A Tale of Two Cities
Charles Dickens
Charles Dickens’ nove
A Tale of Two Cities
Charles Dickens
Charles Dickens’ novel A Tale of Two Cities is a combination of history and fiction in which Dickens creates a storyline based on the events of the French Revolution (1789-1799), such as the Storming of the Bastille that started the revolution (Chapter 21). By writing about history, Dickens is able to influence the reader to see issues of humanity from his perspective reinforced through the validity of actual events. Written from a third person perspective, the narrator switches between the settings of two cities, London and Paris, and reveals the character’s thoughts and actions while revealing his own emotional and moral thoughts by sympathizing with the characters in the story. Even though the novel is in third person, Charles Dickens maintains a very personal writing style in which he involves himself, or in this case the narrator and the reader by mimicking the scenes in the story through the manner in which the sentences are structured. For example, when talking about the chaos of a rebellion, the thought flow of the sentences is choppy and jumbled, with repeating emphasis on parts the author wants to stand out.
The plot of the story after the rising action was suspense followed by relief which was then followed by repeated suspense. Through the development of characters, mainly Madame Defarge and Sydney Carton, Dickens successfully created an unexpected resolution to the conflict, and, by the death of a seemingly worthless character, he revealed his personal belief and theme of his novel: the possibility of resurrection and transformation. Furthermore, the theme is seen through the emphasis on one of the many motifs in the story: imprisonment. Every character in the story battled against some form of imprisonment–for some it was literal, and for others it was more of a mental struggle. For instance, Charles Darnay and Doctor Manette both faced actual imprisonment, but Sydney Carton was held captive by his doubts of self-worth. Later in the story, every character reveals a physical or mental transformation brought about by their imprisonment that results in the character changing for the better. In the last few paragraphs of A Tale of Two Cities, Charles Dickens exposes his hinted belief by saying that the death of one of the protagonists would still result in the continuation of life in the “sanctuary [of the] hearts” of those he had saved, further emphasizing the belief of redemption and resurrection.
Before reading the novel, my presuppositions differed greatly from the actual content and meaning of the story. I expected an action-packed, almost horror, writing based during the time period of the French Revolution, but instead I got a story that focused on the characterization of many of the characters and the struggles that each faced. Normally a story like this wouldn’t appeal to me, but Dickens kept my attention with more than just the thought of finishing the book. While based in a dark, grim setting, the author formed the characters in a way that without each other they were helpless, but with each other they were able to overcome the oppression of the revolution. However, he didn’t just provide characteristics about the characters; he created rounded characters that changed as the story continued and that let the reader feel the struggles each of them faced. Therefore, because Charles Dickens created a twist in the resolution of the story and managed to develop characters that were more than just figures in a story, the story is most definitely a recommended read.
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