George Anderson: Notes for a Love Song in Imperial Time

Overview

For over twenty-five years, ghost-writer Theo Fales has been helping retired generals and CIA directors justify their decisions in the first-person. One day, however, hearing a song at a colleague’s memorial service, Theo has a vision, sensing in the music a completely different way to live. How can he reconcile this revelation with his professional allegiance to power? Is he mad, or has history itself lost its way?

Theo Fales is a one-time historian turned book editor who ...

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George Anderson: Notes for a Love Song in Imperial Time

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Overview

For over twenty-five years, ghost-writer Theo Fales has been helping retired generals and CIA directors justify their decisions in the first-person. One day, however, hearing a song at a colleague’s memorial service, Theo has a vision, sensing in the music a completely different way to live. How can he reconcile this revelation with his professional allegiance to power? Is he mad, or has history itself lost its way?

Theo Fales is a one-time historian turned book editor who specializes in ghostwriting the memoirs of leading American policy-makers. For over twenty-five years, Theo has been helping retired generals and CIA directors justify their decisions in the first-person. One day, however, hearing a song at a colleague’s memorial service, Theo has a vision: he senses, in the music, a completely different way to live. He becomes obsessed by a need to align musical time with the metre of his own life and prose. Theo’s method opens onto two seemingly contradictory interior landscapes: one, a rage of identification with a college classmate who has written and signed the legal document justifying the use of torture by the US; the other, a love for the singer best known for her interpretations of the composer who wrote that vital song. Theo commits himself to the idea that only through his method will he be able to save himself. Is he mad, or has history itself lost its way?

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Editorial Reviews

The New York Times Book Review - Heidi Julavits
George Anderson is unlike anything most readers will ever have encountered…When more and more literary writers are bending over backward to woo opinionated and self-confident book customers, Dimock proves boldly uninterested in giving readers what they strongly believe they want. He's served up a novel in the form of a legal document—a piece of obsessive procedural writing that's repetitive and minutiae-laden and that movingly veers, despite its strict adherence to logic and protocol, into absurdity and madness. Often, while reading George Anderson, I experienced the novel, both literally and metaphorically, as in my face. But the confrontational vibe is partially Dimock's point. Our country is powered by documents like these, impermeable exercises in rhetoric that forbid civilian participation or even plain comprehension. Who knows what we've committed ourselves to? Who knows what's been decided in our name?
Publishers Weekly
Bordering on narrative madness (and/or genius), history meets method in Dimock's second novel, an experimental instruction manual aimed at revolutionizing the way we experience the past. The novel takes the form of a letter from Theo Fales, editor and memoir ghostwriter for former CIA operatives, to David Kallen, a government official who directed Special Forces trainers to torture him before signing a document that led to the legalization of torture by the George W. Bush administration. Fales attempts to teach Kallen a method he devised as a, "means by which every person rids the self of its inordinate attachment to empire and creates reciprocity." This method, which is to be contrived over the course of 32 days, requires Kallen to compile numerous interrelated lists, scenes, and tables. It isn't a light read, or a book for the light-of-reading heart, with Fales's references to Greek mythology, the Jesuits, and Biblical excerpts making it clear that he views this method as not only a new way of interpreting history, but potentially a new Bible. But for the attentive reader, this is a hypnotic treasure trove of poetry-like prose, of repetition poignant enough to make the structural challenge completely worth tackling.
(c) Copyright PWxyz, LLC. All rights reserved.
The Nation
“"The ‘rhetoric’ in the title of Peter Dimock’s astonishing novella is just that: the study of the effective use of language, the art of prose, a discipline to inform and persuade . . . A remarkable novel has been almost secretly published, from which all of us might learn ‘the virtues of invective’s direct address.’"”
Toni Morrison
“"Peter Dimock’s A Short Rhetoric for Leaving the Family possesses the rich, intricate, and subtle patternings of the verbal lacemaker’s craft. A remarkable debut."”
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Product Details

  • ISBN-13: 9781564788016
  • Publisher: Dalkey Archive Press
  • Publication date: 3/5/2013
  • Pages: 170
  • Sales rank: 323,190
  • Product dimensions: 5.40 (w) x 7.90 (h) x 0.60 (d)

Meet the Author

Peter Dimock has long worked in publishing—at Random House, and as senior executive editor for history and political science at Columbia University Press, where he worked with authors including Angela Davis, Eric Hobsbawm, Toni Morrison, and Amartya Sen. His first novel, A Short Rhetoric for Leaving the Family, was published by Dalkey Archive Press in 1998.

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