American Tabloid (Underworld USA Trilogy #1)

by James Ellroy

Overview

CHOSEN BY TIME MAGAZINE AS ONE OF
THE TEN BEST BOOKS OF THE YEAR
"ONE HELLISHLY EXCITING RIDE."
--Detroit Free Press
The '50s are finished. Zealous young senator Robert Kennedy has a red-hot jones to nail Jimmy Hoffa. JFK has his eyes on the Oval Office. J. Edgar Hoover is swooping down on the Red Menace. Howard Hughes is dodging subpoenas and digging up Kennedy dirt. And Castro is mopping up the bloody aftermath of his new communist nation.
"HARD-BITTEN. . . INGENIOUS. . . ELLROY SEGUES INTO POLITICAL INTRIGUE WITHOUT MISSING A BEAT."
--The New York Times
In the thick of it: FBI men Kemper Boyd and Ward Littell. They work every side of the street, jerking the chains of made men, street scum, and celebrities alike, while Pete Bondurant, ex-rogue cop, freelance enforcer, troubleshooter, and troublemaker, has the conscience to louse it all up.
"VASTLY ENTERTAINING."
--Los Angeles Times
Mob bosses, politicos, snitches, psychos, fall guys, and femmes fatale. They're mixing up a molotov cocktail guaranteed to end the country's innocence with a bang. Dig that crazy beat: it's America's heart racing out of control. . . .
"A SUPREMELY CONTROLLED WORK OF ART."
--The New York Times Book Review

Product Details

ISBN-13:	9780307798435
Publisher:	Knopf Doubleday Publishing Group
Publication date:	06/29/2011
Series:	Underworld USA Trilogy Series , #1
Sold by:	Random House
Format:	eBook
Pages:	592
File size:	3 MB

About the Author

James Ellroy was born in Los Angeles in 1948. He is the author of the L.A. Quartet: The Black Dahlia, The Big Nowhere, L.A. Confidential, and White Jazz, and the Underworld U.S.A. Trilogy: American Tabloid, The Cold Six Thousand, and Blood’s A Rover. These seven novels have won numerous honors and were international best sellers. He is also the author of two collections, Crime Wave and Destination: Morgue! and two memoirs My Dark Places and The Hilliker Curse.  Ellroy currently lives in Denver, Colorado.

www.jamesellroy.net

What People are Saying About This

From the Publisher

"A supremely controlled work of art." —The New York Times Book Review

"Hard-bitten. . . . Ingenious. . . . Ellroy segues into political intrigue without missing a beat." —The New York Times

"Vastly entertaining." —Los Angeles Times

"Compulsively readable. . . . Hard to forget." —Chicago Tribune

Editorial Reviews

James Ellroy's great gift as a writer is his ability to view history from the bottom up. Appetites, he has shown us again and again--but especially in his L.A. Quartet of crime novels--are what drive human events: money, power, and sex lurk behind every headline, and to follow their trail is to expose a slippery umbilical cord of sleaze connecting high life to low life, ideological posturing to the fundamental hungers that define us all. Given this worldview, it was inevitable that Ellroy would come eventually to that paradigmatic tabloid moment in American history: the assassination of JFK. Forget Camelot, grassy knolls, and Oliver Stoneish righteous indignation: Ellroy's story reads like your typical office power struggle gone bad. At the center of it all are three extremely bent law-enforcement types: two FBI agents and an ex-L.A. cop turned CIA operative. The labyrinthine machinations that take these three through multiple coalitions involving JFK, RFK, J. Edgar Hoover, Howard Hughes, Jimmy Hoffa, various mobsters, and a few boatloads of anti-Castro Cubans are detailed in Ellroy's signature staccato style. His short sentences and shorter paragraphs read as if fueled by the Benzedrine that propels the central characters in their various moves and countermoves Narcotics of all kinds are omnipresent in Ellroy's books, but the most potent drug of all--the most energizing and the most debilitating--is always power. Writing about powerful people is difficult for a novelist who does it unflinchingly because power works against empathy. We never care about powerful characters with the same passion we care for those abused by power, but we are fascinated by them and feel the allure of their addiction. That's especially true here. It's as if Ellroy injects us with a mainline pop of the undiluted power that surges through the veins of his obsessed characters. Though he is thought of as a crime novelist, Ellroy is really a political novelist, and like the best of the breed, his work has no politics. Is his version of who killed JFK believable? Probably, but the real message behind this profoundly disturbing, utterly intoxicating book is how trivial a question that really is.

Bill Ott

"A supremely controlled work of art." —The New York Times Book Review

"Hard-bitten. . . . Ingenious. . . . Ellroy segues into political intrigue without missing a beat." —The New York Times

"Vastly entertaining." —Los Angeles Times

"Compulsively readable. . . . Hard to forget." —Chicago Tribune

From the Publisher