The Springsweet

( 4 )

Overview

Heartbroken over the tragic death of her fiancé, seventeen-year-old Zora Stewart leaves
Baltimore for the frontier town of West Glory, Oklahoma, to help her young widowed
aunt keep her homestead going. There she discovers that she possesses the astonishing
ability to sense water under the parched earth. ...

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The Springsweet

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Overview

Heartbroken over the tragic death of her fiancé, seventeen-year-old Zora Stewart leaves
Baltimore for the frontier town of West Glory, Oklahoma, to help her young widowed
aunt keep her homestead going. There she discovers that she possesses the astonishing
ability to sense water under the parched earth. When her aunt hires her out as a
“springsweet” to advise other settlers where to dig their wells, Zora feels the burden of
holding the key to something so essential to survival in this unforgiving land.
Even more, she finds herself longing for love the way the prairie thirsts for water.
Maybe, in the wildness of the territories, Zora can finally move beyond simply surviving
and start living.

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Editorial Reviews

From the Publisher
Praise for The Springsweet:

"A lovely historical romance. . . . The author conjures a convincing picture of life on the Oklahoma prairie, painting an absorbing portrait of the landscape and of the people there. . . . A high-quality, absorbing drama."—Kirkus Reviews

"The Springsweet will steal your heart. Zora is a wounded heroine who had me cheering as she rediscovers the strength she thought she'd lost. Blend in a smoldering, yet refreshingly subtle hero, and add a twist of magic and you have a perfect romance in the Old West with another of Saundra Mitchell's signature rich and nuanced historic settings!"—Aprilynne Pike, New York Times bestselling author of Wings and Spells

"I didn't think YA historicals could get better than The Vespertine. The Springsweet proved me wrong. This is a gorgeous, unputdownable book that will stay with you long after it's through. Saundra Mitchell just gets better and better."—Sarah MacLean, NYT and USA Today bestselling Author of Nine Rules to Break When Romancing a Rake and Ten Ways to Be Adored When Landing a Lord

"With Saundra Mitchell’s trademark evocative and gorgeous language, The Springsweet takes us across the plains, where the people thirst for love just as the land thirsts for water. I never wanted this book to end!"—Carrie Ryan, New York Times best-selling author of The Forest of Hands and Teeth series

Praise for The Vespertine:

"[A] richly conceived historical romance. . . . Fans of Libba Bray’s A Great and Terrible Beauty will find themselves enchanted by this atmospheric tale."—Bulletin

"Equal parts vivid period detail, gothic melodrama, and foreboding premonitions coming true . . . an absorbing tale."—Booklist

"Written in a passionate, inviting voice, The Vespertine is a rich, historical novel of otherworldly power, forbidden romance, and questionable motives."
—Aprilynne Pike, New York Times Bestselling Author of Wings and Spells

"Sheer pleasure from beginning to end."—TeenReads.com

"I savored every word of The Vespertine; I knew it was an amazing book from the first page and I was entranced until the very last."—Carrie Ryan, New York Times bestselling author of The Forest of Hands and Teeth series

Praise for The Elementals:

"In The Elementals the worlds of The Vespertine and The Springsweet collide with glass-brittle hopes and devastating consequences. The children of the supernatural must learn what their parents have long known, that even the most innocent magic demands a cost. A sumptuous read, as bittersweet as it is beautiful."—Aprilynne Pike, New York Times bestselling author of Wings and Spells

"Saundra Mitchell pulls off a thrilling conclusion to a mesmerizing series! She just gets better and better!"—Carrie Ryan, New York Times bestselling author of The Forest of Hands and Teeth series

"Mitchell convincingly portrays the glittering, raucous L.A. of the burgeoning movie industry and the oppressive unease of looming war."—Booklist

Children's Literature - Veronica Bartles
Zora wants nothing more than to leave the tragic events of her sixteenth summer behind. Still grieving over the murder of her fiancee, she escapes the familiarity of Baltimore for the rigors of the Oklahoma territory. She is determined to live the rest of her life as a spinster out on the plains, forever mourning her beloved Thomas. She wasn't expecting to find love in the arms of Emerson Birch, a rough-mannered young "sooner" who cheated the system to grab the best plot of land. And she certainly didn't expect to find a magic within herself that rivals the power of her cousin, Amelia. When she attempts to use her power, the ability to sense water under the parched earth, to earn a living as a "springsweet" in her new community of West Glory, she discovers that magic, even the life-giving magic she possesses can have deadly consequences if not carefully guarded. In this companion to The Vespertine, Mitchell takes her readers on a journey of love and romance in the untamed west. This book will appeal to readers of historical romances as well as fans of the paranormal. Reviewer: Veronica Bartles
VOYA - Hilary Crew
In this gothic, historical romance, companion to The Vespertine (Harcourt, 2011/VOYA June 2011), seventeen-year-old Zora Stewart is still in mourning for her fiancee, Thomas Rea, a year after he was killed. Forced to attend a ball, she disgraces her family by her behavior with Theo de la Croix when he rescues her from drowning in a fountain. In despair, she agrees to help Birdie, her mother's younger sister in Oklahoma Territory. At first, it seems that Zora has, indeed, arrived in the Wild West as she is abandoned on the prairie when her coach is attacked by highway men. She is rescued by seventeen-year-old Emerson Birch who offers her shelter before taking her to her aunt's sod house. Zora, named a "springsweet," by Emerson, finds she has a magical ability to find water under desert-like earth, and she discovers that Emerson grows plants using magic. How life really was in the late nineteenth-century West is seen through Zora's descriptions of settlers' lives on the prairie where life is different, she realizes, from the fanciful reports in newspaper accounts back home. A tough and resourceful heroine, Zora, a sophisticated former Baltimore socialite, adapts surprisingly well to life on the prairie with her aunt. There are tantalizing snippets about events in The Vespertine but the cliff-hanger ending is a summons from the supposedly-dead Amelia. Perhaps, less strong than The Vespertine, this novel is still a good read. Reviewer: Hilary Crew
School Library Journal
Gr 7 Up—In this companion to The Vespertine (Houghton Harcourt, 2011), 17-year-old Zora Stewart grieves the loss of her beloved and is sent to live with her widowed Aunt Birdie on her homestead in West Glory, OK. After being robbed en route, she meets Emerson Birch, who offers her a place to stay for the night. Mitchell communicates the harshness of the plains through Zora's reaction to her new life, particularly the food and the shortage of water, and to living in the frontier town. While gathering water for the family, Zora realizes that she has a gift for finding good water, and Aunt Birdie hires her out to settlers seeking spots to dig their wells. Readers will sympathize with Zora as she clings to memories of her betrothed and has growing feelings for Emerson, a man with his own magical gift who is seen as a land thief by the townspeople. Zora's romantic life is further complicated by a wealthy man, Theo de la Croix, who follows her from Baltimore to Oklahoma. Mitchell incorporates the magical elements of the novel believably, and the climactic scene when Zora is struck by lightning is compelling. The story has an evenly paced plot, but isn't much more than a light romance novel.—Hilary Writt, Sullivan University, Lexington, KY
Kirkus Reviews
A lovely historical romance takes readers back to the 1890 Oklahoma territory. In this sequel to The Vespertine (2011), Zora decides to escape from her life in Baltimore when she can't get over the death of her true love. In despair, she travels to live in her aunt's sod house on the parched prairie. There she discovers that she has a supernatural ability to find water. She also finds that two men want her affections: Theo, a wealthy man she met over Edgar Allan Poe's grave in Baltimore, and Emerson, an attractive young man who might have some paranormal abilities of his own. Zora starts her adventure by surviving a stagecoach robbery, and subsequently learns that she can't fetch water while wearing her corset. When she tries to make desperately needed money with her water-finding ability, though, she runs into trouble. Throughout, the author conjures a convincing picture of life on the Oklahoma prairie, painting an absorbing portrait of the landscape and of the people there. Paranormal abilities aside, this is an effective historical novel. Mitchell includes a barn raising and dance, a prairie fire and a town founded and run by blacks, demonstrating solid research. Writing, story and romance maintain interest throughout. A high-quality, absorbing drama. (Paranormal historical romance. 12 & up)
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Product Details

  • ISBN-13: 9780544003279
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 3/5/2013
  • Pages: 296
  • Sales rank: 432,723
  • Age range: 12 years
  • Product dimensions: 5.40 (w) x 8.20 (h) x 0.90 (d)

Meet the Author

Saundra Mitchell is a screenwriter and author. Her companion novels The Vespertine, The Springsweet, and The Elementals have been praised for their rich historical settings, evocative language, and heart-pounding romance. Her debut novel, Shadowed Summer, was a 2010 Edgar Award Nominee, a Junior Library Guild selection, and an ALAN Pick. She lives in Indianapolis, Indiana with her husband and her two children. Visit her website at www.saundramitchell.com.

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Read an Excerpt

One

That I went a little mad, I could not deny.

Those endless months in mourning clothes saved me and destroyed me; I got used to my own silence and to the delicate passing of footsteps. No one invited me to tea or to dance. They didn’t even ask me to speak over cold dinners; sometimes I had the pleasure of eating alone on the sideboard.

After two months, I should have packed away my black dress, remembering death with just a dark ribbon in my hair. After six months, I should have taken callers and started at the new girls’ high school. But I didn’t, and I wouldn’t—I remained cloaked in ebony satin, my steps slow, as if taken through an ocean of dreams.

I woke, I slept, and I waited, endlessly waited, for my Thomas Rea, who would never call on me again.

After a year, my mother decided to rip down my black crêpe by force.

"They’re your friends," Mama said, brisk as always. "So I sent your card out."

I think she meant for me to argue, but what argument could I make? I was neither widow nor wife.

Freshly seventeen, I should have had roses in my cheeks and laughter in my heart. I should have savored the dawn of spring. But then, I shouldn’t have known, to the drop, how much blood could spill from a boy before he turned gray and breathed no more.

Mama flipped her dough, leaning into it hard to knead it. "You’ll have Mattie and Victoria, and Grace if she’s over that cold of hers. Hope she doesn’t drag it in, anyway. She should know better."

Winding the paring knife round and round, I bared an apple’s flesh. I had no reply.

"Thought I’d like to invite some badgers, too," Mama said, turning a gray look in my direction. "Maybe we’ll strip to our corsets and have a parade in the park."

When I said nothing still, Mama made an ugly sound. Flipping the dough again, she banged from one end of the counter to the other. What she meant to do I couldn’t imagine. So when she snatched her pine rolling pin and pounded the table in front of me, I jumped.

The knife bit into my thumb.

"Oh, duck," Mama said, her voice strained as she wrapped her apron around my hand. "What did you do that for?"

I shook my head, watching scarlet blossom through white muslin. I had no tears for this ridiculous little wound.

"You’re alive," she said, squeezing until my hand throbbed. Lifting it above my head, she tugged me to my feet. How peculiar it seemed that she didn’t tower over me anymore.

"You’re alive, Zora Stewart," she repeated, catching my chin with her unencumbered hand. "And you have to be alive until your time comes."

Rolling my gaze round to hers, I opened my mouth. As if the creaking of a neglected hinge, my voice came out slow and croaking. "Do you know what I dream?"

"Tell me."

" Every night, I drown in fire," I said. Numb, my lips barely shaped my words. "Endlessly, Mama. I drown in it, and the sky is as wide as the sea."

Opening the hot tap, mama rinsed blood from my fingers. "There’s neither heaven nor hell on this earth, but those you make."

"I made none of this."

"And yet you succumb."

Reclaiming my hand, I sat again. "Arrange something for me, then."

"Arrange it yourself," Mama replied. She leaned on the counter, rubbing dry hands drier on her apron. "You’ll take callers this week."

Drawn by habit, I touched the locket at my throat. It held my remembrance of Thomas, a single curl of his hair closed in a silver shell. I had made all my arrangements, and none of them would ever happen. "I meant a match. A marriage. Just to have it done with."

Mama touched my chin, turning my face to hers. "One cage into another is no life at all."

But I had gone mad in those months. Just the littlest bit, and madness sometimes guises itself as reason. My fingers trailed from the locket, and likewise my gaze from Mama’s. I took up my paring knife and apple, and made up my unsettled mind.

I would not dance, I decided. Go calling, play snapdragon, go riding in street cars—none of it. My merry days were over, my heart too broken to beat again. It was time to put away notions and games, childhood and hopes. My decision was made: I would be married.

But first, I needed counsel.


I walked down Fayette Street alone. I went in black, so no one bothered me—my destination was clear.

The Westminster Burial Ground sat in a small plot, penned on every side by a city growing in desperate gasps. I opened the iron gate and streamed away from the odd fellow standing there—one of the boys who appeared with cognac and two glasses: one for them, and one for Mr. Poe. They dissipated themselves intentionally, leaning against the stone of a drunk who’d died in a gutter, in the most literal sense.

I longed to throw rocks at them, to chase them away—to dare them to grieve just once over something real and then decide if it was romantic.

They, I think, considered me kindred. This one saw me and raised his glass. As if we could be the same—those fools who suffered intentionally, and I, who longed to sink into the ground with my love and sleep forevermore.

From my cloak, I pulled a horsehair brush and skimmed it across Thomas’ marker. I cleaned the soft limestone until the carved hand that held his martyr’s arrow stood out in perfect relief. I brushed the stone clean, until there could be no forgetting.

Guiltily, I polished his name, because I had begun to forget. When I clutched the locket round my throat, I couldn’t remember whether the lock of his hair inside was more auburn or strawberry. I had an impression of his voice that had faded, as if called down a corridor.

The wind lifted, and speckled white petals fluttered around me, the gentlest snow. I murmured, "I’m thinking of sending away to be a farmer’s wife, Thomas. In the Territories."

Quiet answered, but not silence. Instead of Thomas’ voice, ships in the harbor cried their comings, their goings. Men worked nearby, singing as they laid mortar, and hoofbeats argued with the disconcerting hum of the streetcars.

"There are magazines full of them—widowers wanting a wife to raise their orphaned children."

From the corner of my eye, I saw Poe’s Visitor finish his cup and set it on top of the stone—no doubt to leave it there. The dead did not drink; they certainly didn’t ruin their own burying yard. Living men did that—careless ones. Damping my ire, I turned my attention to Thomas again.

"Is it a bad idea? I don’t think you’d mind, but I just don’t know." Sinking slowly to my knees, I leaned my forehead against the limestone. How queer it felt—warm as flesh in the places it basked in the sun, and cool as water in the shadows.

Only the roughness of the stone, already weathered, answered me. A slow tide of grief filled me; I murmured, "I wish you’d say. I wish you’d haunt me, Thomas. You’re so still."

Someone approached from behind; I stiffened and drank up my tears.

"Miss?"

Turning, I lifted my face to Poe’s Visitor. He was carelessly handsome, his coat unbuttoned. Ink spotted his sleeves, accusing black specks on the cuffs. He reminded me overmuch of an artist, or an actor—so caught in his own head he couldn’t behave, even in a graveyard.

Coolly, I asked, "Can I help you?"

He offered his hand and a concerned look. "That’s what I meant to ask you."

Trying to gather myself the way my mother did, I wanted to make myself full and great, such a wall that no one would trouble me. But my mother’s voice wouldn’t have quavered if she’d been the one to say " Thank you, no."

Glancing at the stone, he asked, "A friend?"

"Hardly!" I bristled, then stopped short.

What could I say? I felt like a widow, but I wasn’t. To call Thomas friend lied about everything we ever were. Angry tears stung my eyes again, and I ducked around this intruder. I owed him no explanation.

"You shouldn’t walk home alone," Poe’s Visitor called after me, but he chose not to follow.

Stealing a glance as I hurried through the gate, I saw that he’d already turned away. Hands folded, he considered the headstone instead of me, his dark hair overlong and fingered by the wind. Standing beneath a flowering pear, he cut a fine figure. Tall and straight, broad of shoulder—plainly kind.

And yet I felt nothing. No curiosity about his name or his provenance, no desire to write him into a dance card or take his hand in a darkened garden.

That had to be Thomas’ answer.

If I couldn’t imagine a life with anyone else, then I had to give myself to good intentions and hard work. Mothering in Kansas or the Territories or anyplace but Baltimore, Maryland, would do.

*

"It’s not as though I’m complaining," Mattie complained, trying to balance her teacup and saucer on her knees, "but I thought we might catch up a bit over tea, not newspapers."

Victoria turned a page and made a funny noise. "I can read and catch up at the same time."

My gloves abandoned, I stood at the table, poring over the newspaper I’d claimed for my own. "You know my particulars—I’m the same as I ever was. How are you?"

"Distractible," Mattie said. She leaned over her cup to implore me. "My silver toilette’s gone all ragged at the hems. I wanted to wear it to the Sugarcane Ball, and now I can’t."

"How distressing," I said as I ran my finger along the paper. Passing inquiries for nurses and teachers and clerks, I skipped to the bottom of the page and lit up when I finally found my particular heading:

SITUATIONS OFFERED

Slowly, I sank into my seat, reading through the listings. Miners and land grabbers and cattlemen—they’d traveled west to find their fortunes but had to write back east to find their wives. So many asked for a cooing dove, a docile lamb, a darling kitten, that I wondered if I’d stumbled on inquiries for a zoo.

Mattie raised her cup. "Are you going to come?"

"To what?" I asked.

"The Sugarcane Ball," Mattie said. She gave a suffering sigh. "Are you paying attention at all?"

"I hardly am, I admit."

Victoria laughed under her breath, then closed her paper with a flourish. Propping elbows on the table, she shrugged. "It’s all miners in this one."

"That won’t do," I said.

"Why not?" Mattie opened her fan. She hid all but her eyes behind it, flapping it lazily. Then, with a snap, she closed it again. It was all practice for the ball, though she didn’t need it. Her startling blue eyes needed no frame to improve them.

"Miners are dirty," Victoria said. She hesitated, then reached for the next paper. "And poor."

Mattie furled the fan again. "They’re goldminers, realize."

"It’s gambling, realize."

"If it means a lovely house with running water upstairs and down, and a water closet, and a girl to come in every day, I have no philosophical objection to gambling," Mattie replied. She moved to snap her wrist, and I caught it. The rattle of fan bones had driven me to distraction.

"Just as like to end up in a shanty," I told her. "I’m looking for someone settled."

"Find someone here, at the ball," Mattie said. She turned her eyes up at me, making no move to reclaim her hand. Distinctly doll-like, she slid to the edge of her chair to plead. "Everyone’s leaving me. Can’t you stay?"

A scold flew to my lips. Our dear friends hadn’t left us. Thomas and Sarah weren’t traveling on holiday; Amelia and Nathaniel weren’t simply away. These separations couldn’t be cured with cards and reunions—they were dead. All dead: Thomas bled and Sarah poisoned; Nathaniel burned and Amelia fevered.

It was the last that broke me irreparably. Attending funeral upon funeral, and Caleb’s disappearance before trial, was more than I wanted to bear. But bear it I did, thinking Mama would soon relent and bring Amelia back home to Baltimore. Instead, a letter came to my door rather than of my dearest friend.

Three spare lines in an unfamiliar hand informed us that Amelia had taken a fever on returning to Maine and expired forthwith. Her brother sent no memento; I had nothing but memories and despair. Thus, I commended myself to madness.

Our sixteenth summer lay buried—how could Mattie be so frivolous? Honestly, how could I? The delicate bubble of my amusement burst. Folding on myself, I turned to the papers still spread on the table.

"What good is any of this, I wonder?" I asked.

Wind washed over me, cool and almost wet with its freshness. But it was no balm; I panicked when I felt it. My mother’s errands hadn’t lasted nearly as long as I expected.

"Hurry," I said, scrambling to hide my papers and catalogs. "Put the cups and pot back on the table!"

"God save us from sailors! The harbor’s teeming with them. Can’t hardly go a step without . . ." Fingers poised at her temples, smoothing back loose curls, Mama narrowed her eyes at us. "This seems too precious by half."

I lifted my teacup, sipping at cold, sugared dregs. "You sent them my card, Mama. Of course, I invited them in."

Gliding into the parlor, Mama eyed the table, then smiled at Mattie, "How do you do, dear?"

"Very well, thank you," Mattie said, folding her hands neatly as doves in her lap. "It’s been a lovely tea. I’ve even convinced Zora to come to the Sugarcane Ball."

Through gritted teeth, I said, "We had only considered it, Mattie."

Mama ignored the tone of my voice, refusing to see how stiffly I sat and the hard cut of my eyes. She heard what she wished to hear: I’d be a good girl again, worried about dresses and dances, the darkness of last summer finally put aside.

"Oh, Zora," Mama said, engulfing me in a powdery hug,

"I couldn’t be happier!"

Over Mama’s shoulder, I caught a glimpse of my oldest but least dear friend. Mattie shone with a silvery, pristine smile. She’d gotten her way. I would come out of mourning at the Sugarcane Ball—that she’d forced me meant nothing.

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Sort by: Showing all of 4 Customer Reviews
  • Anonymous

    Posted October 20, 2013

    Incredible book!

    One of my most favorite reads. I had bought it at a gift shop just for something to read on the long car ride home and ended up loving it! I didn't want it to end. I wish she would continue with these characters. I loved Emerson!

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  • Posted June 19, 2012

    A Must Read

    Saundra Mitchell has done it again. She swept me up into a world that is grounded in history but steeped to perfection in paranormal. Zora's story is heartbreaking, uplifting, and completely inspiring. I never would have thought I could become so smitten with a story set around the land rush of Oklahoma. Saundra's writing is rich and lovely, the kind that propels you headlong into the story along with the main character.

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  • Anonymous

    Posted May 9, 2012

    Couldn't put it down!

    Loved this book, could not put it down. Its not fair that this is young adult. Dont care, I am fourty and really could relate to her characters. Ms. Mitchell is a really good story teller, the theme of this book is spring water, and her writing is very fluid, enthralling.

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  • Anonymous

    Posted January 31, 2014

    No text was provided for this review.

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