Witch Hunt a good book.
Through the Eyes of the Beholder Many people in the world today are confused about what really went on in Salem Massachusetts, in the late 1692. There are many things that took place and many stories that go along with what happened, or what people think happened. In this story I read about a woman named Martha Corey. The author Marc Aronson does a good job explaining the details. On Monday, March 21, Martha Corey was one of the many witches accused in Salem that year. The truth of the crowd versus that of the individual was a recurring issue in the Salem trails. I believe it was the biggest hoax ever recorded, I don¿t believe any of the accused deserved what happened to them in 1692. In the authors thesis he states two questions, ¿how would a religious women stand up against questioning?¿ and ¿could it really be hidden in the very heart of the church was a servant of Satan?¿ I think with this thesis and the way it is written it immediately grabs the readers attention, because it sets the story to be good verse evil. In the second paragraph Martha starts to pray, showing a sign of a true church woman, not a witch. With this sentence I think the author made a good choice by coming right out and saying, ¿look at me I pray for all of you in hopes that you will see the truth behind the distractions and sympathy you give these girls. I am not a witch.¿ On the second page they are in the court room and Martha is on trail, Marc Aronson uses the judge like a modern prosecutor, attacking, badgering, provoking Martha trying to get her to confess. In the story Marc Aronson uses Martha, an older lady in the community going up against the younger youth as a type of a paradox. The author often uses the word distracted, the girls were using there screams as a kind of a distraction, so the judge wouldn¿t see or take into consideration Martha¿s side of the store. Also in the story the author uses a poem from John Milton, Paradise Lost published in 1667. In it John Milton describes Hecate, the queen of witches, as ¿in secret, riding through the Air she comes/ Lur¿d with the smell of infants blood to dance with Lapland witches.¿ On page 108 the author states we either overwhelm our children with the belief of religion or we don¿t tell them anything at all, thus resulting in rebellious children. Often in the story Marc Aronson uses metaphors, ¿it was like her evil shadow floated above the crowd, pulling at her puppet victims invisible strings.¿ One of the main points that the author states frequently is that the wounds and marks on the children were some of the most compelling evidence in the trials. With no one knowing how the marks really appeared except for the children, allowed the children to use it to their advantage. In today¿s society you can not be convicted without proof of evidence, unlike in 1692. If the judge thought you were guilty, then you were convicted. In conclusion, the only weakness I found in the authors writing was no interest in the accusers. Possibly due in part to the fact that the writer might only be interested in showing one side, and not the other, this could because he is only knowledgeable on one side of the story. I found much strength in the authors writing. He uses analogies very well to help you visualize the events; he also uses good supporting facts about the situations talked about in the story.
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Overview
Salem, Massachusetts, 1692. In a plain meetinghouse a woman stands before her judges. The accusers, girls and young women, are fervent and overexcited. The accused is a poor, unpopular woman who had her first child before she was married. As the trial proceeds the girls begin to wail, tear their clothing, and scream that the woman is hurting them. Some of them expose wounds to the horrified onlookers, holding out the pins that have stabbed them — pins that appeared as if by magic. Are they acting or are they really tormented by an unseen evil? Whatever the cause, the nightmare has begun: The witch trials will eventually claim twenty-five lives, shatter the community, and forever shape the...