Cinema and Contact: The Withdrawal of Touch in Nancy, Bresson, Duras and Denis
This book, drawing on the work of contemporary French philosopher Jean-Luc Nancy, investigates the aesthetics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France: Robert Bresson, Marguerite Duras and Claire Denis.
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Cinema and Contact: The Withdrawal of Touch in Nancy, Bresson, Duras and Denis
This book, drawing on the work of contemporary French philosopher Jean-Luc Nancy, investigates the aesthetics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France: Robert Bresson, Marguerite Duras and Claire Denis.
61.99 In Stock
Cinema and Contact: The Withdrawal of Touch in Nancy, Bresson, Duras and Denis

Cinema and Contact: The Withdrawal of Touch in Nancy, Bresson, Duras and Denis

by Laura McMahon
Cinema and Contact: The Withdrawal of Touch in Nancy, Bresson, Duras and Denis

Cinema and Contact: The Withdrawal of Touch in Nancy, Bresson, Duras and Denis

by Laura McMahon

Paperback

$61.99 
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Overview

This book, drawing on the work of contemporary French philosopher Jean-Luc Nancy, investigates the aesthetics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France: Robert Bresson, Marguerite Duras and Claire Denis.

Product Details

ISBN-13: 9780367602376
Publisher: Taylor & Francis
Publication date: 06/30/2020
Pages: 188
Product dimensions: 6.69(w) x 9.75(h) x (d)

Table of Contents

Introduction 1. Jean-Luc Nancy: Co-Exposure, Technicity, Cinema 2. Robert Bresson: A Cinematography of Contact 3. Marguerite Duras: Back to Zero, or a Politics of Being-with 4. Claire Denis: Commonalities in Close-up 5. Conclusion
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