appeared so eager for success lurked a relatively shy and introspective artist, whose determination can be gauged by the injunction that he painted in careful Roman lettering on the chest of drawers by the bed in his first London studio: "Get up and work immediately." This dual spirit of play and stubborn dedication has continued to determine both his chosen path in life and the nature of his work. A celebrity and world traveler who makes his home in Hollywood, he continues to cherish his roots in Bradford, the northern British town where he was born in 1937 to a "radical working-classfamily." An intellectual of wide-ranging erudition and culture, he still speaks with the blunt, unabashed simplicity of a Yorkshireman. He reveres the parents whose qualities he blends: his mother, Laura, a Methodist and a vegetarian, a woman of unstinting dedication to the work of keeping a brood of four sons and one daughter in strict but loving order; and his father, Kenneth, a true British eccentric who penned protest letters on political issues to world leaders like Stalin and Mao. "He taught me," Hockney said, "not to care what the neighbors think." Kenneth's fascination with technology-from clocks and watches to the collection of battered, Scotch-taped cameras he would wear around his neck-was perhaps the source of Hockney's own continuing obsession with invention and the latest in high-tech gear.

It may seem a contradiction that this son of the gloomy north eventually produced those pictures for which he is best known, images of the brilliant light and the good life of Southern California. Paintings like A Bigger Splash (1967)-and the movie that borrowed its name-created a bigger splash than Hockney may have expected, generating an unwanted stereotype from which he found it hard to separate. The popular appeal of these paintings also placed a weapon in the hands of detractors who mistrusted their beauty, their extraordinary facility with line and color, and their delight in depiction at a historical moment when representational painting had been declared retrograde by a powerful critical elite. Yet for Hockney, in the words of his friend Henry Geldzahler, "Art from the first has been the need to communicate directly with the viewer. [He] is not at all involved in the creation of beauty as an end in itself. It is exactly this urgency, this need to be heard plainly and to be understood clearly, which is the basis for his phenomenal popularity."

Hockney's vision ranges from the grandiose to the intimate, often embracing both at the same time. From early paintings of theatrical intention and scope like A Grand Procession of Dignitaries in the Semi-Egyptian Style to photo collages of the Grand Canyon and his recent operatic set designs, he has engaged the challenge of space on a massive scale. At the same time, a great body of his work is devoted to things most close and dear to him-friends, family, home, and studio. To come to know his work is to learn to recognize those faces that recur everywhere in paintings, drawings, photo collages, graphic works, and snapshots: his mother, Henry Geldzahler, and his friend and frequent model Celia Birtwell, among many others. Prominent in this personal gallery are the faces and sensuous bodies of the young men he has admired and loved, seen through his eyes in all their erotic beauty.

The human body has been central to Hockney's art, most obviously as its subject. But painting has also meant physical action for him. As a child he watched his father refurbish old bicycles with a coat of paint and "modernize" the family house by decorating all the doors with sunsets, and he felt "the fascination of the brush dipping in paint, putting it on, I loved that even then, I love it now." He has become increasingly aware in recent years that the communicative act of painting involves the viewer's body, too. His love of Cubism derives from his sense that it was "about our bodily presence in the world. It's ultimately about where we are in it, how we are in it." His idea of representation is not to reflect back images of the external world-those "naturalist" images that, he has argued frequently, the photographic process has deceived us into accepting as reality-but to re-create the process of our seeing, to invent in art a world in which we experience the visceral reality of space and time, physical substance, change, and movement.

Invention, the driving force behind his art, is in good part play: "If art isn't playful," he once commented, "it's nothing." In part, too, it is the unfailing spirit of curiosity and exploration. "Hockney is the kind of artist," one critic noted, "who, upon encountering a question in his work, no matter how small or seemingly insignificant, will follow the path that opens up until he feels comfortable with the new terrain." Alarming to those who are more comfortable with clear progression and continuity, this quality has contributed to Hockney's separation from the mainstream of contemporary art. It is also the asset that he himself prizes most.

Read More Show Less

Table of Contents

Introduction

Early Days

Toward Naturalism

Out of the Trap

Explorations in Space

Turning Inward

Notes

Artist's Statements

Notes on Technique

Chronology

Exhibitions

Public Collections

Selected Bibliography

Index

Author Biography: Peter Clothier-also a British expatriate living in Southern California-is a novelist, art critic, and lecturer. His previous writings include two novels-Dirty-Down and Chiaroscuro-plus two books of poetry and numerous articles and art reviews.

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)