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| The Judds | Primary Artist |
| Emmylou Harris | Background Vocals |
| David Schnaufer | Dulcimer |
| The Jordanaires | Background Vocals |
| Don Potter | Acoustic Guitar, Guitar, Rhythm Guitar, Leader |
| Eddie Bayers | Drums |
| Craig Bickhardt | Rhythm Guitar |
| Mark Casstevens | Rhythm Guitar |
| Sonny Garrish | Dobro, Pedal Steel Guitar, Steel Guitar |
| Kirk Johnson | Harmonica |
| Farrell Morris | Percussion |
| Craig Nelson | Bass, Acoustic Bass |
| Bobby Ogdin | Organ, Piano |
| Jack Williams | Electric Bass |
| Kirk "Jelly Roll" Johnson | Harmonica |
| David Schaufer | Dulcimer |
| Don Potter | Composer |
| Naomi Judd | Contributor |
| Wynonna Judd | Contributor |
| Brent Maher | Producer, Engineer |
| Glenn Meadows | Mastering |
| Mary Hamilton | Art Direction |
| Vanessa Ware | Image Stylist |
| Don Schlitz | Composer |
Editorial Reviews
All Music Guide - Thom Jurek
Opening as it does with "Don't Be Cruel," the listener might be led to believe that Heartland was a distinct follow-up to Rockin' With the Rhythm. But it's a misleading track. While "Don't Be Cruel" gives you a fresh, new interpretation of the classic so closely associated with Elvis that it feels like a the Everly Sisters reinvention rather than a redo, it's also different from virtually everything else on the album. Far from the nominal gritty funkiness of its predecessor, Heartland walks a thin line between roots rock and mainstream country. Mostly with producer Brent Maher and the same band that had been playing with them from the beginning, this set feels a tad uneven. ...