The Evolution of Calpurnia Tate
  • The Evolution of Calpurnia Tate
  • The Evolution of Calpurnia Tate

The Evolution of Calpurnia Tate

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by Jacqueline Kelly
     
 

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Calpurnia Virginia Tate is eleven years old in 1899 when she wonders why the yellow grasshoppers in her Texas backyard are so much bigger than the green ones.With a little help from her notoriously cantankerous grandfather, an avid naturalist, she figures out that the green grasshoppers are easier to see against the yellow grass, so they are eaten before they can

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Overview

Calpurnia Virginia Tate is eleven years old in 1899 when she wonders why the yellow grasshoppers in her Texas backyard are so much bigger than the green ones.With a little help from her notoriously cantankerous grandfather, an avid naturalist, she figures out that the green grasshoppers are easier to see against the yellow grass, so they are eaten before they can get any larger. As Callie explores the natural world around her, she develops a close relationship with her grandfather, navigates the dangers of living with six brothers, and comes up against just what it means to be a girl at the turn of the century.
Debut author Jacqueline Kelly deftly brings Callie and her family to life, capturing a year of growing up with unique sensitivity and a wry wit.

The Evolution of Calpurnia Tate is a 2010 Newbery Honor Book and the winner of the 2010 Bank Street - Josette Frank Award.

Editorial Reviews

Publishers Weekly - Reed Elsevier Inc.

Life at the turn of the century is not easy for a girl who loves books and science. Kelly's first novel presents spirited heroine Calpurnia (Callie) Virginia Tate, a middle child with six brothers, growing up in the isolation of Fentress, Tex., in 1899. To her family's dismay, Callie is stubborn, independent and not interested in darning socks or perfecting her baking skills like a lady. "I would live my life in a tower of books," she thinks to herself. She spends most of her time with Harry, "the one brother who could deny me nothing," slowly befriending her Granddaddy, a mysterious naturalist who studies everything from pecan distillation to microscopic river bugs. Together they dream up experiments and seek answers to backyard phenomena, discovering something new about the invisible world each day. Callie follows her passion for knowledge, coming to realize her family "had their own lives. And now I have mine." Callie's transformation into an adult and her unexpected bravery make for an exciting and enjoyable read. Kelly's rich images and setting, believable relationships and a touch of magic take this story far. Ages 10-up. (May)

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Children's Literature - Phyllis Kennemer
Calpurnia is an active, inquisitive eleven-year-old girl, living in a small Texas town in 1899. She takes no interest in cooking or sewing and is, in fact, inept in all household duties. Calpurnia is the only girl in a family of seven children, so her mother keeps trying to domesticate her, but Calpurnia consistently resists. She has developed a special relationship with her eccentric grandfather, a scientist and naturalist. They explore the nearby river and woods and are excited about the possibility of having discovered a new plant. Granddaddy loans her his copy of Darwin's The Origin of Species, and a quotation from the book appears at the beginning of each chapter. Calpurnia reads this book and others, records her findings and questions in a journal, and aspires to become a scientist. Other than her grandfather, her family does not support her in this quest. Her future is left uncertain, but readers will be rooting for her to achieve her goal. This book presents an engaging piece of historical-fiction depicting the roles and expectations for women at the turn of the twentieth century. Reviewer: Phyllis Kennemer, Ph.D.
School Library Journal - Jennifer Schultz

Gr 5-8

A charming and inventive story of a child struggling to find her identity at the turn of the 20th century. As the only girl in an uppercrust Texas family of seven children, Calpurnia, 11, is expected to enter young womanhood with all its trappings of tight corsets, cookery, and handiwork. Unlike other girls her age, Callie is most content when observing and collecting scientific specimens with her grandfather. Bemoaning her lack of formal knowledge, he surreptitiously gives her a copy of The Origin of Species and Callie begins her exploration of the scientific method and evolution, eventually happening upon the possible discovery of a new plant species. Callie's mother, believing that a diet of Darwin, Dickens, and her grandfather's influence will make Callie dissatisfied with life, sets her on a path of cooking lessons, handiwork improvement, and an eventual debut into society. Callie's confusion and despair over her changing life will resonate with girls who feel different or are outsiders in their own society. Callie is a charming, inquisitive protagonist; a joyous, bright, and thoughtful creation. The conclusion encompasses bewilderment, excitement, and humor as the dawn of a new century approaches. Several scenes, including a younger brother's despair over his turkeys intended for the Thanksgiving table and Callie's heartache over receiving The Science of Housewifery as a Christmas gift, mix gentle humor and pathos to great effect. The book ends with uncertainty over Callie's future, but there's no uncertainty over the achievement of Kelly's debut novel.-Jennifer Schultz, Fauquier County Public Library, Warrenton, VA

Kirkus Reviews
"Mother was awakening to the sorry facts: My biscuits were like stones, my samplers askew, my seams like rickrack." The year is 1899, the place Texas and the problem is 11-year-old Calpurnia Virginia Tate, who is supposed to want to cook, sew and attract future beaux, not play in the dirt, examine insects and, perhaps most suspect of all, read Darwin's controversial The Origin of Species, the source of the novel's chapter introductions. A natural-born scientist, she alone among her six brothers has discovered the rare specimen under her own roof-a funny-smelling, rather antisocial grandfather who preoccupies himself with classifying flora and fauna...when he's not fermenting pecans for whiskey. Their budding friendship is thoughtfully and engagingly portrayed, as is the unfolding of the natural world's wonders under Calpurnia's ever-inquisitive gaze. Calpurnia is not a boilerplate folksy Southern heroine who spouts wise-beyond-her-years maxims that seem destined for needlepoint-her character is authentically childlike and complex, her struggles believable. Readers will finish this witty, deftly crafted debut novel rooting for "Callie Vee" and wishing they knew what kind of adult she would become. (Historical fiction. 10-14)
School Library Journal
Gr 5–8—Boys don't make pies and girls don't work in fields in Jacqueline Kelly's debut novel (Holt, 2009) set in Texas in 1899. Twelve-year-old Calpurnia (the only girl of seven siblings) is interested in science rather than cooking and sewing. She would much rather spend her time exploring the river with her grandfather, a naturalist and a loner, who has given her a copy of The Origin of the Species. The results are humorous when Callie's mother attempts to prepare her for her place in society by giving her cooking and knitting lessons in contrast to her natural tendencies to be outside studying grasshoppers and other phenomena of nature. Will Callie ever learn those hideous domestic skills in time for her debut? Is the plant that she and her grandfather discovered actually a new species? Fascinating epigraphs from Darwin's opus at the beginnings of each chapter cap off the story line. Natalie Ross's sensitive, poetic narration reflects all the emotions experienced by Callie and the members of her family. For fans of Laura Ingalls Wilder's Little House series and Carol Brink's Caddie Woodlawn titles.—Terry Ann Lawler, Phoenix Public Library, AZ

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Product Details

ISBN-13:
9780312659301
Publisher:
Square Fish
Publication date:
01/04/2011
Series:
Calpurnia Tate Series
Edition description:
STRIPPABLE
Pages:
352
Sales rank:
90,442
Product dimensions:
5.10(w) x 7.50(h) x 1.20(d)
Lexile:
830L (what's this?)
Age Range:
9 - 12 Years

Read an Excerpt

Chapter 1 The Origin Of Species

When a young naturalist commences the study of a group of organisms quite unknown to him, he is at first much perplexed to determine what differences to consider . . . for he knows nothing of the amount and kind of variation to which the group is subject. . . .

BY 1899, WE HAD LEARNED to tame the darkness but not the Texas heat. We arose in the dark, hours before sunrise, when there was barely a smudge of indigo along the eastern sky and the rest of the horizon was still pure pitch. We lit our kerosene lamps and carried them before us in the dark like our own tiny wavering suns. There was a full day’s work to be done before noon, when the deadly heat drove everyone back into our big shuttered house and we lay down in the dim high-ceilinged rooms like sweating victims. Mother’s usual summer remedy of sprinkling the sheets with refreshing cologne lasted only a minute. At three o’clock in the afternoon, when it was time to get up again, the temperature was still killing.

The heat was a misery for all of us in Fentress, but it was the women who suffered the most in their corsets and petticoats. (I was still a few years too young for this uniquely feminine form of torture.) They loosened their stays and sighed the hours away and cursed the heat and their husbands, too, for dragging them to Caldwell County to plant cotton and acres of pecan trees. Mother temporarily gave up her hairpieces, a crimped false fringe and a rolled horsehair rat, platforms on which she daily constructed an elaborate mountain of her own hair. On those days when we had no company, she even took to sticking her head under the kitchen pump and letting Viola, our quadroon cook, pump away until she was soaked through. We were forbidden by sharp orders to laugh at this astounding entertainment. As Mother gradually surrendered her dignity to the heat, we discovered (as did Father) that it was best to keep out of her way.

My name is Calpurnia Virginia Tate, but back then everybody called me Callie Vee. That summer, I was eleven years old and the only girl out of seven children. Can you imagine a worse situation? I was spliced midway between three older brothers—Harry, Sam Houston, and Lamar—and three younger brothers—Travis, Sul Ross, and the baby, Jim Bowie, whom we called J.B. The little boys actually managed to sleep at midday, sometimes even piled atop one another like damp, steaming puppies. The men who came in from the fields and my father, back from his office at the cotton gin, slept too, first dousing themselves with tin buckets of tepid well water on the sleeping porch before falling down on their rope beds as if poleaxed.

Yes, the heat was a misery, but it also brought me my freedom. While the rest of the family tossed and dozed, I secretly made my way to the San Marcos River bank and enjoyed a daily interlude of no school, no pestiferous brothers, and no Mother. I didn’t have permission to do this, exactly, but no one said I couldn’t. I got away with it because I had my own room at the far end of the hall, whereas my brothers all had to share, and they would have tattled in a red-hot second. As far as I could tell, this was the sole decent thing about being the only girl.

Our house was separated from the river by a crescentshaped parcel of five acres of wild, uncleared growth. It would have been an ordeal to push my way through it except that the regular river patrons—dogs, deer, brothers—kept a narrow path beaten down through the treacherous sticker burrs that rose as high as my head and snatched at my hair and pinafore as I folded myself narrow to slide by. When I reached the river, I stripped down to my chemise, floating on my back with my shimmy gently billowing around me in the mild currents, luxuriating in the coolness of the water flowing around me. I was a river cloud, turning gently in the eddies. I looked up at the filmy bags of webworms high above me in the lush canopy of oaks bending over the river. The webworms seemed to mirror me, floating in their own balloons of gauze in the pale turquoise sky.

That summer, all the men except for my grandfather Walter Tate cut their hair close and shaved off their thick beards and mustaches. They looked as naked as blind salamanders for the few days it took to get over the shock of their pale, weak chins. Strangely, Grandfather felt no distress from the heat, even with his full white beard tumbling down his chest. He claimed it was because he was a man of regular and moderate habits who never took whiskey before noon. His smelly old swallowtail coat was hopelessly outdated by then, but he wouldn’t hear of parting with it. Despite regular spongings with benzene at the hands of our maid SanJuanna, the coat always kept its musty smell and strange color, which was neither black nor green.

Grandfather lived under the same roof with us but was something of a shadowy figure. He had long since turned over the running of the family business to his only son, my father, Alfred Tate, and spent his days engaged in "experiments" in his "laboratory" out back. The laboratory was just an old shed that had once been part of the slave quarters. When he wasn’t in the laboratory, he was either out hunting specimens or holed up with his moldering books in a dim corner of the library, where no one dared disturb him.

I asked Mother if I could cut off my hair, which hung in a dense swelter all the way down my back. She said no, she wouldn’t have me running about like a shorn savage. I found this manifestly unfair, to say nothing of hot. So I devised a plan: Every week I would cut off an inch of hair—just one stealthy inch—so that Mother wouldn’t notice. She wouldn’t notice because I would camouflage myself with good manners. When I took on the disguise of a polite young lady, I could often escape her closer scrutiny. She was usually swamped by the constant demands of the household and the ceaseless uproar of my brothers. You wouldn’t believe the amount of chaos and commotion six brothers could create. Plus, the heat aggravated her crippling sick headaches, and she had to resort to a big spoonful of Lydia Pinkham’s Vegetable Compound, known to be the Best Blood Purifier for Women.

That night I took a pair of embroidery scissors and, with great exhilaration and a pounding heart, cut off the first inch. I looked at the soft haystack of hair cupped in my palm. I was striding forth to greet my future in the shiny New Century, a few short months away. It seemed to me a great moment indeed. I slept poorly that night in fear of the morning.

The next day I held my breath coming down the stairs to breakfast. The pecan flapjacks tasted like cardboard. And do you know what happened? Absolutely nothing. No one noticed in the slightest. I was mightily relieved but also thought, Well, isn’t that just like this family. In fact, no one noticed anything until four weeks and four inches went by and our cook, Viola, gave me a hard look one morning. But she didn’t say a word.

It was so hot that for the first time in history Mother left the candles of the chandelier unlit at dinnertime. She even let Harry and me skip our piano lessons for two weeks. Which was just as well. Harry sweated on the keys so that they turned hazy along the pattern of the Minuet in G. Nothing Mother or SanJuanna tried could bring the sheen back to the ivory. Besides, our music teacher, Miss Brown, was ancient, and her decrepit horse had to pull her gig three miles from Prairie Lea. They would both likely collapse on the trip and have to be put down. On consideration, not such a bad idea.

Father, on learning that we would miss our lessons, said, "A good thing, too. A boy needs piano like a snake needs a hoopskirt."

Mother didn’t want to hear it. She wanted seventeen-year-old Harry, her oldest, to become a gentleman. She had plans to send him off to the university in Austin fifty miles away when he turned eighteen. According to the newspaper, there were five hundred students at the university, seventeen of them wellchaperoned young ladies in the School of Liberal Arts (with a choice of music, English, or Latin). Father’s plan was different; he wanted Harry to be a businessman and one day take over the cotton gin and the pecan orchards and join the Freemasons, as he had. Father apparently didn’t think piano lessons were a bad idea for me though, if he considered the matter at all.

In late June, the Fentress Indicator reported that the temperature was 106 degrees in the middle of the street outside the newspaper office. The paper did not mention the temperature in the shade. I wondered why not, as no one in his right mind spent more than a second in the sun, except to make smartly for the next patch of shadow, whether it be cast by tree or barn or plow horse. It seemed to me that the temperature in the shade would be a lot more useful to the citizens of our town. I labored over A Letter To The Editor pointing this out, and to my great amazement, the paper published my letter the following week. To my family’s greater amazement, it began to publish the temperature in the shade as well. Reading that it was only 98 in the shade somehow made us all feel a bit cooler.

There was a sudden surge in insect activity both inside the house and out. Grasshoppers rose in flocks beneath the horses’ hooves. The fireflies came out in such great numbers that no one could remember a summer with a more spectacular show. Every evening, my brothers and I gathered on the front porch and held a contest to see who could spot the first flicker. There was considerable excitement and honor in winning, especially after Mother took a scrap of blue silk from her sewing basket and cut out a fine medallion, complete with long streamers. In between headaches she embroidered FENTRESS FIREFLY PRIZE on it in gold floss. It was an elegant and much-coveted prize. The winner kept it until the following night.

Ants invaded the kitchen as never before. They marched in military formation through minute cracks around the baseboards and windows and headed straight for the sink. They were desperate for water and would not be stopped. Viola took up arms against them to no avail. We deemed the fireflies a bounty and the ants a plague, but it occurred to me for the first time to question why there should be such a distinction. They were all just creatures trying to survive the drought, as we were. I thought Viola should give up and leave them alone, but I reconsidered after discovering that the black pepper in the egg salad was not pepper at all.

While certain insects overran us, some of the other normal inhabitants of our property, such as earthworms, disappeared. My brothers complained about the lack of worms for fishing and the difficulty of digging for them in the hard, parched ground. Perhaps you’ve wondered, Can earthworms be trained? I’m here to tell you that they can. The solution seemed obvious to me: The worms always came when it rained, and it was easy enough to make some rain for them. I carried a tin bucket of water to a shaded area in the five acres of scrub and dumped it on the ground in the same place a couple of times a day. After four days, I only had to show up with my bucket, and the worms, drawn by my footsteps and the promise of water, crawled to the surface. I scooped them up and sold them to Lamar for a penny a dozen. Lamar nagged me to tell him where I’d found them, but I wouldn’t. However, I did confess my method to Harry, my favorite, from whom I could keep nothing. (Well, almost nothing.)

"Callie Vee," he said, "I’ve got something for you." He went to his bureau and took out a pocket-sized red leather notebook with SOUVENIR OF AUSTIN stamped on the front.

"Look here," he said. "I’ve never used it. You can use it to write down your scientific observations. You’re a regular naturalist in the making."

What, exactly, was a naturalist? I wasn’t sure, but I decided to spend the rest of my summer being one. If all it meant was writing about what you saw around you, I could do that. Besides, now that I had my own place to write things down, I saw things I’d never noticed before.

My first recorded notes were of the dogs. Due to the heat, they lay so still in the dirt as to look dead. Even when my younger brothers chivvied them with sticks out of boredom, they wouldn’t bother to raise their heads. They got up long enough to slurp at the water trough and then flopped down again, raising puffs of dust in their shallow hollows. You couldn’t have rousted Ajax, Father’s prize bird dog, with a shotgun let off a foot in front of his muzzle. He lay with his mouth lolling open and let me count his teeth. In this way, I discovered that the roof of a dog’s mouth is deeply ridged in a backwards direction down his gullet, in order no doubt to encourage the passage of struggling prey in one direction only, namely that of DINNER. I wrote this in my Notebook.

I observed that the expressions of a dog’s face are mainly manifested by the movement of its eyebrows. I wrote, Why do dogs have eyebrows? Why do dogs need eyebrows?

I asked Harry, but he didn’t know. He said, "Go ask Grandfather. He knows that sort of thing."

But I wouldn’t. The old man had fierce tufty eyebrows of his own, rather like a dragon’s, and he was altogether too imposing a figure for me to have clambered on as an infant. He had never spoken to me directly that I remembered, and I wasn’t entirely convinced he knew my name.

Next I turned my attention to the birds. For some reason, we had a great number of cardinals about the place that year. Harry tickled me when he said we had a fine crop of them, as if we had something to do with their number, as if we had labored to harvest their bright, cheerful bodies and place them in the trees along our gravel drive like Christmas ornaments. But because there were so many and the drought had cut down on their normal diet of seeds and berries, the males squabbled furiously over possession of each hackberry tree. I found a mutilated dead male in the brush, a startling and sad sight. Then one morning a female came to perch on the back of the wicker chair next to me on the porch. I froze. I could have reached out and touched her with my finger. A lump of gray-brown matter dangled from her pale-apricot beak. It looked like a tiny baby mouse, thimble-sized, dead or dying.

Excerpted from The Evolution of Calpurnia Tate by Jacqueline Kelly.

Copyright © 2009 by Jacqueline Kelly.

Published in 2009 by Henry Holt and Company.

All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

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