Madapple

Madapple

4.3 41
by Christina Meldrum
     
 

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THE SECRETS OF the past meet the shocks of the present.
Aslaug is an unusual young woman. Her mother has brought her up in near isolation, teaching her about plants and nature and language—but not about life. Especially not how she came to have her own life, and who her father might be.

When Aslaug’s mother dies unexpectedly, everything changes.

Overview

THE SECRETS OF the past meet the shocks of the present.
Aslaug is an unusual young woman. Her mother has brought her up in near isolation, teaching her about plants and nature and language—but not about life. Especially not how she came to have her own life, and who her father might be.

When Aslaug’s mother dies unexpectedly, everything changes. For Aslaug is a suspect in her mother’s death. And the more her story unravels, the more questions unfold. About the nature of Aslaug’s birth. About what she should do next.

About whether divine miracles have truly happened. And whether, when all other explanations are impossible, they might still happen this very day.

Addictive, thought-provoking, and shocking, Madapple is a page-turning exploration of human nature and divine intervention—and of the darkest corners of the human soul.

Editorial Reviews

From the Publisher
Starred Review, Booklist, April 1, 2008:
"There is much to ponder in this enthralling achievement from a debut author."

Starred Review, Kirkus Reviews, May 1, 2008:
"With this spellbinding debut, Meldrum marks herself as an author to watch."

Review, Vanity Fair, June 2008:
"In debut novelist Christina Meldrum's mesmerizing literary mystery MADAPPLE (Knopf), the worlds of science and faith collide."

Starred Review, Publisher's Weekly, May 26, 2008:
"Audiences will need some intellectual mettle for the densely seeded ideas, but they won't be able to stop reading."

Starred Review, School Library Journal, July 2008:
"[A] riveting and mind-opening experience."

Publishers Weekly

Theology is on trial in this extraordinary first novel, which alternates between courtroom transcripts and a first-person account by the heroine, Aslaug, prosecuted for murders allegedly committed when she was 15. Carefully peeling back the facts entered in court, Meldrum lyrically describes Aslaug's isolated upbringing by the solitary Maren, a Danish polymath who educates Aslaug in science and languages-and in the medicinal value of the plants they collect near their Maine home; as Aslaug's story begins, Maren retreats into the hallucinatory powers of jimsonweed, or madapple, and dies without telling Aslaug the identity of her father. Flung into the contemporary world, Aslaug finds Maren's sister, a charismatic preacher, and her children, then hears explosive secrets about her conception, including Maren's claim never to have had a lover. Before long, Aslaug, too, is pregnant, and struggling to piece together her cousins' conflicting views of Maren's research into virgin births and pre-Christian messiahs. The author's timing is impeccable: her courtroom revelations advance the narrative while altering readers' perceptions of events, and Aslaug's ruminations force readers to question all they take in. Audiences will need some intellectual mettle for the densely seeded ideas, but they won't be able to stop reading. Ages 14-up. (May)

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KLIATT - Janis Flint-Ferguson
This novel is a fascinating look at belief and the interplay between the rational and the religious. Fifteen-year-old Aslaug has been isolated from family and friends; her only companion has been her mother and after weeks of waning health, her mother dies. Aslaug attempts to bury her in the back yard, which draws the attention of a grumpy old neighbor and the police. Her mother had been self-medicating with plants and herbs, and some of the plants have toxic qualities. They are toxic enough to draw attention, and Aslaug is accused of having poisoned her mother. The novel moves back and forth between Aslaug's trial for murder and the story of her life and experiences. Her life is surreal, a life of innocence disconnected from the realities of our culture. The courtroom is represented by the stark questions and answers of the witnesses and the lawyers, the twisting of words and the interpretations of those who have no understanding of the isolated upbringing of Aslaug. The story of Aslaug's life is one entrenched in charismatic religious belief and incestuous relationships, a full circle replicating her mother's supposed "virgin" pregnancy and her own birth. The juxtaposition of innocence and incest is an eerie, disturbing and thought-provoking exploration of religious belief and pagan superstitions, calling into question what is reality and what might be madness. Reviewer: Janis Flint-Ferguson
Children's Literature - Gail C. Krause
Aslaug Datter was lost in her mother's world, which she both loved and hated. Her mother's strangeness increased as Aslaug got older, to the point of possible abuse, but Aslaug knew her mother loved her in some strange, odd way—her mother's way. She taught her and educated her in languages, sciences and the arts. It wasn't until Aslaug's mother died that Aslaug thought she had found freedom from her mother's strange prison. But that was not to be. Aslaug found herself in a deeper prison, bound there by her aunt and cousin. Her abuse continued, both emotionally and physically, worse than any psychological prison her mother could have kept her in. Aslaug is accused of murdering her mother as well as her aunt and cousin and, to make matters worse, she finds she is pregnant, yet she knows she has not lain with a man. They say her mother was an impregnated virgin, as well. The study and comparisons of world religions flourishes through this book and the writing style is so original that it keeps the reader's attention throughout the book. A great read. Reviewer: Gail C. Krause
School Library Journal

Gr 9 Up- In Bethan, ME, 1987, Maren is pregnant; she claims that she is still a virgin. The story of her daughter, Aslaug, follows. She is raised by her severe mother in isolation. Her homeschooling, which includes multiple languages, religious studies, and herbology, excludes much more than it includes. Then, in 2003, Maren dies, and Aslaug discovers that she has an aunt and cousins nearby and begins living with them. She is simultaneously fascinated and confused by her discoveries of social interactions and how the world functions. Fast paced and suspenseful, Meldrum's novel deftly and subtly maintains tension by judiciously revealing key plot points. Aslaug narrates events from 2003 and 2004, which come back to haunt her in 2007, when she finds herself on trial for the murders of her aunt and cousin. Her story fills in gaps and masterfully manipulates perspective, ingeniously pointing out how everything can change depending on one's point of view. Chapters on the courtroom trial alternate with Aslaug's account, which leads up to the deaths. Deep examination of religion and science and how they intersect pervade the text in an exploratory and informative way. The inclusion of rape and poisoning lends darkness and weight to Aslaug's already intense experience. Filled with herbal imagery and nomenclature, the descriptions, both beautiful and surprising, paired with the expert control of pacing, make for a riveting and mind-opening experience.-Amy J. Chow, New York Public Library

Kirkus Reviews
The haunting tale of one exceptionally disturbed family unfolds in this gripping page-turner. Locked away from the world behind heavy drapes in a house with no mirrors, Aslaug Hellig grew up with her intelligent and overbearing mother Maren, who had told her that she was the product of immaculate conception. Though extremely knowledgeable about the local flora and other bookish pursuits, Aslaug is veritably clueless in social situations. When Maren dies suddenly, Aslaug's world shatters. Alone and frightened, she goes to stay with her estranged aunt and cousins until their suspicious demise. As the narrative moves between her trial for murder in the present and the past that led up to it, the Helligs' shocking truth is slowly revealed. Though Aslaug's situation is hardly conventional, the author does a spectacular job of making the unbelievable credible. A markedly intelligent offering mixing lush descriptions of plants, history, science and religion, this should surely spark interest among a wide array of readers. With this spellbinding debut, Meldrum marks herself as an author to watch. (Fiction. YA)

Product Details

ISBN-13:
9780375851773
Publisher:
Random House Children's Books
Publication date:
03/09/2010
Pages:
416
Sales rank:
983,716
Product dimensions:
5.20(w) x 8.00(h) x 0.87(d)
Lexile:
670L (what's this?)
Age Range:
14 Years

Read an Excerpt

Gnaphalium

Life Everlasting

Bethan, Maine October 1987

The women resemble schoolgirls with gangly limbs, ruddy cheeks, plaited flaxen hair; they walk holding hands. Yet the older of the two is pregnant; her unborn baby rides high and round. And the younger woman’s left foot scratches a path through the leaves. She seems comfortable with her limp, accustomed to it.

A child darts before them, chasing leaves that swirl at her feet. Her dark hair, tied back in a scant tail, whips behind her. She stumbles, catches herself. “Mor!” she calls out. “Mommy!” Then she points at a bird perched high on a leafless branch, its plump breast berry-like against the low sky.

The older woman hesitates before she recalls the bird’s name. “A robin. The bird is a robin. Soon it will fly south for the winter. It is too cold here in Maine.”

“Men det er ikke koldt. But it is not cold.” The child’s words are malformed; she is not yet three.

“Ikke for Danmark,” the woman says. “Not for Denmark. And certainly not for you, but you are not a robin.”

The robin jerks its head to the side, then back, before it takes flight.

“The robin was looking at you,” the child says to the woman with the limp, not her mother. “He wanted to know your name.”

“I’m Moster Maren, little Sanne. Aunt Maren. Have you already forgotten?”

“Yes!” The child laughs and sprints forward; her laugh is discordant, but the wind carries the sound away, and the woman, Maren, is grateful.

“Sanne reminds me of you when you were small,” the child’s mother says to Maren. “Do you recall what Fader called you? Gnaphalium, remember? That plant known at home as ‘life everlasting.’ You were so full of life.”

Maren stops walking.

“What is it, Maren?”

“Don’t go back to Denmark, Sara. Stay here with me. Please. Your marriage is ending—you know that. And with Moder’s death, there’s little keeping you. And I can help you. We’ll help each other.”

Sara frees her hand from Maren’s grip. “Fader is still in Denmark. And I told you before, I don’t need your help.”

“Yes, Fader,” Maren says. She reaches toward a plant and runs her index finger along a scar on the fleshy rhizome of the plant. “Solomon’s seal. This plant’s name is Solomon’s seal. See, the mark here. It resembles the seal of King Solomon, the Star of David—the symbol Solomon used to cast away demons, summon angels.”

Sara lifts Maren’s hand from the stalk and turns Maren toward her. “Tell me what’s wrong,” Sara says. “This isn’t about me. Why did you ask us to come? You said you were leaving Denmark to start a new life, but now you want to bring your life in Denmark with you here?”

“I want you here. And Sanne. And your new baby,” Maren says.

“But why? What is wrong? Is it something about Fader?”

“Don’t tell Fader.”

“Don’t tell Fader what, Maren?”

“I’m pregnant, too.”

“Mor!” the little girl calls out. “Løb efter mig, Mor!” Sanne runs down the path; trampled leaves cling to her scarf and hair. “Chase after me, Mommy!”

“You are pregnant?” Sara says, but she looks at her daughter and the gray sky and the leaves.

“Don’t be angry with me—” Maren says.

But Sara interrupts. “I didn’t even know you knew about such things.” She is fondling her own hands as her eyes search Sanne’s hands, but Sanne’s hands are a blur. “You’re so young, Maren. Maybe you’re mistaken.”

“I’m a robin.” Sanne’s arms stretch wide. “I can fly!”

“I’m almost sixteen,” Maren says. “I’m not that young.”

“But you’ve been in the States for less than two months. How could this happen in such a short time?”

“I’m four months pregnant,” Maren says. “Three months less than you. I was pregnant before I arrived.”

“Mor,” Sanne says. “I’m flying away. I’m flying south.”

Sara wraps her arms around herself and begins walking again, toward Sanne. She can see Sanne’s hands better now: her fingers splayed, and those two webbed fingers not splayed. And she wonders. And then she says, “Before you arrived? But how can that be? I didn’t even know you had a lover. I’ve been like a mother to you since Moder died. How could you have not told me?”

“I didn’t know.”

“Didn’t know?”

“I didn’t know I was pregnant. I found out the day I asked you to come.”

“But you knew you’d been with someone. You had a lover, Maren. And you didn’t tell me.”

“I’ve flown away, Mor.” Sanne has reached the end of the path. “I’m gone forever.”

“But I didn’t have a lover,” Maren says. “I’ve never had a lover.”

Solomon’s Seal

2007

—Please state your name for the record.

—Aslaug.

—And your last name?

—I don’t know.

—You don’t know your last name?

—No.

—Your mother’s name was Maren Hellig, was it not?

—Yes.

—You are Aslaug Hellig?

—Mother called me Aslaug Datter.

—So your last name is Datter?

—No. I mean, I don’t know. Datter means “daughter” in Danish. I’m not sure it’s my name.

—What was your father’s name?

—I don’t have a father.

—You don’t know who your father is?

—I don’t have a father, other than the one we share.

—You mean God in heaven?

—I never said God is in heaven.

—But you mean God, am I right?

—Yes.

—Well, I’m referring to your biological father. You don’t know who he is?

—I don’t have a biological father.

—Your Honor, the witness is being nonresponsive. She’s being tried here for one count of attempted murder and two counts of murder in the first degree, and she’s playing games—

—Do you have a birth certificate for the witness, Counsel? It seems that document may clarify this matter.

—She has no birth certificate, Your Honor. At least none we’ve found.

Meet the Author

Christina Meldrum is a former attorney who lives in the San Francisco Bay Area. Madapple is her first novel.

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Madapple 4.3 out of 5 based on 0 ratings. 36 reviews.
TeensReadToo More than 1 year ago
I finished reading MADAPPLE last night and, for the first time ever, I sat staring at the book in shock. For fifteen minutes. I was ready to laugh, to cry, and to scream in frustration. Never before have I read a book that left me feeling that way after finishing it. Sure, there have been books where I've laughed, cried, and been frustrated at different points as I read it (HARRY POTTER AND THE DEATHLY HALLOWS comes to mind) -- but to experience them all at once at the end of a book? Never.

Once the shock wore off, I began wondering how I was ever going to write a review of this book. Because a book that can cause emotions like that definitely can NOT be summed up in one paragraph, no matter how long. I could say that MADAPPLE was about flowers and plants. I could also say that it's about a girl who's a prisoner in her own life. I could also say that it challenges the religion of Christianity. I could say all of those things and so many more, but none of them would be correct. Yes, MADAPPLE is about flowers and plants. It's also about being a prisoner in your own life and it's even about Christianity. But it's also about so much more than that. More than even my mind can comprehend.

But I must warn you - MADAPPLE is NOT for everyone

Told in alternating chapters of the present and of testimonies being held at Aslaug's trial, MADAPPLE challenges the reader. It informs the reader. I, myself, though not a strong Christian, know by now that most Christians are offended when their religion is challenged. MADAPPLE does that. But I don't necessarily think it's a bad thing, for it never states that Christianity is wrong, and every single character has their own opinion on it. Heck, one of them even runs a church. But what it does do is explain how the birth and story of Jesus that the Christians follow is not the first in history. I'm not going to say more on that subject in fear of giving too much away, but I'll say this - if you're a Christian who is easily offended, I wouldn't read this. If you're a Christian who can handle a reasonable amount of things, pick up the book.

My feelings about MADAPPLE changed throughout the entire book. At first, I was intrigued, then confused, and then bored. Actually, I think I was confused up until the last page and then some. Even at this moment, I can't say whether I love or hate MADAPPLE. But I'm going to say that I love it because it's left me speechless, and the only other books to have done that are my favorites. The one thing, however, this book didn't do was make my stomach hurt. The character emotions just weren't there to make my heart break. All other aspects, besides that, which I love in books were there.

So do I recommend MADAPPLE? Definitely yes! But only if you're up for a challenging read. Only if you're mature enough to handle speculations about virgin and premarital birth. Only if you're ready to be blown away, because you will be, whether it's in a good or bad way. Only you can make that decision.
hayley lown More than 1 year ago
This is one of those books that can truly change you life. It is simultaneously vibrant and sad as it takes you on a journey where love is not always perfect or understood. This only maks it all th more real and keeps you fighting to hold fast to what you thought you knew only to realize that it might not have been so real after all. Beautifully written and with truthul and enigmatic characters this is a must read.
harstan More than 1 year ago
After leaving the home of her sister, martinet Maren Hellig raised her daughter Aslaug for over a decade locked away from the contamination of the outside world especially her aunt and cousins. Instead she teaches her daughter that there was no man in her life even to sire her as she is a product of the divine Immaculate Conception. She teaches her to enjoy nature and books. Without knowing better, Aslaug is contented with her world until her mom abruptly dies.---------- Alone, frightened and a suspect in Maren¿s death, Aslaug moves in with her Aunt Sarah, who was estranged from her mom, and her cousins. A social misfit, Aslaug struggles to survive in her new scary world. However, when another death in the family occurs, Aslaug is arrested and put on trial for the two homicides.------------------ This is a deep character driven young adult thriller that hooks readers once they have met Maren and Aslaug with the need to know did the teen commit matricide. The story line is character driven obviously by Aslaug, but also by her extended family. Secrets slowly are revealed to a stunned audience. MADAPPLE is a deep family drama in which the seed does not fall far from the tree, but truth may not set her free.--------------- Harriet Klausner
Anonymous More than 1 year ago
Definitely an interesting read. I kind of wish there was more too it but I'll have to say I did enjoy it and didn't want to put it down. I guess I was waiting for something more exciting to happen at the end but I do agree that this book was a very good read if you like something different.
Anonymous More than 1 year ago
Irl a girl (not for me dew)
Anonymous More than 1 year ago
MissPrint More than 1 year ago
"Madapple" is Meldrum's first novel, written while she worked as a litigator. The story starts, as many do, at the beginning. Specifically, it opens twenty years before the core events of the story with a young woman named Maren--away from her Danish relatives, living alone in Maine, and pregnant. Without, Maren tells her older sister, ever having had a lover. Such are the origins of Aslaug, Maren's daughter and the heroine of this novel. Immediately after this revelation from her mother, the narrative shifts from 1987 to 2007 in a courtroom where reader's quickly learn that Aslaug is on trial for murder and tells the court that she has no biological father. These two segments largely set the tone for the rest of the novel that follows, a tone that I would call both eerie and confusing. The rest of the narrative alternates between chapters set in the courtroom in 2007 (always titled "Solomon's Seal" for a plant thought to cast away demons) and chapters beginning in 2003 and working toward the trial in 2007 (these chapters are titled for other plants that Aslaug encounters, usually with some relevance to the events of the chapter). Having set up the body of the story, Meldrum nows moves to what I'd call the beginning of the plot in 2003. It is here that readers begin to learn about Aslaug's life instead of just her circumstances. Home-schooled and raised by her mother in an isolated house outside of town, Aslaug has little in common with the modern world. While other fifteen-year-olds are experimenting with makeup and going to movies, Aslaug is being taught ancient languages and learning about the various properties and lore of plants found in the woods near her home. Completely isolated and alone except for her mother's erratic, sometimes hurtful, companionship, Aslaug is desperate for a chance to escape from her life. That opportunity comes sooner than she had expected, the result of unforeseen events which thrust Aslaug into the world she previously watched from a distance. Along the way, Aslaug finds family she never knew she had and more questions about her own life than answers. There is more to the plot, but to get into further specifics here is impossible without ruining the quality of surprise and shock that Meldrum incorporates into so much of this narrative. Suffice it to say, nothing in this story is as it seems. At first, the narrative here seemed choppy--incorporating three different time periods in as many chapters as well as many unexpected Danish words. The more I read, the more the story started to make sense. As the narrative moved forward, to the point where past and future events converge, everything began to mesh together making the writing more seamless. For that reason, I found that "Madapple" was easier to handle when I read more of it at once. The text here is dense, with a lot of references to religious texts as well as plant mechanics, which do require a bit of time to absorb. Aside from Meldrum's masterful prose, her characterizations were interesting. Several of the "important" characters are unlikable but still remain valuable to both readers and Aslaug. At the same time, Meldrum spends a lot of time discussing religion in the text (as can be expected from a novel about a supposed virgin birth I suppose) but it doesn't get tiresome or overly dogmatic.
Anonymous More than 1 year ago
I read this book awhile back but it's always lurking in the back of my mind. Christina is an amazing writer and the way she pieces the book together is inspiring; unique; & utterly mesmorizing. This should be a New York Times Bestselled by now. This book deserves it!
DevoursFantasy More than 1 year ago
This book was confusing until the end. It's well written - the main character, Aslaug, is confused until the end, and the main story unfolds as she experiences it. Interspersed with her first person narrative are court scenes that offer an outsider view, contrasting modern reality with the weird world that Aslaug lives in. The contrast keeps you wondering what's real and shows how social constructs shape people's understanding of events. **Possible spoilers ahead** Much of the first person narrative feels surreal. Aslaug is brought up without any knowledge of society, laws, norms, etc. It's an interesting view of how different the world can be to a child that is completely isolated and indoctrinated by her mother and the rest of her family. Once reality finally clicks, it's as if she comes out of a drug-induced haze, bringing the reader out of it with her. Weird and dark, with issues such as drug and alcohol abuse, family abuse and dysfunction, mis-use of religion, incest, etc., it's well-written and thought-provoking after the final page. Definitely different than anything else I've ever read.
Anonymous More than 1 year ago
This book is......absolutley beautiful.
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Desire- More than 1 year ago
I read the book Madapple by Christina Meldrum. I thought this book was really good because it had a lot of mystery, and adventure, and it was kind of confusing because of the different language that Aslaug, Maren, Susan, Sarah, and Rune spoke and it would go from Aslaug's point of view back then and then to court sessions in the present. The story is about this 16 year old girl at the beginning. She got pregnant but told her sister Sarah that she had no lover. Then when Sarah had her kids Rune and Susan.Sarah told Rune and Susan about Aslaug Maren's daughter and Susan read the notes that Maren had took when she was pregnant with Aslaug trying to figure out how she had gotten pregnant. Susan believed that Aslaug was born of a virgin birth like Jesus was. One of the main characters was Aslaug. She played and important roll in this book because the police claimed the she is the one who killed Maren Helig (her mother). Then her cousin Runes girlfriend tried to lie to the Judge and say that Phalia (Sophie) was her daughter when really Phalia is Aslaug's daughter. Maren Helig is also another main character she is Aslaug's mother she lived with her mom up until her mom got cancer. I could relate to Aslaug in this book because she lost her mother and I know what it feels like to lose a parent because I lost my dad when I just turned 10.He died 6 days after my birthday, but when he left I had somewhere to go. I had to live with my mother. And I also know what it feels like to have to sit in a court room and have people blame you for something that you know you would never do. I absolutely loved this book because it had a lot of mystery and I never wanted to stop reading it. My favorite part in the book was when Aslaug found all of that money. At least Aslaug had money to go somewhere and get what she needs to be able to survive. My least favorite part of the book is when Aslaug's aunt Sara keeps her locked in the room at that church. And also Sara tries to kill Aslaug's baby that's really mean.
Anonymous More than 1 year ago
TKME More than 1 year ago
Loved this book, it was both intriguing and emotional. A must read.
Anonymous More than 1 year ago
Euphoria13 More than 1 year ago
For the first time, i just can't seem to find the words to summarize or explain what this story is about because it was just... WOW. I think i can start off by saying that i am VERY SURPRISED that this book is actually a teen book because it has A LOT of MATURE content within it. There was so much going on in this book that i don't think a young teen (13-15) could understand half of the story. Madapple is not your average story. I have to admit that Christina Meldrum really put a lot of effort in writing this story because it's very different from any book that I've ever read, she did a lot of research for this book and her writing is deep. Madapple is a story that challenges human nature, religion and identity.The story is mainly about Aslaug on trial, accused for the death of her Mother, Aunt, and Cousin. The story also shifts time periods, it goes from the present with Aslaug in court then into Aslaug's past, with her narrating her story. In the past, the reader learns of Aslaug's life with her mother. They lived in isolation, away from people and their advance way of life. Aslaug and her mother lived in a simple matter,collecting different plants and herbs to use for many things, such as food and medicine. Aslaug's mother teaches her about everything. Religion, science and health are a few of the main topics that Aslaug learns from her. But there are a lot of things, ideas and questions that Aslaug doesn't fathom, such as her birth. Her mother never mentioned anything about her father, let alone that she even had a father. Her mother believed that Aslaug's birth was a virgin birth. It is this sub plot within the story that will definitely challenge the reader's belief if they are religious or if they are Christian. I'd like to point out that if you are either one of the two, then this book is NOT FOR YOU. You might get offended because this book really challenges the Christian Faith. I'm a Christian and i admit that i felt uncomfortable reading this book because of how it views the Christian religion. On a good note though, i have to give credit to the author for writing such a refreshing yet bone chilling story. Aslaug's story is shocking and tragic. You will find yourself angry, sad, curious, and confused reading this story. This is exactly why this review was a bit difficult to write because there is a lot to this story both emotionally and plot wise. I would recommend reading this book if you are looking for a book to pull you in the moment you start to read and if you are looking for a different kind of story to read, something that does not involve cliche's or trends within YA literature.
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Mdesmondobrien More than 1 year ago
http://maggiesbookshelf.blogspot.com/2010/01/madapple.html Aslaug's mother may have taught about science and religion, plants and animals and the rest of the natural world-but what she's never been taught about is life. Especially about her life, or who her father could be. But when Aslaug's mother dies, and Aslaug is a suspect in her death, her world is torn to pieces. She escapes to the only tie to the outside world she's ever known-a monastery turned church that houses her aunt, cousins and terrifying secrets about Aslaug's past.a past that holds uncanny sway over her future. Boy, was this book worth a second read! I was blown away by everything about this novel-its spare, dark style, the pages and pages of scientific, religious and herbal lore that somehow weave their way seamlessly into the story, and most of all, the haunting and startlingly realistic characters. It's rare that I find a book that I can't find anything wrong with. And even with those books, I still tend to find something wrong. For example, with this one, the end of the story was a little less than satisfying. But even so, with all of the books upon books upon books that I've read, I still think I've found a new favorite. Luscious description, hypnotic prose, and achingly real dialogue made for a book I couldn't put down. And I mean quite literally couldn't put down. It's even rarer that I find a book that I want to cash in my savings account on and buy a copy for absolutely everybody I know. But Madapple is that book! So in lieu of an extra thousand dollars or so, I'm begging you to pick this one up at your local (indie!) bookstore, or at least go to the library for it. After this roller coaster ride of emotions, revelations and a 101 course in pretty much every subject I can think of, I doubt you'll be disappointed. One thing I've never found? A debut author that delivers quite as thoroughly as Christina Meldrum has done here!
BookwormW More than 1 year ago
When I began reading "Madapple" I was immediately sucked in. I read it constantly, whenever I was able. You get a new perspective on the way she lives, why she does the things she does, why she says the things she does, and why she believes the things she does. I especially enjoyed how it switched back and forth between her story and the trial. I highly recommend this novel. When you finish this book, it won't leave much to be desired, and neatly ties up any loose ends.
Anonymous More than 1 year ago