The Imitation Of Christ

Introduction

Walter Elwell recently described The Imitation of Christ as "Religion’ssecond-best seller;" it is second only to the Bible in sales and popularity among religious readers. Through its realistic delineation of the complexities of human existence, and in its soul-building optimism about the benefits of aspiring to a Christ-shaped life The Imitation clearly deserves the accolade of "Spiritual Classic." Although they were written early in the fifteenth century, the number of short meditations that comprise this work remain strikingly fresh and relevant for modern readers. Hence, Olive Wyon rightly asserted that, "The Imitation is unique. Its appeal is universal and it is never out of date."

Thomas à Kempis (1380-1471) or Thomas Hammerken was born at a place called Kempen, near Dusseldorf, Germany. His parents were people from the artisan class; their family name Haemerken (or Haemerlein) is derived from "little hammer." Thomas left home at the age of thirteen and traveled to Deventer, in the Netherlands, where Geert Groote had established the schools of the Brethren of the Common Life (1376). His service among the Brethren provided both the impetus and the shape for this, his most famous work. It was penned or compiled as a result of the years Thomas spent as a teacher and "Master of Novices" among the Brethren. For this reason, then, The Imitation of Christ, which was born in the practical piety of its author and his movement, breathes that same spirit into the reader. Surviving personal recollections of Thomas à Kempis are few indeed; but those that are extant demonstrate this deep inner connection between the man and his work. The Carthusian Prior at N&uulm;rnberg, for example, remembered Thomas as a "most wise, most sweet and most religious man." Thomas’s earliest biographer could detect no gap or distinction between his writing and à Kempis’ living witness: "As he taught others, so he lived; he fulfilled in very deed, or verified in himself what he recommended in his discourses should be done."

In 1406 Thomas professed a call to religious life, and in 1413 he entered the priesthood, at the age of thirty-three. He spent the balance of his life as a Canon of St. Augustine (member of the Augustinian Order), at the monastery of St. Agnes in Zwolle. À Kempis seems to reflect upon his monastic life in the Imitation; for example, addressing God, he wrote: "You have given grace and friendship beyond all my deserts. What return can I make to You for this grace? For it is not granted to all men to forsake everything, to renounce the world, and to enter the life of religion."(Bk. III: 10). Among Thomas’ duties were those typical of a monastic priest: preaching, study, writing, giving spiritual counsel, and copying manuscripts. Primary among his responsibilities, however, was the cultivation of his own spiritual life and Christian discipleship and if we were are to judge the success of this later responsibility by the power and popularity of his literary work Imitation of Christ we would be forced to conclude that à Kempis wrote from a deep well spring of spiritual practice and practical insight.

In the late-medieval period popular spirituality seemed to be at low ebb. For much of the populace Christianity had degenerated into a sort of "arithmetical piety" that sought to add up enough "good deeds" to counter balance one’s sins; it attached greater significance to rote repetition of prayers and sacraments than to introspection or personal reflection. In his classic text, R.W. Southern observed: "The vast majority of people remained firmly attached to the religious aids offered by the institutional church. To put it bluntly, Europe had sunk too much intellectual, emotional, and material capital in these aids to resign them lightly. Masses and prayers for the dead, indulgences, good works, and pious donations for the remission of purgatorial pains, have never been so widely and even wildly popular as they were in the fourteenth and fifteenth centuries." Yet there was also a sparkling resurgence of lay-spirituality towards the end of the fifteenth century that was linked to the emergence of lay brother and sisterhoods (confraternities) as well as with the popularity of lay devotional aids like The Imitation of Christ.

Springing from the efforts of Master Geert Groote (1340-84) of Deventer, Holland, the Brethren or "the New Devout" formed themselves into "houses" or communities of priests and laymen who resolved to renounce worldliness to live in the world by the power of God. The congregations of the New Devout were formed, in part, in reaction against the growing wealth and power of the established religious orders. Unlike their contemporaries they neither begged for alms nor collected rents; rather, like the tent-maker Saint Paul and ancient monks of the desert, the Brethren sustained themselves by working with their hands. Since they did not intend to found a new religious order, the Brethren took no formal vows that bound them to the movement. They sought to live, as described by the title of one of Master Groote’s founding documents, by Resolutions and Intentions, But Not Vows. In it he wrote: "I intend to order my life to the glory, honor, and service of God and to the salvation of my soul; to put no temporal good of body, position, fortune, or learning ahead of my soul’s salvation; and to pursue the imitation of God in every way consonant with learning and discernment and with my own body, and estate, which predispose certain forms of imitation." They intended to be devout, but not "religious" in the technical sense in which the late Middle Ages reserved that term for members of the established religious orders.

The spirituality of the Brethren of the Common Life was strongly Christocentric. It intended, as suggested by the title of this -- the most significant work that comes from this movement -- to imitate Jesus Christ; that is to say, they intended to live according to the injunctions and examples of Christ, and in so doing they intended to live "in Christ" and to have Christ live in them. To this end, the reverent reading of Holy Scripture especially the gospels -- formed a critical portion of their pious regimen. Their interest in the Bible had an ethical edge to it, since the Brethren were studying it to cultivate moral sanctity. And, finally, the imitation of Christ affected the inner person, and the New Devout were concerned about the "training of the heart" so that one’s fallen nature might be subdued and purged out and replaced by a renewing, affectionate devotion to Christ.

Scholars have debated whether Thomas à Kempis actually wrote The Imitation of Christ, though there is ample evidence to suggest that he did. But Thomas probably did not create the teaching contained in the book; it is more likely that he complied, organized, and set the Deventer devotional tradition into a fixed form. There seems to be a strong correlation between the authorship of the book and Thomas’ work as "Master of the Novices," a post he held from 1425 until his death in 1471.

The Imitation comprises four subsections, or "Books:" (1) Counsels on the Spiritual Life, (2) Counsel on the Inner Life, (3) On Inward Consolation, and (4) On the Blessed Sacrament. Each section is made up of a series of short meditations that lead the novice deeper and deeper into union with Christ. Unity with Christ was to be realized not only through contemplation, but also through inward and outward imitation of Christ, as well as sacramental oneness with him. These four books circulated separately prior to being circulated as a unified work. The sequela Christi (following, imitating Christ) is the unifying theme of the entire work; but this is not a merely external or ethical modeling reminiscent of the recent "What Would Jesus Do?" slogan and jewelry. À Kempis aims at utter transformation of the reader’s inner person. By meditating upon Christ’s life and teaching, the author intends that we would make Christ’s virtues our own and that we would conform our inner attitudes to His.

The aims of this work strongly dictated its shape and the resources used to develop it. The chapters amount to short meditations offered in a length entirely suitable for a morning or evening devotional reading; yet, the meditations are seasoned with nuggets of spiritual wisdom that are worth pondering over the course of a long life. While there is an occasional quote from classical Greek or Roman writers, or a passing allusion to a familiar saying from one of the Church Fathers, the preponderance of sources applied by our author are — by far — drawn from the Bible. Fr. Bernard Sappen has given this matter careful study and concluded: "The books most often quoted are the Psalms (140 times, notably the Penitential Psalms), the Wisdom books (60 times), the Prophets (42 times), Job (24 times), and etc. In the New Testament Saint Paul is utilized more than the four Evangelists (120 times against 100). Hence, Walter Elwell rightly observed: "the power of the Scripture surges through its pages."

The work does not fall neatly into any of the categories of classical Christian Spirituality, rather it represents a composite approach that includes the purgative (purging out), illuminative (receiving wisdom) and unitive ways (union with God through Christ). These three approaches receive successive emphasis in the first three books of the Imitation.

Numerous themes drawn from classical Christian Spirituality are intertwined in the book. Among these are: (1) Union with Christ: "Christ will come to you, and impart his consolations to you, if you prepare a worthy dwelling for Him in your heart. All true glory and beauty is within, and there He delights to dwell. He often visits the spiritual man, and holds sweet discourse with him, granting him refreshing grace, great peace, and friendship exceeding all expectation" (Bk. II: 1). Hence, "...you will never know peace until you become inwardly united to Christ." (2) Self-negation and humility: "Had you but once entered perfectly into the Heart of Jesus, and tasted something of His burning love, you would care nothing for your own gain or loss; for the love of Jesus causes a man to regard himself very humbly" (Bk. II: 1). (3) Purity or simplicity of heart: "There are two wings that raise a man above earthly things — simplicity and purity. Simplicity must inspire his purpose, and purity his affection. Simplicity reaches out after God; purity discovers and enjoys Him" (Bk. II: 4). (4) Divine Illumination and consolation through Christian wisdom: "Were you inwardly good and pure, you would see and understand all things clearly and without difficulty. A pure heart penetrates both heaven and hell. As each man is in himself, so does he judge outward things. If there is any joy to be had in this world, the pure in heart most surely possess it; and if there is trouble and distress anywhere, the evil conscience most readily experiences it. Just as iron, when plunged into fire, loses its rust and becomes bright and glowing, so the man who turns himself wholly to God loses his sloth and becomes transformed into a new creature" (Bk. II: 4). (5) Liberation through Detachment: "Keep yourself free from all worldly entanglement, and you will make good progress; but if you set great value on any worldly things, it will prove a great obstacle. Let nothing be great, pleasant, or desirable to you save God alone, and whatever comes from God" (Bk. II: 5). (6) Cultivation of true humility: "Set yourself always in the lowest place, and you shall be awarded the highest, for the highest cannot stand without the lowest. The Saints stand highest in God’s eyes who are lowest in their own; and the more glorious they are, the more humble is their spirit" (Bk. II: 10). (7) The Way of the Cross: "Jesus has many who love His Kingdom in Heaven, but few who bear His Cross. He has many who desire comfort, but few who desire suffering. He finds many to share His feast, but few His fasting. All desire to rejoice with Him, but few are willing to suffer for His sake" (Bk. II: 11).

The piety of the New Devout paved the way for the Sixteenth Century Reformations; Protestant and Roman Catholic alike. Martin Luther encountered it in the Brethren’s school at Magdeberg and through his acquaintance with the Theologica Germanica. John Calvin, Desiderius Erasmus, and Ignatius of Loyola each lived in the Brethren’s house in Paris, though at different times, and each bore the imprint of the practical piety found in the Imitation of Christ. The Anabaptists embraced the theme of imitation of Christ, whether or not they embraced à Kempis’ book. John Wesley, the founder of Methodism, was deeply affected by the book; both before and after his "Aldersgate experience," of May 1738, he read the work of "pious Kempis" with great appreciation. Wesley wrote: "one day I light on Thomas à Kempis. The more I read, the more I liked it. I bought one of the books, and read it over and over. I was more convinced of sin that ever, and had more power against it."

The artist Vincent van Gogh was also influenced by reading The Imitation. As Kathleen Erickson noted: "Vincent took from the Imitation of Christ the notion that the earthly life is one of trial and ordeal, a kind of journey through perils and pitfalls of earthy existence to the ultimate of glorious reunion with the Lord in heaven." This influence is discernable in van Gogh’s masterpiece entitled "Starry Night."

Former Secretary General of the United Nations, Dag Hammarskjold, was known the world over as a just, fair, and deeply spiritual man. What was less well known about Hammar-skjold was the significant role that Imitation of Christ played in his own spiritual pilgrimage. Henry P. Van Dusen recalls seeing a French language copy of the Imitation at the bedside of the General Secretary’s New York apartment; the same book was found next to his bed, in Leopoldville, Congo, where Hammarskjold spent his last fateful night in 1963. Tucked inside the Imitation, written on an index card, was the General Secretary’s oath of office. The Imitation of Christ and the opportunity to serve the world merged to form an indissoluble whole in the life of the man who cherished them both. Hammarskjold’s devotional journal was published under the title V&aulm;gm&aulm;rken (Markings, 1964) soon after his death. It is clear from Markings that Hammarskjold turned to The Imitation of Christ at crucial periods of his life for spiritual reflection and direction. One such entry appeared in 1953 when, at the peak of his career as a Swedish diplomat, he had just been elected General Secretary of the U.N. Amidst phone calls, telegrams, and cables of congratulations Hammarskjold turned to the words of Thomas à Kempis as he wrote in his journal: "‘Not I, but God in me. ... I am the vessel.’ The drink is God’s. And God is the thirsty One."

John R. Tyson is professor of Theology at Houghton College in Houghton, NY, and professor of Church History at United Theological Seminary in West Seneca, NY. He earned a Ph.D. in Theological and Religious Studies at Drew University and is the author and editor of several books and numerous articles on topics in Church History and Christian Spirituality.