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Editorial Reviews
Barnes & Noble - David McGee
Somber piano chords open Jack Ingram's impressive second album, HEY YOU. An acoustic guitar enters, and then Ingram, in dry, husky voice reminiscent of early Jackson Browne, declaims, "Where in hell did you go?" Is he asking the unnamed person father figure in the searing "Biloxi" or himself? Upon the release of his 1997 Steve Earle/Ray Kennedy-produced debut, LIVIN' OR DYIN', Ingram was hailed in many quarters as the next big thing in alt country, and he had the goods. Smart, introspective, plainspoken original songs and fierce commitment to his message matched a commanding voice, a rootsy, honky-tonk sound, and physical presence on stage. What happened was corporate ...