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Overview

Asked by a publisher to write a preface to her late husband’s novel, Edna defiantly sets out to write a separate book “not just about Clarence but also about my life, as one could not pretend to understand Clarence without that.” Simultaneously her neighbor asks her to care for an apartment full of plants and animals. The demands of the living things – a rat, fish, ferns – compete for Edna's attention with long-repressed memories. Day by day pages of seemingly random thoughts fall from her typewriter. Gradually taking shape within the mosaic of memory is the story of a remarkable marriage and of a mind pushed to its limits.

Is Edna’s memoir a homage to her late husband or an act of belated revenge? Was she the cultured and hypersensitive victim of a crass and brutally ambitious husband, or was he the caretaker of a neurotic and delusional wife? The reader must decide.

The unforgettable characters in Savage's two hit novels Firmin and The Cry of the Sloth garnered critical acclaim, selling a million copies worldwide. In Edna, once again Sam Savage has created a character marked by contradiction--simultaneously appealing and exasperating, comical and tragic.

Editorial Reviews

Library Journal
Introspection is at the heart of this new novel from Savage (Firmin: Adventures of a Metropolitan Lowlife), which effectively defines that jewel of a word, velleity (the lowest level of compulsion to act, a slight impulse to do something). Edna lives alone, typing away on a preface to the reissue of her late husband's out-of-print novel. Though she can barely take care of herself, she inherits responsibility for plants, fish, and a rat, which sets the stage for a touching but often hilarious interplay between her interior life and the outside world. Edna's life story is revealed gradually, interwoven with information about her daily experience and the scattered workings of her mind. As we enter into the bright river of her thought, we experience Edna's compulsions to act (or not) and learn about her husband, her fears, and her childhood memories. VERDICT Reading like an intersection between Samuel R. Delany's The Motion of Light in Water and Marlen Haushofer's The Wall in its take on the overriding truth of memory and the heroic task of solitude, this is an original and compelling book. Highly recommended.—Henry Bankhead, Los Gatos P.L., CA

Product Details

  • ISBN-13: 9781566892735
  • Publisher: Coffee House Press
  • Publication date: 9/13/2011
  • Pages: 210
  • Sales rank: 623,399
  • Product dimensions: 5.00 (w) x 7.60 (h) x 0.60 (d)

Meet the Author

Sam Savage
Sam Savage

Sam Savage is the bestselling author of Firmin: Adventures of a Metropolitan Lowlife and The Cry of the Sloth. A native of South Carolina, Sam Savage holds a PhD in philosophy from Yale University. Savage resides in Madison, Wisconsin.

Biography

Sam Savage grew up in a small town in South Carolina in the '40s and '50s. Then he went north, first to Boston and New York, and later to France and Germany. He studied at the University of Heidelberg and at Yale, eventually acquiring a Ph.D. in philosophy from Yale. He taught there, briefly and unhappily. It was a period when many had become convinced that there are no genuine philosophic problems, only genuine linguistic puzzles. This discovery did not leave any "career options" for Savage, since the only puzzle that interested him at that time was himself. In 1980 he went back south, to McClellanville, South Carolina (pop. 400), where he spent the next twenty-three years. He worked as a carpenter, a commercial fisherman, and a letterpress printer. He lived, however, mainly on a diminishing pile of inherited money and the labors of his wife, while he attempted to write, pretended to write, and often really did write. Most of the things he wrote have not survived. In 2003, he moved north again, this time to Madison, Wisconsin, where he now lives.

Savage has proved to be the most persistant and annoying of the Old Rat's fictions.

Biography courtesy of the author's official web site.

Good To Know

Some fun and fascinating outtakes from our interview with Savage:

"Two years before starting Firmin, I wrote a long story in a ragged verse form I like to call high doggerel. I persuaded my sister, the artist Virginia Beverley, to illustrate it, and we posted the whole thing on the web as The Criminal Life of Effie O. It is now available as a paperback book. Effie O was the first thing I wrote after I had learned not to give a damn. I wrote it for my sister, to whom I would read chapters over the phone as I finished them, and my wife, Nora, who I knew would like it, and for the joy of it."

"As for the inspiration for my writing, I don't plan a novel, don't start off with an idea or plot, such as 'a story about a literate rat in a Boston bookstore.' When I began writing Firmin I didn't even know Firmin was a rat, I didn't know he was in Boston, I didn't know it was a novel. If I am not working on a story, I sit at the typewriter (or now the computer) and just type without any leading idea, the writing equivalent I suppose of an aimless walk. Most of the time nothing comes of it, but not always. I rewrite a paragraph several times before I go on to next one. I try not to think about where it's all going, out of fear that of forcing the story in a preconceived direction rather than letting the direction emerge from the writing."

"As for jobs, I have probably had a greater variety than most people, but I have spent much more time sitting in armchairs doing what some have described unkindly as 'staring into space.' The riches this activity (and it was an activity) brought in, however, have not been convertible to cash. Among jobs I got paid for doing my favorite was working a crab boat along the coast of South Carolina, where I had returned after leaving the university. For six or seven hours a day I was alone in a boat in the marsh creeks, often not seeing another human from the time I left the dock to the time I returned. When I shut off the engine to cull my catch, the only sounds were birds, wind, and water. I thought, and still think, I was in those moments the luckiest person on earth."

"These days my pleasures are small and local. I walk by the lakes. I watch movies on video. I go out once or twice a week for lunch in some little restaurant. I read. My dislikes are large and universal. I have an aversion to jargon. Especially academic jargon. I dream that one morning all the cars in the city will fail to start. I anguish over war and famine. I read the news obsessively. I fume. I think I rant."

    1. Hometown:
      Madison, Wisconsin
    1. Date of Birth:
      November 9, 1940
    2. Place of Birth:
      Camden, South Carolina
    1. Education:
      B.A. in Philosophy, Yale, 1968; University of Heidelberg (2 years), Ph.D. in Philosophy, Yale, 1979
    2. Website:

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