In this daring reexamination of the connections between national politics and Hollywood movies, Lary May offers a fresh interpretation of American culture from the New Deal through the Cold War—one in which a populist, egalitarian ethos found itself eventually supplanted by a far different view of the nation.
"One of the best books ever written about the movies." —Tom Ryan, The Age
"The most exhilarating work of revisionist film history since Pauline Kael's Citizen Kane. . . . May's take on w...
"One of the best books ever written about the movies." —Tom Ryan, The Age
"The most exhilarating work of revisionist film history since Pauline Kael's Citizen Kane. . . . May's take on w...






















