Seven Dials (Thomas and Charlotte Pitt Series #23)

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Overview

Thomas Pitt, mainstay of Her Majesty’s Special Branch, is summoned to Connaught Square mansion, where the body of a junior diplomat lies huddled in a wheelbarrow. Nearby stands the tenant of the house, the beautiful, notorious Egyptian woman Ayesha Zakhari, who falls under the shadow of suspicion. Pitt’s orders are to protect—at all costs—the good name of the third person in the garden: senior cabinet minister Saville Ryerson. The distinguished public servant, whispered to be Ayesha’s lover, insists that she is as innocent as Pitt himself. Pitt’s journey to uncover the truth takes him from Egyptian cotton fields to the insidious London slum called Seven Dials—and ultimately to a packed London courtroom in which shocking secrets will at last be revealed.

Editorial Reviews

Publishers Weekly
In her 23rd Victorian mystery featuring Thomas and Charlotte Pitt (after 2002's Southampton Row), Perry uses a pending economic crisis to good effect. Now firmly ensconced in his job with Special Branch, Thomas looks into the murder of a junior diplomat, whose corpse turns up in a wheelbarrow in a garden belonging to a mysterious and beautiful Egyptian woman, Ayesha Zakhari. Pitt travels to Egypt for answers, but the more he learns about Miss Zakhari the more he suspects that she's the pawn in some ugly political game. The Pitts' maid, Gracie, involves Charlotte in the search for a missing valet. Gracie also enlists the aid of Thomas's former subordinate, Sergeant Tellman, and in one of the charming subplots of the book, their romance develops further. The trail leads Charlotte into the dark and dangerous alleys of London's Seven Dials district, and eventually she and Thomas discover that the two cases intersect in a horrifying way. Perry once again delivers a complex and satisfying tale that fans of the series will devour. (Feb. 4) Forecast: With a big promotional push including national print ads and a sample chapter in the paperback edition of Southampton Row (Feb.), this should hit some bestseller lists. The London Times selected Perry as one of the 20th century's "100 Masters of Crime." Copyright 2002 Cahners Business Information.
Library Journal
The beautiful Egyptian Ayesha Zakhari is the primary suspect when Lt. Edwin Lovat, her former lover, is found murdered at her London mansion. Also present when police arrive is cabinet minister Saville Ryerson, whose involvement prompts Prime Minister Gladstone to ask Special Branch to solve the case. While Thomas Pitt journeys to Egypt in search of the truth, his wife, Charlotte, and their plucky maid, Gracie, look for a missing valet. Thomas learns that Ayesha is far from the notorious woman everyone assumes her to be. He also uncovers Lovat's part in a horrifying crime in Egypt 12 years earlier. Perry once again ingeniously combines a lively mystery with a harsh portrait of a society devoted to covering up unpleasantness, though her character development is a bit thinner than usual. Michael Page perhaps tries to overcome this weakness by making much of the dialog melodramatic. Recommended where Perry is popular.-Michael Adams, CUNY Graduate Ctr. Copyright 2003 Reed Business Information.
Kirkus Reviews
The case seems open and shut. Lt. Edwin Lovat, an army officer turned junior diplomat, has been found shot to death at Eden Lodge on Connaught Square. An anonymous call with that newfangled invention, the telephone, has dispatched officers to the scene so promptly that they’ve caught Ayesha Zakhari, the beautiful Egyptian who rents the house and owns the murder weapon, standing over a wheelbarrow containing the bleeding corpse. But because the presumptive killer is the mistress of Saville Ryerson, MP for Manchester and cabinet minister, Prime Minister Gladstone demands that Her Majesty’s Special Branch do whatever it can to shield Ryerson, who says he arrived at the crime scene moments before the police. Special Branch officer Thomas Pitt (Southampton Row, 2002, etc.), surveying the evidence, realizes what a tall order that will be, since Ryerson’s brief—which includes cotton exports that have long been a sore subject between cotton-growing Egypt and cotton-weaving England—places him at the heart of an intrigue that will soon pack Pitt off to Alexandria, where the wealth of reliable detail about Egyptian customs and history will help mask the vacuity of characters whose only interest is in the forces they stand for. Back home, Pitt’s wife Charlotte is pulled into a search for Martin Garvey, an equally blank valet whose disappearance is connected to Lovat’s murder in ways that illuminate still deeper social abuses in Victoria’s England. Indefatigable Perry forgets a cardinal rule: Even if the fate of nations depends on their characters, novelists first need to make readers care about them as people.

Product Details

  • ISBN-13: 9780345523716
  • Publisher: Random House Publishing Group
  • Publication date: 10/4/2011
  • Pages: 368
  • Sales rank: 274,587
  • Series: Thomas and Charlotte Pitt Series , #23
  • Product dimensions: 5.10 (w) x 8.00 (h) x 0.74 (d)

Meet the Author

Anne Perry
Anne Perry
ANNE PERRY is the bestselling author of the World War I novels No Graves as Yet, Shoulder the Sky, Angels in the Gloom, At Some Disputed Barricade, and We Shall Not Sleep; as well as five holiday novels: A Christmas Journey, A Christmas Visitor, A Christmas Guest, A Christmas Secret, and A Christmas Beginning. She is also the creator of two acclaimed series set in Victorian England. Her William Monk novels include Dark Assassin, The Shifting Tide, and Death of a Stranger. The popular novels featuring Thomas and Charlotte Pitt include Long Spoon Lane, Seven Dials, and Southampton Row. Her short story "Heroes" won an Edgar Award. Anne Perry lives in Scotland. Visit her website at anneperry.net.

Biography

Born in London in October 1938, Anne Perry was plagued with health problems as a young child. So severe were her illnesses that at age eight she was sent to the Bahamas to live with family friends in the hopes that the warmer climate would improve her health. She returned to her family as a young teenager, but sickness and frequent moves had interrupted her formal education to the extent that she was finally forced to leave school altogether. With the encouragement of her supportive parents, she was able to "fill in the gaps" with voracious reading, and her lack of formal schooling has never held her back.

Although Perry held down many jobs—working at various times as a retail clerk, stewardess, limousine dispatcher, and insurance underwriter—the only thing she ever seriously wanted to do in life was to write. (In her '20s, she started putting together the first draft of Tathea, a fantasy that would not see print until 1999.) At the suggestion of her stepfather, she began writing mysteries set in Victorian London; and in 1979, one of her manuscripts was accepted for publication. The book was The Cater Street Hangman, an ingenious crime novel that introduced a clever, extremely untidy police inspector named Thomas Pitt. In this way an intriguing mystery series was born…along with a successful writing career.

In addition to the Thomas and Charlotte Pitt novels, Perry crafts darker, more layered Victorian mysteries around the character of London police detective William Monk, whose memory has been impaired by a coach accident. (Monk debuted in 1990's The Face of a Stranger.) She also writes historical novels set during the First World War (No Graves as Yet, Shoulder the Sky, etc.) and holiday-themed mysteries (A Christmas Journey, A Christmas Secret, etc), and her short stories have been included in several anthologies.

Good To Know

Some fun and fascinating outtakes from our interview with Anne Perry:

The first time I made any money telling a story I was four and a half years old—golden hair, blue eyes, a pink smocked dress, and neat little socks and shoes. I walked home from school (it was safe then) with my lunchtime sixpence unspent. A large boy, perhaps 12 or 13, stopped me. He was carrying a stick and threatened to hit me if I didn't give him my sixpence. I told him a long, sad story about how poor we were—no food at home, not even enough money for shoes! He gave me his half crown—five times sixpence! It's appalling! I didn't think of it as lying, just escaping with my sixpence. How on earth he could have believed me I have no idea. Perhaps that is the knack of a good story—let your imagination go wild, pile on the emotions—believe it yourself, evidence to the contrary be damned. I am not really proud of that particular example!

I used to live next door to people who had a tame dove. They had rescued it when it broke its wing. The wing healed, but it never learned to fly again. I used to walk a mile or so around the village with the dove. Its little legs were only an inch or two long, so it got tired, then it would ride on my head. Naturally I talked to it. It was a very nice bird. I got some funny looks. Strangers even asked me if I knew there was a bird on my head! Who the heck did they think I was talking to? Of course I knew there was a bird on my head. I'm not stupid—just a writer, and entitled to be a little different. I'm also English, so that gives me a second excuse!

On the other hand I'm not totally scatty. I like maths, and I used to love quadratic equations. One of the most exciting things that happened to me was when someone explained non-Euclidean geometry to me, and I suddenly saw the infinite possibilities in lateral thinking! How could I have been so blind before?

Here are some things I like—and one thing I don't:

  • I love wild places, beech trees, bluebell woods, light on water—whether the light is sunlight, moonlight, or lamplight; and whether the water is ocean, rain, snow, river, mist, or even a puddle.

  • I love the setting sun in autumn over the cornstooks.

  • I love to eat raspberries, pink grapefruit, crusty bread dipped in olive oil.

  • I love gardens where you seem to walk from "room to room," with rambling roses and vines climbing into the trees and sudden vistas when you turn corners.

  • I love white swans and the wild geese flying overhead.

  • I dislike rigidity, prejudice, ill-temper, and perhaps above all, self-righteousness.

  • I love laughter, mercy, courage, hope. I think that probably makes me pretty much like most people. But that isn't bad.
      1. Also Known As:
        Juliet Hulme
      2. Hometown:
        Portmahomack, Ross-shire, U.K
      1. Date of Birth:
        October 28, 1938
      2. Place of Birth:
        Blackheath, London England

    Read an Excerpt

    Pitt opened his eyes but the thumping did not stop. The first gray of mid-September daylight showed through the curtains. It was not yet six, and there was someone at the front door.

    Beside him, Charlotte stirred a little in her sleep. In a moment the knocking would waken her too. He slid out of bed and moved quickly across the floor and onto the landing. He ran down the stairs in his bare feet, snatched his coat off the rack in the hall, and with one arm through the sleeve, unbolted the front door.

    "Good morning, sir," Jesmond said apologetically, his hand still in the air to knock again. He was about twenty-four, seconded from one of the local London police stations to Special Branch, and he considered it to be a great promotion. "Sorry, sir," he went on. "But Mr. Narraway wants you, straightaway, like."

    Pitt saw the waiting hansom just beyond him, the horse fidgeting a little, its breath hanging vapor in the air. "All right," he said with irritation. It was not a particularly interesting case he was on, but he had it nearly solved; only one or two small pieces remained. He did not want a distraction now. "Come in." He gestured behind him towards the passage to the kitchen. "If you know how, you can riddle the stove and put the kettle on."

    "No time, sir, beggin' your pardon," Jesmond said grimly. "Can't tell you wot it's about, but Mr. Narraway said ter come right away." He stood firmly on the pavement as if remaining rooted to the spot would make Pitt leave with him even sooner.

    Pitt sighed and went back in, closing the door to keep the damp air out. He climbed the stairs, doffing his coat, and by the time he was in the bedroom, pouring water out of the ewer into the basin, Charlotte was sitting up in bed pushing her heavy hair out of her eyes.

    "What is it?" she asked, although after more than ten years of marriage to him, first when he was in the police, now the last few months in the Special Branch, she knew. She started to get out of bed.

    "Don't," he said quickly. "There's no point."

    "I'll get you a cup of tea, at least," she replied, ignoring him and standing on the rug beside the bed. "And some hot water to shave. It'll only take twenty minutes or so."

    He put down the ewer and went over to her, touching her gently. "I'd have had the constable do it, if there were time. There isn't. You might as well go back to sleep . . . and keep warm." He slid his arms around her, holding her close to him. He kissed her, and then again. Then he stepped back and returned to the basin of cold water and began to wash and dress, ready to report to Victor Narraway, as far as he knew, the head of the Secret Service in Queen Victoria's vast empire. If there was anybody above him, Pitt did not know of it.

    Outside, the streets were barely stirring. It was too early for cooks and parlor maids, but tweenies, bootboys, and footmen were about, carrying in fresh coal, taking deliveries of fish, vegetables, fruit, and poultry. Areaway doors were open and sculleries were brightly lit in the shadows of the widening dawn.

    It was not very far from Keppel Street, where Pitt lived in a modest but very respectable part of Bloomsbury, to the discreet house where Narraway currently had his offices, but it was already daylight when Pitt went in and up the stairs. Jesmond remained below. He had apparently finished his task.

    Narraway was sitting in the big armchair he seemed to take with him from one house to another. He was slender, wiry, and at least three inches shorter than Pitt. He had thick, dark hair, touched with gray at the temples, and eyes so dark they seemed black. He did not apologize for getting Pitt out of bed, as Cornwallis, Pitt's superior in the police, would have done.

    "There's been a murder at Eden Lodge," he said quietly. His voice was low and very precise, his diction perfect. "This would be of no concern to us, except that the dead man is a junior diplomat, of no particular distinction, but he was shot in the garden of the Egyptian mistress of a senior cabinet minister, and it seems the minister was unfortunately present at the time." He stared levelly at Pitt.

    Pitt took a deep breath. "Who shot him?" he asked.

    Narraway's eyes did not blink. "That is what I wish you to find out, but so far it unfortunately looks as if Mr. Ryerson is involved, since the police do not seem to have found anyone else on the premises, apart from the usual domestic servants, who were in bed. And rather worse than that, the police arrived to find the woman actually attempting to dispose of the body."

    "Very embarrassing," Pitt agreed dryly. "But I don't see what we can do about it. If the Egyptian woman shot him, diplomatic immunity doesn't stretch to cover murder, does it? Either way, we cannot affect it."

    Pitt would have liked to add that he had no desire or intention of covering the fact that a cabinet minister had been present, but he very much feared that that was exactly what Narraway was going to ask him to do, for some perceived greater good of the government or the safety of some diplomatic negotiation. There were aspects of being in Special Branch that he disliked intensely, but ever since the business in Whitechapel he had had little choice. He had been dismissed from his position as head of the Bow Street station, and had accepted secondment to Special Branch as protection for himself from the persecution that had followed his exposure of the Inner Circle's power and its crimes. His new assignment was the only avenue open to him in which he could use his skills to earn a living for himself and his family.

    Narraway gave a slight smile, no more than an acknowledgment of a certain irony.

    "Just go and find out, Pitt. She's been taken to the Edgware Road police station. The house is on Connaught Square, apparently. Somebody is spending a good deal of money on it."

    Pitt gritted his teeth. "Mr. Ryerson, I presume, if she is his mistress. I suppose you are not saying that loosely?"

    Narraway sighed. "Go and find out, Pitt. We need the truth before we can do anything about it. Stop weighing it and judging, and go and do your job."

    "Yes, sir," Pitt said tartly, standing a little straighter for an instant before turning on his heel and going out, thrusting his hands into his jacket pockets and pushing the entire garment out of shape.

    He set out along the street westward towards Hyde Park and the Edgware Road, intending to pick up a hansom as soon as he saw one.

    There were more people around now, more traffic in the streets. He passed a newsboy with the earliest edition, headlining the threat of strikes in the cotton mills of Manchester. This problem had been grumbling on for a while, and looked like it was getting worse. Processing cotton was the biggest industry in the whole of the West Midlands, and tens of thousands of people made their living from it, one way or another. The raw cotton was imported from Egypt and woven, dyed and manufactured into goods there, then sold again all over the world. The damage of a strike would spread wide and deep.

    There was a woman on the corner of the street selling hot coffee. The sky was calm and still, shredded with ragged clouds, but he was chilled enough to find the prospect of a hot drink welcome. There could well be no time for breakfast. He stopped.

    "Mornin', sir," she said cheerfully, grinning to show two missing teeth. "Lovely day, sir. But a nip in the air, eh? 'Ow abaht an 'ot cup ter start the mornin'?"

    "Yes, please."

    "That'll be tuppence, sir." She held out a gnarled hand, fingers dark with the stain of the beans.

    He gave her the money, and accepted the steaming coffee in return. He stood on the pavement, drinking slowly and thinking how he could approach the police when he reached the Edgware Road station. They would resent his interference, even if the case threatened to be so ugly they would be glad to pass the blame on to someone else. He knew how he had felt when he was in charge of Bow Street. Good or bad, he wanted to handle cases himself, not have his judgment overridden by senior officers who knew less of the area, of the details of the evidence, and who had not even met the people concerned, let alone questioned them, seen where they lived, who they cared for, loved, feared, or hated.

    The cases he had handled so far in Special Branch were largely preventative: matters of finding men likely to incite violence and stir up the cold, hungry, and impoverished into riot. Occasionally he had been involved in the search for an anarchist or potential bomber. The Special Branch had been formed originally to combat the Irish Problem, and had had a certain degree of success, at least in keeping violence under control. Now its remit was against any threat to the security of the country, so possibly the fall of a major government figure could be scraped into that category.

    He finished the coffee and handed the mug back to the woman, thanking her and continuing along the pavement. He took the last few yards at a run as he saw an empty hansom stop at the intersection, and he hailed the driver.

    At the Edgware Road station an Inspector Talbot was in charge of the case and received Pitt in his office with barely concealed impatience. He was a man of middle height, lean as a whippet, with sad, slightly faded blue eyes. He stood behind his desk, piled with neatly handwritten reports, and stared at Pitt, waiting for him to speak.

    "Thomas Pitt from Special Branch," Pitt introduced himself, offering his card to prove his identity.

    Talbot's face tightened, but he waved a hand for Pitt to sit down in one of the rigid, hard-backed chairs. "It's a clean case," Talbot said flatly. "The evidence is pretty hard to misunderstand. The woman was found with the body, trying to move it. It was her gun that shot him, and it was in the barrow beside the body. Thanks to someone's quick thought, we got her in the act." The expression in his face was a challenge, daring Pitt to contradict such blatant facts.

    "Whose honesty?" Pitt asked, but his stomach knotted up with foreknowledge of a kind of hopelessness already. This was going to be simple, ordinary and ugly, and as Talbot said, there was no way of evading it.

    "Don't know," Talbot replied. "Someone raised the alarm. Heard the shots, they said."

    "Raised the alarm how?" Pitt asked, a tiny prickle of curiosity awakened in him.

    "Telephone," Talbot answered, catching Pitt's meaning instantly. "Narrows it down a bit, doesn't it? Before you ask, we don't know who. Wouldn't give a name, and apart from that, the caller was so alarmed the voice was hoarse-and so up and down the operator couldn't even say for sure whether it was a man or a woman."

    "So the caller was close enough to be certain it was shots," Pitt concluded immediately. "How many houses have telephones within a hundred yards of Eden Lodge?"

    Talbot pulled his mouth into a grimace. "Quite a few. Within a hundred and fifty yards, then, probably fifteen or twenty. It's a very nice area, lot of money. We'll try asking, of course, but the fact the caller didn't give a name means he or she wants to keep well out of it." He shrugged. "Pity. Might have seen something, but I suppose more likely they didn't. Body was found in the garden, well concealed by shrubbery, all leaves still on the trees, barely beginning to turn color. Laurels and stuff on the ground, evergreens."

    Table of Contents

    First Chapter

    Pitt opened his eyes but the thumping did not stop. The first gray of mid-September daylight showed through the curtains. It was not yet six, and there was someone at the front door.

    Beside him, Charlotte stirred a little in her sleep. In a moment the knocking would waken her too. He slid out of bed and moved quickly across the floor and onto the landing. He ran down the stairs in his bare feet, snatched his coat off the rack in the hall, and with one arm through the sleeve, unbolted the front door.

    "Good morning, sir," Jesmond said apologetically, his hand still in the air to knock again. He was about twenty-four, seconded from one of the local London police stations to Special Branch, and he considered it to be a great promotion. "Sorry, sir," he went on. "But Mr. Narraway wants you, straightaway, like."

    Pitt saw the waiting hansom just beyond him, the horse fidgeting a little, its breath hanging vapor in the air. "All right," he said with irritation. It was not a particularly interesting case he was on, but he had it nearly solved; only one or two small pieces remained. He did not want a distraction now. "Come in." He gestured behind him towards the passage to the kitchen. "If you know how, you can riddle the stove and put the kettle on."

    "No time, sir, beggin' your pardon," Jesmond said grimly. "Can't tell you wot it's about, but Mr. Narraway said ter come right away." He stood firmly on the pavement as if remaining rooted to the spot would make Pitt leave with him even sooner.

    Pitt sighed and went back in, closing the door to keep the damp air out. He climbed the stairs, doffing his coat, and by the time he was in the bedroom, pouring water outof the ewer into the basin, Charlotte was sitting up in bed pushing her heavy hair out of her eyes.

    "What is it?" she asked, although after more than ten years of marriage to him, first when he was in the police, now the last few months in the Special Branch, she knew. She started to get out of bed.

    "Don't," he said quickly. "There's no point."

    "I'll get you a cup of tea, at least," she replied, ignoring him and standing on the rug beside the bed. "And some hot water to shave. It'll only take twenty minutes or so."

    He put down the ewer and went over to her, touching her gently. "I'd have had the constable do it, if there were time. There isn't. You might as well go back to sleep . . . and keep warm." He slid his arms around her, holding her close to him. He kissed her, and then again. Then he stepped back and returned to the basin of cold water and began to wash and dress, ready to report to Victor Narraway, as far as he knew, the head of the Secret Service in Queen Victoria's vast empire. If there was anybody above him, Pitt did not know of it.

    Outside, the streets were barely stirring. It was too early for cooks and parlor maids, but tweenies, bootboys, and footmen were about, carrying in fresh coal, taking deliveries of fish, vegetables, fruit, and poultry. Areaway doors were open and sculleries were brightly lit in the shadows of the widening dawn.

    It was not very far from Keppel Street, where Pitt lived in a modest but very respectable part of Bloomsbury, to the discreet house where Narraway currently had his offices, but it was already daylight when Pitt went in and up the stairs. Jesmond remained below. He had apparently finished his task.

    Narraway was sitting in the big armchair he seemed to take with him from one house to another. He was slender, wiry, and at least three inches shorter than Pitt. He had thick, dark hair, touched with gray at the temples, and eyes so dark they seemed black. He did not apologize for getting Pitt out of bed, as Cornwallis, Pitt's superior in the police, would have done.

    "There's been a murder at Eden Lodge," he said quietly. His voice was low and very precise, his diction perfect. "This would be of no concern to us, except that the dead man is a junior diplomat, of no particular distinction, but he was shot in the garden of the Egyptian mistress of a senior cabinet minister, and it seems the minister was unfortunately present at the time." He stared levelly at Pitt.

    Pitt took a deep breath. "Who shot him?" he asked.

    Narraway's eyes did not blink. "That is what I wish you to find out, but so far it unfortunately looks as if Mr. Ryerson is involved, since the police do not seem to have found anyone else on the premises, apart from the usual domestic servants, who were in bed. And rather worse than that, the police arrived to find the woman actually attempting to dispose of the body."

    "Very embarrassing," Pitt agreed dryly. "But I don't see what we can do about it. If the Egyptian woman shot him, diplomatic immunity doesn't stretch to cover murder, does it? Either way, we cannot affect it."

    Pitt would have liked to add that he had no desire or intention of covering the fact that a cabinet minister had been present, but he very much feared that that was exactly what Narraway was going to ask him to do, for some perceived greater good of the government or the safety of some diplomatic negotiation. There were aspects of being in Special Branch that he disliked intensely, but ever since the business in Whitechapel he had had little choice. He had been dismissed from his position as head of the Bow Street station, and had accepted secondment to Special Branch as protection for himself from the persecution that had followed his exposure of the Inner Circle's power and its crimes. His new assignment was the only avenue open to him in which he could use his skills to earn a living for himself and his family.

    Narraway gave a slight smile, no more than an acknowledgment of a certain irony.

    "Just go and find out, Pitt. She's been taken to the Edgware Road police station. The house is on Connaught Square, apparently. Somebody is spending a good deal of money on it."

    Pitt gritted his teeth. "Mr. Ryerson, I presume, if she is his mistress. I suppose you are not saying that loosely?"

    Narraway sighed. "Go and find out, Pitt. We need the truth before we can do anything about it. Stop weighing it and judging, and go and do your job."

    "Yes, sir," Pitt said tartly, standing a little straighter for an instant before turning on his heel and going out, thrusting his hands into his jacket pockets and pushing the entire garment out of shape.

    He set out along the street westward towards Hyde Park and the Edgware Road, intending to pick up a hansom as soon as he saw one.

    There were more people around now, more traffic in the streets. He passed a newsboy with the earliest edition, headlining the threat of strikes in the cotton mills of Manchester. This problem had been grumbling on for a while, and looked like it was getting worse. Processing cotton was the biggest industry in the whole of the West Midlands, and tens of thousands of people made their living from it, one way or another. The raw cotton was imported from Egypt and woven, dyed and manufactured into goods there, then sold again all over the world. The damage of a strike would spread wide and deep.

    There was a woman on the corner of the street selling hot coffee. The sky was calm and still, shredded with ragged clouds, but he was chilled enough to find the prospect of a hot drink welcome. There could well be no time for breakfast. He stopped.

    "Mornin', sir," she said cheerfully, grinning to show two missing teeth. "Lovely day, sir. But a nip in the air, eh? 'Ow abaht an 'ot cup ter start the mornin'?"

    "Yes, please."

    "That'll be tuppence, sir." She held out a gnarled hand, fingers dark with the stain of the beans.

    He gave her the money, and accepted the steaming coffee in return. He stood on the pavement, drinking slowly and thinking how he could approach the police when he reached the Edgware Road station. They would resent his interference, even if the case threatened to be so ugly they would be glad to pass the blame on to someone else. He knew how he had felt when he was in charge of Bow Street. Good or bad, he wanted to handle cases himself, not have his judgment overridden by senior officers who knew less of the area, of the details of the evidence, and who had not even met the people concerned, let alone questioned them, seen where they lived, who they cared for, loved, feared, or hated.

    The cases he had handled so far in Special Branch were largely preventative: matters of finding men likely to incite violence and stir up the cold, hungry, and impoverished into riot. Occasionally he had been involved in the search for an anarchist or potential bomber. The Special Branch had been formed originally to combat the Irish Problem, and had had a certain degree of success, at least in keeping violence under control. Now its remit was against any threat to the security of the country, so possibly the fall of a major government figure could be scraped into that category.

    He finished the coffee and handed the mug back to the woman, thanking her and continuing along the pavement. He took the last few yards at a run as he saw an empty hansom stop at the intersection, and he hailed the driver.

    At the Edgware Road station an Inspector Talbot was in charge of the case and received Pitt in his office with barely concealed impatience. He was a man of middle height, lean as a whippet, with sad, slightly faded blue eyes. He stood behind his desk, piled with neatly handwritten reports, and stared at Pitt, waiting for him to speak.

    "Thomas Pitt from Special Branch," Pitt introduced himself, offering his card to prove his identity.

    Talbot's face tightened, but he waved a hand for Pitt to sit down in one of the rigid, hard-backed chairs. "It's a clean case," Talbot said flatly. "The evidence is pretty hard to misunderstand. The woman was found with the body, trying to move it. It was her gun that shot him, and it was in the barrow beside the body. Thanks to someone's quick thought, we got her in the act." The expression in his face was a challenge, daring Pitt to contradict such blatant facts.

    "Whose honesty?" Pitt asked, but his stomach knotted up with foreknowledge of a kind of hopelessness already. This was going to be simple, ordinary and ugly, and as Talbot said, there was no way of evading it.

    "Don't know," Talbot replied. "Someone raised the alarm. Heard the shots, they said."

    "Raised the alarm how?" Pitt asked, a tiny prickle of curiosity awakened in him.

    "Telephone," Talbot answered, catching Pitt's meaning instantly. "Narrows it down a bit, doesn't it? Before you ask, we don't know who. Wouldn't give a name, and apart from that, the caller was so alarmed the voice was hoarse-and so up and down the operator couldn't even say for sure whether it was a man or a woman."

    "So the caller was close enough to be certain it was shots," Pitt concluded immediately. "How many houses have telephones within a hundred yards of Eden Lodge?"

    Talbot pulled his mouth into a grimace. "Quite a few. Within a hundred and fifty yards, then, probably fifteen or twenty. It's a very nice area, lot of money. We'll try asking, of course, but the fact the caller didn't give a name means he or she wants to keep well out of it." He shrugged. "Pity. Might have seen something, but I suppose more likely they didn't. Body was found in the garden, well concealed by shrubbery, all leaves still on the trees, barely beginning to turn color. Laurels and stuff on the ground, evergreens."


    From the Hardcover edition.

    Customer Reviews

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    Sort by: Showing 1 – 19 of 14 Customer Reviews
    • Anonymous

      Posted January 27, 2012

      Awesome!

      EVERYTHING I LOVE IN A BOOK-EXOTIC FOOD,early 1900s London,coppers, Egypt, and of course cats!!

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    • Anonymous

      Posted January 3, 2010

      great page turner

      would read again

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    • Anonymous

      Posted June 26, 2003

      Read half of it in one evening!

      Find yourself stepping carefully through the sultry, baked-mud streets of Victorian Alexandria, the heady smells of spices and camels and woolen rugs swirling around you as you follow Pitt through a completely unexpected adventure in Egypt. The British have control of the country and the precious Suez Canal, but only just. The undercurrents of hatred, violence, and revolution boil to the surface, enveloping Pitt and landing him in an Egyptian jail with unlikely cellmates. The roiling flames chase Pitt back to London where he, Charlotte, and Narraway try to piece together who killed a former soldier and, more importantly, why. Was it to undermine the cotton industry, stolen from Egypt to flourish in Britain? Was it to bring down an important government official? Was it to pay back debts long owed? Or was it because of a secret so insidious that it could bring a bloody end to both the British rule of Egypt and the irreplaceable British trade routes through the Suez? As international intrigue threatens the government, an intrigue of a different sort envelops Gracie and Tellman. From the beginning through the last breathless page, the heart-stopping action and heart-rending emotion doesn¿t stop. The plot twists come unexpectedly, skillfully crafted by an author who never ceases to please. You¿ll not want to put this one down!

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    • Anonymous

      Posted September 9, 2004

      Entertaining Mystery

      This book is definitely something that I don't normally read (short, mystery/thrillers usually don't excite me), but I bought it on a clearance rack at my local bookstore, intrigued by the fact that it involved an Egyptian woman, Ayesha Zakhari. Since I'm in love with Egypt, I figured, hey, why not? And in the end, this book has opened my views to mystery novellas. Not only was it at least mildly entertaining, but some parts do, literally, keep you on the edge of your seat. Overall, it's not bad for the first book I've ever read by Anne Perry, but it's not one of my favorites either.

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    • Anonymous

      Posted May 1, 2003

      one of her best

      Seven Dials is one of the best books Perry has written lately. There's a good mystery, with far-reaching ramifications, some domestic drama, and Pitt gets to take a trip to Egypt. Aloso, followers of the series who want to check in on the characters will get to do so. The only one left out is Carlotte's mother and her husband, Joshua. But, everyone else gets some juicy material. Especially good is the further exploration of Narraway's character; he was a bit two-dimensional previously, but he gets flsehed out a bit here. Charlotte gets to do some 'detecting,' as do Gracie and (at Gracie's insitence) Tellman. The only quarrel I have is that, once again, two different cases eventually intersect. The coincidence is hard to swallow, but the rest, the plot, the pacing, and the characters are good enough that it's easily overlooked.

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    • Anonymous

      Posted December 14, 2002

      fascinating Victorian mystery

      After exposing the workings of the Inner Circle, Thomas Pitt was fired as superintendent of Bow Street. For his and his family¿s sake he went to work for Special Branch, a top secret agency charged with keeping Great Britain safe from its¿ enemies. His latest case involves an Egyptian woman, Ayesha Zakhari, the mistress of cabinet minister Saville Ryerson. The police believe that Ayesha shot and killed minor diplomat Edwin Lovatt, her lover when he was stationed in Egypt over a decade ago. Ryerson and Ayesha were disposing the body when the police caught them. The government doesn¿t want Ryerson implicated in a scandal and he doesn¿t want his mistress who he loves very much to hang for murder. Pitt¿s boss sends him to Egypt in the hope of discovering more about the players and if anyone else had a reason to kill Lovatt. Anne Perry has written another fascinating Victorian mystery and this one is better than most (and that is saying something) because the reader receives an intriguing look at Egypt through the filtered eyes of a veteran foreign police officer. The audience also gain the perspective of how many Egyptians feel towards their British masters. History aside, in SEVEN DIALS, the hero¿s wife is working on a missing person case that has to do with Pitt¿s homicide investigation. Watching these two cases intersect is mesmerizing and realistic if one has faith in coincidence. Harriet Klausner

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