Henry IV, Part Two (Signet Classic Shakespeare Series)

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9/3/2002 Mass Market Paperback Fair 0451528530 (Mass 12-2) Cover is NOT in good shape, but interior is readable. Additional items ship at a discounted rate (not free). Please ... ask for details. Please Note: All pictures are catalog/stock photos and NOT an actual picture of the actual item being sold. If you are looking for a particular edition (1st, revised, etc) or a particular cover art, please ask BEFORE buying. Also, hardcovers listed as good or acceptable probably do NOT have dust jackets, so please don't expect one. Finally, all items that weigh more than 8 ounces ship by media mail. Media mail can take anywhere from 4-14 business days, so please do not expect the item to arrive in a few days. Read more Show Less

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Overview

Picking up where Henry IV, Part One left off after the Battle of Shrewsbury, Henry IV, Part Two is the story of England's King Henry IV during his final months of life, his reconciliation with his wayward heir, and his eventual death.

Product Details

  • ISBN-13: 9780451528537
  • Publisher: Penguin Group (USA) Incorporated
  • Publication date: 9/28/2002
  • Format: Mass Market Paperback
  • Pages: 320
  • Sales rank: 376,333
  • Series: Signet Classic Shakespeare Series
  • Product dimensions: 4.28 (w) x 6.86 (h) x 0.81 (d)

Meet the Author

William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King’s New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as “an upstart crow, beautified with our feathers.” Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain’s Men (later under James I, called the King’s Men). In 1599 the Lord Chamberlain’s Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare’s plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.

Read an Excerpt

Henry IV, Part 2


By William Shakespeare

Penguin Books

Copyright © 1957 William Shakespeare
All right reserved.

ISBN: 0140714081

Excerpt

(INDUCTION)

Enter Rumor, painted full of tongues.

[RUMOR]

Open your ears, for which of you will stop
The vent of hearing when loud Rumor speaks?
I, from the orient to the drooping west,
Making the wind my post-horse, still unfold
The acts commenced on this ball of earth.
Upon my tongues continual slanders ride,
The which in every language I pronounce,
Stuffing the ears of men with false reports.
I speak of peace while covert enmity Under the smile of safety wounds the world.
And who but Rumor, who but only I,
Make fearful musters and prepared defense
Whiles the big year, swoll'n with some other grief,
Is thought with child by the stern tyrant war,
And no such matter? Rumor is a pipe
Blown by surmises, jealousies, conjectures,
And of so easy and so plain a stop
That the blunt monster with uncounted heads,
The still-discordant wav'ring multitude,
Can play upon it. But what need I thus
My well-known body to anatomize
Among my household? Why is Rumor here?
I run before King Harry's victory,
Who in a bloody field by Shrewsbury
Hath beaten down young Hotspur and his troops,
Quenching the flame of bold rebellion
Even with the rebels' blood. But what mean I
To speak so true at first? My office is
To noise abroad that Harry Monmouth fell
Under the wrath of noble Hotspur's sword,
And that the King before the Douglas' rage
Stooped his anointed head as low as death.
This have I rumored through the peasant towns
Between that royal field of Shrewsbury
And this worm-eaten [hold] of ragged stone,
(Where) Hotspur's father, old Northumberland,
lies crafty-sick. The posts come tiring on,
And not a man of them brings other news
Than they have learnt of me. From Rumor's tongues
They bring smooth comforts false, worse than
true wrongs

[Rumor] exits.

Copyright © 1999 by The Folger Shakespeare Library



Continues...


Excerpted from Henry IV, Part 2 by William Shakespeare Copyright © 1957 by William Shakespeare. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

William Hazlitt: From Characters of Shakespeare's Plays Sigmund Freud: From Jokes and Their Relationship to the Unconscious Philip Williams: From The Birth and Death of Falstaff Reconsidered Harold Jenkins: The Structural Problem in Shakespeare's 'Henry the Fourth'
James L. Calderwood: From Metadrama in Shakespeare's Henriad Coppelia Kahn: From Man's Estate: Masculine Identity in Shakespeare Sidney Homan: 'Henry IV, Part II' on Stage and Screen

NEWLY ADDED ESSAYS:
Michael Goldman: History-Making in the Heriad

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