The Unwinding: An Inner History of the New America

Overview

A riveting examination of a nation in crisis, from one of the finest political journalists of our generation

American democracy is beset by a sense of crisis. Seismic shifts during a single generation have created a country of winners and losers, allowing unprecedented freedom while rending the social contract, driving the political system to the verge of breakdown, and setting citizens adrift to find new paths forward. In The Unwinding, George Packer, author of The Assassins’ ...

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The Unwinding: An Inner History of the New America

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Overview

A riveting examination of a nation in crisis, from one of the finest political journalists of our generation

American democracy is beset by a sense of crisis. Seismic shifts during a single generation have created a country of winners and losers, allowing unprecedented freedom while rending the social contract, driving the political system to the verge of breakdown, and setting citizens adrift to find new paths forward. In The Unwinding, George Packer, author of The Assassins’ Gate: America in Iraq, tells the story of the United States over the past three decades in an utterly original way, with his characteristically sharp eye for detail and gift for weaving together complex narratives.

The Unwinding journeys through the lives of several Americans, including Dean Price, the son of tobacco farmers, who becomes an evangelist for a new economy in the rural South; Tammy Thomas, a factory worker in the Rust Belt trying to survive the collapse of her city; Jeff Connaughton, a Washington insider oscillating between political idealism and the lure of organized money; and Peter Thiel, a Silicon Valley billionaire who questions the Internet’s significance and arrives at a radical vision of the future. Packer interweaves these intimate stories with biographical sketches of the era’s leading public figures, from Newt Gingrich to Jay-Z, and collages made from newspaper headlines, advertising slogans, and song lyrics that capture the flow of events and their undercurrents.

The Unwinding portrays a superpower in danger of coming apart at the seams, its elites no longer elite, its institutions no longer working, its ordinary people left to improvise their own schemes for success and salvation. Packer’s novelistic and kaleidoscopic history of the new America is his most ambitious work to date.

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Editorial Reviews

Publishers Weekly
Sometime in the late 1970s, the foundations of the American Century began to unravel. In this trenchant account, New Yorker writer Packer (The Assassins’ Gate: America in Iraq) charts the erosion of the social compact that kept the country stable and middle class. Readers experience three decades of change via the personal histories of an Ohio factory worker, a Washington political operative, a North Carolinian small businessman, and an Internet billionaire. Their lives follow the ups and downs of a changing country, where manufacturing jobs vanish, businesses thrive and fail, and political fortunes crest and recede. There’s a pervasive sense that “nothing was locked down,” thanks to the erosion of bank regulations that for 50 years averted the panics, and meltdowns that now push the middle class to the brink. Adroit homages to John Dos Passos’s “newsreel” interludes provide astute quips and headlines. Brief biographies of seminal figures that shaped the current state of affairs offer the book’s fiercest prose, such as in Packer’s brutal takedown of Robert Rubin, secretary of the Treasury during some key 1990s financial deregulation that amplified the severity of the Great Recession of 2008. Packer has a keen eye for the big story in the small moment, writing about our fraying social fabric with talent that matches his dismay. Agent: Sarah Chalfant, the Wylie Agency. (May 21)
From the Publisher

Praise for The Unwinding:

“Trenchant . . . [the] brief biographies of seminal figures that shaped the current state of affairs offer the book’s fiercest prose, such as in Packer’s brutal takedown of Robert Rubin, secretary of the Treasury during some key 1990s financial deregulation that amplified the severity of the Great Recession of 2008. Packer has a keen eye for the big story in the small moment, writing about our fraying social fabric with talent that matches his dismay.”
—Publishers Weekly (starred review)

“Exemplary journalism . . . A foundational document in the literature of the end of America.”
Kirkus (starred review)

“A broad and compelling perspective on a nation in crisis . . . an illuminating, in-depth, sometimes frightening view of the complexities of decline and the enduring hope of recovery.”
Booklist (starred review)

“George Packer has crafted a unique, irresistible contraption of a book. Not since John Dos Passos’s celebrated U.S.A. trilogy, which The Unwinding recollects and rivals, has a writer so cunningly plumbed the seething undercurrents of American life. The result is a sad but delicious jazz-tempo requiem for the post–World War II American social contract. You will often laugh through your tears at these tales of lives of ever-less-quiet desperation in a land going ever-more-noisily berserk.”
—David M. Kennedy, Pulitzer Prize–winning author of Freedom from Fear and Over Here

The Unwinding is the extraordinary story of what’s happened to our country over the past thirty years. George Packer gives us an intimate look into American lives that have been transformed by the dissolution of all the things that used to hold us together. The result is an epic—wondrous, bracing, and true—that will stand as the defining book of our time.”
—Dexter Filkins, author of The Forever War

The Unwinding presents a big, gorgeous, sad, utterly absorbing panorama of the relentless breakdown of the American social compact over a generation. George Packer communicates the scope and the human experience of the enormous change that is his subject better than any writer has so far.”
—Nicholas Leman, author of Redemption and The Promised Land

“Original, incisive, courageous, and essential. One of the best works of nonfiction I’ve read in years.”
—Katherine Boo, National Book Award–winning author of Behind the Beautiful Forevers

“George Packer serves us the history of our own life and times in a magisterial look at the America we lost.”
—Lawrence Wright, Pulitzer Prize–winning author of The Looming Tower and Going Clear

“The hearts and lives broken in this second great depression have now found their eloquent voice and fierce champion in George Packer. The Unwinding is an American tragedy and a literary triumph.”
—David Frum, author of Comeback and Why Romney Lost

“As with George Orwell’s, each of George Packer’s sentences carries a pulse of moral force. The Unwinding is a sweeping and powerful book that everyone should read.”
—David Grann, author of The Lost City of Z

Praise for George Packer:

“George Packer is a modern-day George Orwell . . . The places he writes about are never stages for personal or ideological heroism. They are always real and full of frustrating facts that expose both liberal and conservative absolutism as reckless attempts to deny reality.”
—Jed Lipinski, The Village Voice

Kirkus Reviews
New Yorker writer Packer (Interesting Times: Writing from a Turbulent Decade, 2009, etc.) ranges across the country to chronicle the time when "the coil that held Americans together in its secure and sometimes stifling grip first gave way." "I am the empire at the end of the decadence." Thus said the French poet Mallarmé. Packer describes the decline of America from a very specific time: If you were born half a century ago, around 1960, then, he writes, "you watched structures that had been in place before your birth collapse like pillars of salt across the vast visible landscape." While forces are picking away at the pillars that still stand (Social Security, public education, privacy, etc.), and while only money seems to matter, the author offers the tiniest comfort in the thought that America has declined and fallen before. Still, this decline seems steeper than those others, save for the Civil War. Among his subjects are the city of Tampa, Fla., which once "was going to be America's Next Great City" but is mired in stagnation and desperation, and a struggling, no-longer-aspirational factory worker named Tammy, one of whose co-workers sagely observes, "Most people wouldn't survive in a factory. Mitt Romney would die in a week." Against these depressed landscapes and people, Packer juxtaposes a few who are doing a bit better: Raymond Chandler, "a drinker" whose lapidary stories of blue-collar America have become classics; Oprah Winfrey, empire builder; and Colin Powell, empire builder of another kind. Packer's repetitive structure--a chapter on Tammy followed by one on Tampa followed by other pieces--hammers home the point that all is not well in America and not likely to get better soon, the promise of "acres of diamonds in Greenville [N.C.]" notwithstanding. Exemplary journalism that defines a sobering, even depressing matter. A foundational document in the literature of the end of America--the end, that is, for the moment.
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Product Details

  • ISBN-13: 9780374102418
  • Publisher: Farrar, Straus and Giroux
  • Publication date: 5/21/2013
  • Pages: 448
  • Sales rank: 50433
  • Product dimensions: 6.38 (w) x 9.21 (h) x 1.37 (d)

Meet the Author

George Packer

George Packer is a staff writer for The New Yorker and the author of The Assassins’ Gate: America in Iraq, which received several prizes and was named one of the ten best books of 2005 by The New York Times Book Review. He is also the author of two novels, The Half Man and Central Square, and two other works of nonfiction, Blood of the Liberals, which won the 2001 Robert F. Kennedy Book Award, and The Village of Waiting. His play, Betrayed, ran off-Broadway for five months in 2008 and won the Lucille Lortel Award for Outstanding Play. His most recent book is Interesting Times: Writings from a Turbulent Decade. He lives in Brooklyn.

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